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    Thrill of a Lifetime

    Up-close view of erupting volcano from lava boat is Hawaii's ultimate thrill ride

    Jane Howze
    Jun 15, 2017 | 9:15 am

    The greatest show on earth—and no, I’m not talking about last month’s U2 concert at NRG or the final performance of Ringling Bros and Barnum & Bailey circus—is happening right now on the Big Island of Hawaii.

    Kilauea, which erupted on January 1, 1983, remains one of the world’s most active volcanoes. According to the U.S. Geological Survey, solidified lava over the last 34 years has created about 500 acres of new land on the Big Island.

    My husband and I were vacationing on the island when Kilauea began erupting again in earnest. We jumped into our car and drove toward the eruption as lava spewed 1,500 feet into the air and was visible from many miles away. We were so enthralled we drove 100 miles to the same lookout point a day later only to find lava had flowed across and closed the road, destroyed nearby homes and created a new black sand beach.

    The volcano and its unpredictable activity have been an irresistible attraction to us ever since.

    We have visited the volcano by helicopter, through walking tours at Hawaii Volcano National Park, where rangers lead walks to viewing areas when it is safe to do so, and by driving as close as possible to the flowing lava. It is never the same. Sometimes the weather is so foggy and cold that all you want to do is go back to the beach. Other times you can see the crater glowing like a campfire less than a football field away and feel the (mostly small) daily earthquakes.

    But we have never seen the volcano from the ocean — until now.

    Last summer, lava traveled from the Pu'u Oo vent 7.5 miles through underground tubes and into the Pacific Ocean, creating a fire spitting, explosive show of a lifetime — the only volcano in the world currently flowing into the sea. Several tour companies offer boat trips to witness the flow, which occurs in a remote unpopulated area between the town of Hilo and Hawaii Volcano National Park.

    Based on the volcano’s prior unpredictability we knew the flow could easily stop as quickly as it started. We were determined not to miss it.

    All Aboard for the Lava Boat Tour

    Websites for lava boat tour companies state that “this is not a powderpuff tour,” tout “roller coaster seating” and, with understatement, caution “this is an adventurous type tour that may not be for everyone,” but I was oblivious to the warnings. We chose the most popular tour boat company, Lava Ocean Tours, which launches its Coast Guard-certified boat from Isaac Hale Beach Park, just south of Hilo, about a two-hour drive from our hotel on the other side of the island.

    Our journey took us across Saddle Road that traverses the two 13,000 foot mountain peaks of Mauna Kea and Mauna Loa, skirted the old town of Hilo, and ended up on a single lane road through local neighborhoods. It was an interesting group that gathered for our boat tour — about 40 of us, most under the age of 40, many of whom were visitors to the U.S.

    The friendly and sea-weathered captain gathered us for a safety demonstration saying, “You need to know three things: You are going to get wet—most likely soaking wet. It is going to be bumpy—expect to be jarred side to side and up and down; and you are going to see the lava up close and personal. “

    He continued, “If any of this bothers you, I will gladly give you your money back now.”

    It was not lost on me that 10 people immediately bowed out. I hate turbulence, speed and being out of control. But how do you back out when you have brought first-time visitors to see the volcano, you have driven 100 miles and paid $250 a person?

    I have been on rough seas before but nothing prepared me for our powerful boat speeding down the coast at sunset, being completely soaked in the first 30 seconds and worrying my bones would break as the boat became airborne for seemingly minutes at a time. What had we gotten ourselves into?

    Although the scenery (when I could see it through the spray) was stunning, I gritted my teeth and pretended I was not about to have a panic attack as the woman behind me began to throw up. But this was merely an introduction to the power of Madame Pele, the goddess of fire, lightning, wind, and volcanoes and the legendary creator of the Hawaiian Islands.

    After covering 17 miles of coastline in about 45 minutes, we could see plumes of smoke rising from the ocean in the distance. As we neared the volcano, my fear turned into wonder and awe as we approached the 2,000 degree molten lava flowing into the sea, creating cascading mountains of steam, exploding rock, an acrid smell and steaming hot sea water.

    The captain expertly brought the boat to a standstill and positioned it about 50 feet from the lava so that spectators on both sides of the boat could get pictures. The sun was setting, the wind was howling and the ocean was so choppy that I fretted that one large wave could fling us into the lava. I needn’t have worried. The experience was so spectacular that we forgot the potential danger and surrendered to the exhilaration of seeing nature in action.

    After 20 minutes of taking pictures while the lava flowed and part of the cliff broke off and splashed in the water just feet away from the boat, the captain asked us to “thank Madame Pele and bid her adieu.” Returning over rough seas in the dark was even more terrifying. I could not wait to get off the boat.

    It was a once-in-a-lifetime experience in every way. This is one travel experience too good to pass up — but only once in a lifetime.

    For those who want to experience the lava from the comfort of your chair, you can view daily pictures of lava boat trips on Lava Boat Tours Facebook page and YouTube Channel.

    Up close and personal with the volcano.

    2017 hawaii volcano
    Photo by Jane Howze
    Up close and personal with the volcano.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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