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    Movie Review

    Jurassic World Dominion roars back with fun but needlessly complex story

    Alex Bentley
    Jun 9, 2022 | 5:45 pm
    Chris Pratt in Jurassic World Dominion.play icon
    Chris Pratt in Jurassic World Dominion.
    Photo courtesy of Universal Pictures and Amblin Entertainment

    The biggest problem with the first two Jurassic World movies was the lack of a compelling, coherent narrative. The first never bothered to explain how they went from the cataclysmic events of the original trilogy to a full-blown dinosaur theme park, and the second was two different movies that never coalesced into one. So now comes Jurassic World Dominion, which once again plays on nostalgia for the original Jurassic Park while attempting to bring something new to the table.

    After their escape at the end of Fallen Kingdom, dinosaurs now populate every continent on Earth, bringing with them the expected good and bad actors. On the good side are Owen (Chris Pratt), who wrangles them for scientific purposes, and Claire (Bryce Dallas Howard), still hellbent on saving every dinosaur she can. The two are now an actual couple, shacked up in the wilderness, taking care of Maisie (Isabelle Sermon), who was left an orphan in the previous film.

    On the bad side is Biosyn, led by Lewis Dodgson (Campbell Scott), a company that promises to use genetic advances to help feed the world, but which also unleashes monster locusts onto any crops not grown by them. Ian Malcolm (Jeff Goldblum) is employed by the company, and he invites his old friends Ellie Satler (Laura Dern) and Alan Grant (Sam Neill) to come tour Biosyn’s headquarters, and if they find anything nefarious, then so be it.

    Directed by Colin Trevorrow and written by Trevorrow and Emily Carmichael, the film is packed full of ideas and subplots, some of them more well thought-out than others. Unlike the previous two films, they actually explain what transpired in the four years between the two films, grounding the audience before the chaos that follows. And the reintroduction of Ellie and Alan isn’t overdone, allowing the characters to reintegrate back into the story with little fuss.

    The main roadblock of the film is how overcomplicated it gets. The Owen/Claire duo and Ellie/Alan duo are separated for most of the film, and they hop around to multiple different countries in service of subplots that only make a little bit of sense. Much of it feels like the filmmakers trying to justify the continued separation of the two groups, and so they give them a lot to do at different stops, even if what transpires there is ridiculous.

    Amid the absurdity, however, the film does have the requisite exciting action scenes. One sequence that introduces a new character, pilot Kayla Watts (DeWanda Wise), takes on a James Bond feeling with chases through buildings and tight streets. And naturally there are lots of encounters with and fights among dinosaurs. They attempt to introduce yet another apex predator into the film, but its fearsomeness never really connects.

    The film gets fast and loose toward the end, often making jumps in time that elide certain tense moments. It’s strange how they can make a movie that’s two-and-a-half hours long and still cut narrative corners in order to shoehorn in even more story. Still, most of them are forgivable, especially when they include callbacks to the original Jurassic Park that will have fans cheering.

    No one goes to see a Jurassic World movie for the acting, but it’s still nice to see each of the main actors reprise their roles in believable and fun ways. Wise is a great addition, not only for her calm-under-pressure demeanor but also for her hypnotic eyes. Also scoring points is Mamoudou Athie, who plays Dodgson’s right-hand man, Ramsay Cole. You believe every word that he says even when it’s clear he’s lying, a smoothness that’s rare among actors.

    It may be damning with faint praise to say that Jurassic World Dominion is the best of the Jurassic World trilogy, but at least it seems like they put in the extra effort toward telling a comprehensible story. They don’t always succeed, mind you, but at least the end result doesn’t make you wish for your time and money back.

    ---

    Jurassic World Dominion opens in theaters on June 10.

    Laura Dern and Sam Neill in Jurassic World Dominion.

    Laura Dern and Sam Neill in Jurassic World Dominion
    Photo courtesy of Universal Pictures and Amblin Entertainment
    Laura Dern and Sam Neill in Jurassic World Dominion.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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