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    Musical Magic

    Stop the presses! Spectacular dancing and return of two Houston actresses make Newsies special

    Alex Bentley
    May 20, 2015 | 9:00 am

    With all the ways in which musicals have evolved over the years, it’s almost refreshing to see an old-fashioned song-and-dance production. And Newsies (playing through May 24 at the Hobby Center), the Tony Award-winning musical based on the 1992 Disney movie musical flop, is a throwback in more ways than one, as it’s set in New York City in 1899.

    The story follows a group of newsboys, or “newsies,” who hawk editions of Joseph Pulitzer’s New York World on the street every day. The newsies are actually forced to pay for the papers before they sell them, and when Pulitzer decides to up their fee, the group, led by Jack Kelly (Dan DeLuca), decides to go on strike in protest.

    Jack and his ragtag group are helped in their quest by cub reporter Katherine (Episcopal High School graduate and TUTS Humphries School alum Stephanie Styles), who works for a rival newspaper and views their quest as a noble one.

    Despite the somewhat dismal circumstances in which the newsies find themselves, epitomized by their dull and nearly colorless outfits, the music is overall pretty upbeat. Although only a few of the songs – “Seize the Day,” “King of New York,” “Watch What Happens” – actually stand out, the music by Alan Menken maintains a theme throughout that keeps things hopping.

    What’s worth the price of admission is the dancing. The production essentially stops multiple times in both acts for extended dance breaks, and the cast impresses with every turn. Utilizing modern dance, ballet and tap, among others, the actors flip and twirl their way into the audience’s hearts. The choreography by Christopher Gattelli has its own unique flavor but still finds a way to pay homage to the style of classic musicals.

    Although the dancing and music are showstoppers, almost equally as impressive is the set design by Tobin Ost. Three massive multistory staircases and landings serve multiple purposes during the show, including as a backdrop for projected imagery. But the myriad ways in which Ost configures the structures, twisting and turning them in every direction, is a spectacle in and of itself.

    DeLuca is a natural in the lead role, possessing both the voice and acting chops needed to make Jack into the leader he needs to be. Other standouts include Styles, Zachary Sayle as Crutchie and Angela Grovey as club owner Medda Larkin. (Grovey graduated from Elkins High School in Missouri City and as a child performed in a TUTS production of Peter Pan with Cathy Rigby.)

    Newsies may not have you humming specific tunes as you leave the theater, but the overall consistency of the music, the eye-popping dancing and the ingenious sets will have you singing the musical’s praises.

    Stephanie Styles and Dan DeLuca share a romantic moment in Newsies.

    Stephanie Styles and Dan DeLuca in Newsies
    Photo by Dean Van Meer
    Stephanie Styles and Dan DeLuca share a romantic moment in Newsies.
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    Movie Review

    Rose Byrne and star-laden cast try to beat the system in new movie Tow

    Alex Bentley
    Mar 23, 2026 | 3:00 pm
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast — both Spencer and DeBose are Oscar winners — makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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