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    Taylor Swift's All Red

    Taylor Swift lets her costumes (10 changes) and emotions fly, calls Houston a magical place

    Anna Domning
    May 17, 2013 | 6:41 am

    “Hello Houston, Texas . . . I’m Taylor.”

    A wide-eyed Taylor Swift played to a sold-out Toyota Center Thursday night on the 17th stop of her worldwide “Red Tour.” The show came complete with 10 costume changes, fireworks, confetti and elaborate moving sets. By the end of the night Swift truly had the whole crowd “feelin’ 22.” To me Swift has always been about the lyrics and songwriting, but she proved that she has the vocals to back it up, belting out an 18-song set to thousands of screaming girls, and the occasional miserable dad.

    If it weren’t for the hoards of girls in cowboy boots filling the stands no one would have known Swift began as a country star. Her new Red album is the most rock/pop of any of her albums, with several songs involving techno and dubstep beats.

    Swift shared that she “writes lots of songs about her feelings.” Spoiler alert, she has lots of feelings.

    Swift erupted onto the stage with “State of Grace,” the first track on her new album. I was extremely impressed with the strength of her vocals this night. I've heard Swift sing live in the past and on TV and she rarely sounds like she does on the radio. Next up was “Holy Ground” a fast paced single complete with a flying marching band.

    The third song of the night was the title track "Red" — and Red truly was the theme of the show. From Swift's wardrobe choices and bedazzled electric guitar to her signature red lipstick, you couldn’t escape the color. She explained that she always likes to assign colors to her different emotions and lately the craziness in her life has been a “blinding red.” That craziness surely includes Swift's many tumultuous relationships (and breakups) that are often sensationalized in the tabloids.

    In one of her many (read: too many) audience heart to hearts, Swift shared that she “writes lots of songs about her feelings.” Spoiler alert, she has lots of feelings.

    The lyrics to Swift's songs tell stories about her romances and she doesn’t try to hide who they are about. From Jake Gyllenhaal to the teenage Kennedy to her most recent break up with One Direction’s Harry Styles, she certainly has a lot of material to work with.

    Swift's Texas Mom

    Swift also chatted with the crowd about her love for the Lone Star State. It so happens that her mother, who was comically paraded through the crowd at the beginning of the show, was actually raised here in Houston, attending both Memorial High School and the University of Houston. Swift said she always wondered what this “magical place called Houston, Texas is like, and it turns out [it’s] awesome.” I tend to agree.

    It almost makes you feel uncomfortable that she is sharing so much with you.

    While all the fireworks and acrobats were exciting to look at, Taylor really shined in her intimate acoustic performances. She worked her way through the crowd to a remote stage on the opposite side of the stadium to perform fan favorites “Fearless” and “Begin Again." Without all the bells and whistles, Swift was really able to connect with the audience with just a stool and her guitar.

    My favorite part of the night was when she brought out her opening act Ed Sheeran to perform their duet “Everything Has Changed.” Sheeran did an amazing job of warming up with crowd with a short set that was completely solo and acoustic but still engaging and energized.

    Dramatics

    While performing “Sparks Fly," Swift flew over the audience on a sparkling platform back to the main stage for her final set of songs. The most emotional performance of the night was undoubtedly her rendition of “All Too Well” where she showcased her impressive piano skills. Swift was so engrossed in the tragic love song about another failed romance (rumored to be about Gyllenhaal) that she looked like she was going to burst into tears at any moment.

    There is no denying that listening to Taylor Swift's lyrics is like tearing out a page from her diary, and it almost makes you feel uncomfortable that she is sharing so much with you.

    While there were many instances when I couldn’t help but roll my eyes at her rambling monologues about overcoming bullies and following your dreams, Swift genuinely does seem to be completely humbled by her success and is adamant about being a good role model to her fans. Overall the concert was extremely entertaining and by the end even the miserable-looking dads couldn’t help but tap their feet to the painfully catchy “We Are Never Ever Getting Back Together. “

    Set List:

    State of Grace
    Holy Ground
    Red
    You Belong with Me
    Lucky One
    Mean
    Stay Stay Stay
    Ho Hey (Lumineers cover)
    22
    Fearless
    Everything Has Changed
    Begin Again
    Sparks Fly
    I Knew You Were Trouble
    All Too Well
    Love Story
    Treacherous
    We are Never Ever Getting Back Together

    Taylor Swift close up
    Photo by Chinh Phan
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    Kelly Clarkson Concert Review

    Sold-out Houston crowd sings along at Kelly Clarkson's epic rodeo return

    Craig Hlavaty
    Mar 14, 2026 | 8:50 pm
    Kelly Clarkson RodeoHouston 2026
    Courtesy of Houston Livestock Show and Rodeo
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    A cross between Pat Benatar and Reba, with a dash of Aretha, Kelly Clarkson headlined Saturday afternoon’s RodeoHouston matinee, 22 years since she debuted at NRG Stadium, in front of 70,007.

    It was a true “Ladies Day Out” at RodeoHouston for Clarkson, with roving multigenerational groups of women making the rounds under an only mildly-oppressive Houston sun. Between Clarkson, Lainey Wilson, Megan Moroney, and Lizzo, the 2026 rodeo concert season has been dominated by strong female artists, with Clarkson the most decorated.

    The last time Kelly Clarkson played RodeoHouston in 2004, she shared a Tuesday night bill with Y2K it couple Jessica Simpson and Nick Lachey, a match made in MTV ratings heaven. Other acts on the rodeo roster that year included John Mayer, George Strait, Reba, Willie Nelson, and — fresh from her first stint with Destiny’s Child — Beyonce shared the stage with Alicia Keys two nights later.

    The first American Idol winner in 2002, when daresay that truly meant something, she and Carrie Underwood remain the two most successful of winners of Idol all these years later. Clarkson has a permanent seat at the table in Nashville, winning back-to-back CMA Female Vocalist of the Year honors in 2012 and 2013 and never shying away from a little more twang in her power pop. Right out of the chute, she was repping country style, hard to shake when you’re born and raised near Fort Worth.

    Clarkson’s current live act has been honed by various residencies at The Colosseum at Caesars Palace in Las Vegas, playing in front of thousands of Sin City customers. She’s a part of a rare group of performers like Jennifer Lopez, Cyndi Lauper, and even Dolly Parton herself who can command multiple nights. With her syndicated chat show — where her popular genre-bending “Kellyoke” segments were born — ending later this year, it wouldn’t be shocking to see this working mom jump back into regular touring outside of Clark County, especially considering Saturday’s afternoon drawl.

    Clarkson emerged from the cocoon of the rodeo’s revolving star stage just before 4:15 pm in a black, glittery jumpsuit straight from Ozzy’s wardrobe closet with “Favorite Kind of High” from 2023’s divorce record Chemistry, her latest album release. The hard-driving Heart-rock of “Behind These Hazel Eyes” debuted some annoying, intermittent sound skippage but Clarkson’s sold-out crowd filled in any gaps. Her pipes were just too strong.

    A nod to the female country legends of rodeo’s past, Clarkson gave Tanya Tucker’s “It’s A Little Too Late” a widescreen Vegas makeover with horns and fiddle. “This isn’t sweat, it’s glow,” Clarkson joked, kicking off the torch song “Because Of You.” The singalong of “Breakaway” could more than likely be heard out in the carnival, the first big “Kellyoke” moment of the afternoon.

    For “Walk Away” and “Didn’t I,” the horn section and co-ed backup singers that have made Clarkson’s Vegas shows so bombastic got a workout. Clarkson reeled out her Jason Aldean duet “Don’t You Wanna Stay” as a solo. The release was her first country hit and was one of the biggest country duets of the 2010s.

    “It’s way more sad this way,” she laughed. “Because I guess he didn’t stay.”

    Clarkson threw in 2025’s bar-crawling single "Where Have You Been" in the mix, going rogue from the supplied setlist, accentuating the Queen-esque licks with her own highs. Her post-Idol debut rave-up “Miss Independent” set the table for “Stronger (What Doesn’t Kill You),”

    Clarkson sent the crowd out pogo-ing and screaming with “Since U Been Gone,” making her exit in a SUV like a rock star, with plenty of sunshine to spare.

    Setlist

    Favorite Kind Of High
    Behind These Hazel Eyes
    My Life Would Suck Without You
    It’s A Little Too Late (Tanya Tucker cover)
    Because Of You
    Breakaway
    Heat
    Walk Away
    Didn’t I
    Heartbeat Song
    Don’t You Wanna Stay
    Where Have You Been
    Miss Independent
    Stronger (What Doesn’t Kill You)
    Since U Been Gone

    2004 RodeoHouston Lineup

    Mar 2: John Mayer
    Mar 3: George Strait
    Mar 4: Wynonna Judd
    Mar 5: B2K / Bow Wow
    Mar 6: Martina McBride
    Mar 7: Reba McEntire
    Mar 8: Enrique Iglesias
    Mar 9: Alan Jackson
    Mar 10: Amy Grant / Vince Gill
    Mar 11: Clay Walker
    Mar 12: Legends in Concert (Dwight Yoakam, Buck Owens, Marty Stuart, Connie Smith)
    Mar 13: Randy Travis
    Mar 14: Bronco / Jennifer Peña
    Mar 15: Dierks Bentley / Robert Earl Keen
    Mar 16: Jessica Simpson & Nick Lachey / Kelly Clarkson
    Mar 17: Dierks Bentley / Keith Urban / Kenny Chesney
    Mar 18: Alicia Keys / Beyoncé
    Mar 19: Pat Green
    Mar 20: Brooks & Dunn
    Mar 21: Willie Nelson

    Kelly Clarkson RodeoHouston 2026

    Courtesy of Houston Livestock Show and Rodeo

    rodeohoustonconcert reviewkelly clarkson
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