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    U2 in Concert at NRG

    Everything old is new again at powerful U2 concert, with an ending surprise

    Eric Sandler
    May 25, 2017 | 6:34 am

    “How long must we sing this song?”

    Bono and the members of U2 have been asking that question for a long time — since 1983 when “Sunday Bloody Sunday” debuted as the first song of the band’s third album, War.

    In the wake of the terrorist attack at the Ariana Grande concert in Manchester and a correspondingly beefed up security presence around NRG Stadium, the question seemed more relevant than ever. “We’re so sick of it,” Bono shouted over Larry Mullen, Jr’s propulsive drumming and The Edge’s soaring guitar.

    But then, everything old is new again for the famous Irish foursome. Bono once said, “There’s no reverse gear on this tank,” but the band’s new tour celebrates the 30th anniversary of their iconic album The Joshua Tree. "New Year’s Day" and "Pride (In the Name of Love)" quickly followed Sunday. Then the band began to play the album in sequence: every song from "Where the Streets Have No Name" to "Mothers of the Disappeared."

    Highlights included The Edge’s thundering solos on “Bullet the Blue Sky” and “In God’s Country,” Bono’s self-described “shite harmonica play” on “I Trip Through Your Wires,” and Adam Clayton’s classic bass line on “With Or Without You.”

    Just as "Sunday Bloody Sunday" feels more relevant than ever, so too do the songs written when conservative leaders in both America (Reagan then, Trump now) and the U.K. (Thatcher then, May now) have reignited debates about whether we should commit to “Carry each other / Carry each other” (yeah, I just album hopped).

    While the days of the band dressing up like the Village People and emerging from a gigantic, lemon-shaped mirror ball are long behind — so are the songs from Boy, October, Rattle & Hum, Zooropa, Pop, How to Dismantle an Atomic Bomb, No Line on the Horizon and their most recent work, Songs of Innocence — the stage setup still impresses with both its scale and its simplicity. No pyro, no fancy light shows: just a massive screen, 200 feet long and 45 feet tall, that displayed the band’s performance and a series of short films created by frequent U2 collaborator Anton Corbijn using new footage from places like Death Valley and Zabriskie Point.

    The ultra-widescreen and 8k visuals provided a stunning backdrop for the band, at times displaying a dusty road for “Where the Streets Have No Name” or women holding candles during “Mothers of the Disappeared.” The screen also served as a backing band for “Red Hill Mining Town,” courtesy of a Salvation Army brass ensemble that played along with the song.

    After U2 reached the end of The Joshua Tree, two songs from the '90s received fresh interpretations. “Miss Sarajevo” from the Passengers album has been renamed “Miss Syria (Sarajevo)” and featured footage filmed at the Zaatari Refugee Camp in Jordan, where some 80,000 Syrian refugees currently live, according to information provided by the band. "Ultra Violet (Light My Way)", an Achtung Baby deep cut about the redemptive power of love, has been reinterpreted as a tribute to great feminists throughout history, including Texas icons Laura Bush and Ann Richards.

    Speaking of the former first lady, Bono made sure to acknowledge both her and former President George W. Bush’s efforts to support the ONE campaign that made it possible for 18 million HIV/AIDS patients in Africa to receive life-saving medicine.

    While it’s strange not to hear hits like “Mysterious Ways” and “Desire,” to say nothing of personal favorites like "Out of Control" and "Stay," the band played enough familiar tunes during the encore — "Bad," "Beautiful Day," "Elevation," and "One" — to ensure that no one left unsatisfied. As expected, the multi-generational crowd ranged from eight to 80 — Lynn Wyatt sat a few rows in front of me — and most people seemed to know all the words to all the songs.

    But just in case anyone was feeling too nostalgic, Bono had a surprise. The band closed with a new song titled “The Little Things That Give You Away.”

    Maybe they still have a few tricks up their sleeves after all.

    Setlist:

    Sunday Bloody Sunday
    New Year’s Day
    Pride (In the Name of Love)

    The Joshua Tree
    Where the Streets Have No Name
    I Still Haven’t Found What I’m Looking For
    With or Without You
    Bullet the Blue Sky
    Running to Stand Still
    Red Hill Mining Town
    In God’s Country
    I Trip Through Your Wires
    One Tree Hill
    Exit
    Mothers of the Disappeared

    Encore 1:
    Miss Syria (Sarajevo)
    Bad

    Encore 2:
    Beautiful Day
    Elevation
    Ultra Violet (Light My Way)
    One
    The Little Things That Give You Away

    U2 brought The Joshua Tree to NRG Stadium.

    U2 The Joshua Tree 30th anniversary tour
    Photo by Danny North
    U2 brought The Joshua Tree to NRG Stadium.
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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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