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    Building blocks

    UH College of Architecture makes international splash with Venice Biennale appearance

    Shelby Hodge
    shelby hodge
    Jun 1, 2014 | 1:46 pm

    Cougar pride enjoys a quantum leap forward this first week of June when the University of Houston Gerald D. Hines College of Architecture joins the International Architecture Exhibition at the esteemed Venice Biennale.

    This will be the second of three biennale fests that the college will participate in during the 2013-2014 school year, a milestone for any higher education institution but particularly for the state's only urban, public research university. The project, dubbed The Three Continent Studio, an exploration of life on the water's edge in delta conditions, was presented at the Buenos Aires International Biennial of Architecture in September and will be presented again at the International Architecture Biennale Rotterdam after the Venice exposition.

    "Being accepted to three biennales around the world, our presence there lets the world know that this is the kind of work we do and the caliber," Oliver said.

    So significant is this in bringing recognition to the University of Houston as well as to the College of Architecture that UH president Renu Khator and her husband, associate dean Suresh Khator, will be in attendance along with college benefactor and namesake Gerald Hines. They will attend at least one of the back-to-back VIP opening night celebrations which are expected to draw, each night, some 2,000 visitors from around the world. By the time the exhibition closes in November, as many as 300,000 visitors will have seen the school's work on display in Palazzo Bembo.

    Architecture Dean Patricia Belton Oliver is leading the Cougar contingent that includes professors participating in the studio Thomas Colbert and Peter Zweig plus Philip Johnson Visiting Faculty member Michael Rotondi of Los Angeles and five students.

    "Being accepted to three biennales around the world, our presence there lets the world know that this is the kind of work we do and the caliber," Oliver said shortly before departing for Venice and Rotterdam.

    Three Continent study

    It was no mean feat to be selected to participate in the Venice Biennale, chaired this year by renowned architect and Pritzker Prize recipient Rem Koolhaas. The college presentation had to go through an application process that required surviving review boards which looked at presentations from a worldwide collection of organizations.

    For The Three Continent study of communities on the water's edge, UH joined forces with the University of Buenos Aires in Argentina, the Technical University, Delft, in the Netherlands and Tulane University in New Orleans. Through shared symposia and student/faculty exchanges, they explored the shared challenges of balancing housing, mobility, public space, civic engagement, economic development and environmental policy in what can be precarious environments.

    "Our goal was to take on the ship channel because it's too important to be trivialized because we are afraid of what we might find."

    In addition to models, photographs, drawings and a video, the UH contribution features a 20-foot-long scale model of the 52-mile long Houston Ship Channel. Twenty shipping crates were necessary to move the work to Venice, a transportation gift from UPS.

    "We took on the challenge of looking at our primary waterway, which is the Galveston Bay and into the Ship Channel and into our bayou system," Oliver explained. "It has every possible condition along it that you can dream of, so it presents a lifetime of challenge. Our goal was to take on the Ship Channel because it's too important to be trivialized because we are afraid of what we might find.

    "So for us if we can approach a study of the Ship Channel with an attitude of what can we do to turn something that has so many negatives into a positive, then that is going to be our directive."

    Spring board project

    UH students bringing the project to a conclusion and participating in the Venice exhibition are Jackson Fox, David Regone, Lacey Richter, Sam Goulas and Wells Barber.

    "Just knowing that these students are able to go to see their work in this context with hundreds of architects from around the world, that is enough of a reward in itself," Oliver said adding that participating in a biennale is rare opportunity that few architects experience, much less students. "I can guarantee you their lives will be changed."

    For the college, it's an opportunity for the school to broaden its exposure and for the faculty to take their research internationally, Oliver said. "And on top of that, this project is a spring board. It's not going to stop. It becomes an opportunity for us to build our strengths and interests in urban sustainability. "

    University of Houston College of Architeture Dean Patricia Belton Oliver.

    News, University of Houston, Architecture Dean, Patricia Oliver
    Photo by Shelby Hodge
    University of Houston College of Architeture Dean Patricia Belton Oliver.
    unspecified
    news/city-life

    preserve Houston's history

    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

    preservationpreservation houstongarden oaks
    news/city-life
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