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    Coldplay Still Has The Magic

    Coldplay still has the Magic: Chris Martin mourns loss of love in intimate concert

    Jane Howze
    May 12, 2014 | 10:02 am

    NEW YORK — One of the best things about summer in Houston (and anywhere else for that matter) is live concerts. And this is a big summer with Beyoncé and Jay Z, One Direction, and Lady Gaga planning Houston stops. One group that won’t be hitting the big arenas this summer is Coldplay, despite the upcoming release of their first album since 2011’s award winning Mylo Xyloto.

    This lucky business traveler happened to be in New York last week when the band performed at the historical 2,800-capacity Beacon Theatre to promote their sixth album, Ghost Stories, which will be released May 19. Tickets to the minimally-publicized concert were available only by signing up with the band’s website, and there are only six small concerts in five countries planned to promote the album. The crowd was a mix of high-powered business types (it was, after all, sponsored by Citibank) and a younger, edgier and more diverse group.

    While the adoring audience would have been delighted to just enjoy prior hits, the concert was not about reliving the past.

    Performing under stars hanging from the ceiling of the stage with a laser show as good as I’ve seen, the 70-minute set featured 16 songs—including the robust euphoric singalong songs — "Clocks," "Viva la Vida" and "Paradise."And like all Coldplay concerts, lead singer Chris Martin danced wildly, twirled, gyrated and gratefully thanked the audience which he always does — “thank you for spending your Monday night with us.”

    There were reams of confetti that seemed to come from every angle after "Every Teardrop is a Waterfall." The band did not perform perennial favorite "Yellow," but any disappointment was assuaged when Martin offered a heartfelt version of "Fix You"— a song of healing — which he dedicated to Mick Jagger, whose longtime girlfriend L’Wren Scott, recently committed suicide.

    While the adoring audience would have been delighted to just enjoy prior hits, the concert was not about reliving the past. The band performed seven of the nine tracks on its upcoming album, and here is where the difference lies. The new songs are a more somber, stripped down acoustic sound, much of it seemingly inspired by Martin’s troubled marriage with actress Gwyneth Paltrow (they have since announced their separation or “conscious uncoupling”). These songs lack the urgency and excitement of the band's earlier top tunes. They seem melancholy — so raw and intimate you feel like you are eavesdropping on a confession.

    The seven songs from Ghost Stories don’t fit in at a large arena or baseball field — but the smaller audience at the Beacon cheered rapturously while someone yelled, “Hang in there Chris.” The band performed "Magic" and "A Sky Full of Stars," which they did last week on Saturday Night Live. Martin’s voice has never sounded better with a much wider range. The band as a whole sounded great, too, and only get better after nearly 20 years of performing together.

    For the final song, Martin introduced "True Love" — a song the band was performing for the first time. “This is our most favorite song we have written,” he commented while asking the audience to “put away your camera phones and let this song be between us and you.”

    It was not the upbeat ending of a concert I had expected or a belief in love despite the loss of love. It was Martin at his most vulnerable, lamenting the loss of a love with a chorus of begging, “If you don’t love me, then lie.” But is this song better than "Clocks?" Better than "Speed of Sound?" Ah, well. To each his own.

    This ardent fan is waiting for Coldplay's seventh album when Martin finds the love and happiness that it appears will be missing on this CD. Currently the band plans no other U.S. concerts (besides LA later this month) to promote the album. For those fans who are hankering for some Coldplay this summer, you can catch their one-hour performance Sunday night (May 18) on NBC (Channel 2) as they promote Ghost Stories.

    Singer Chris Martin of Coldplay.

    Jane Howze Cold Play concert in New York May 2014 singer Chris Martin
    Photo by Jane Howze
    Singer Chris Martin of Coldplay.
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    Movie Review

    Anne Hathaway's busy 2026 continues with meta-thriller Verity

    Alex Bentley
    Oct 2, 2026 | 3:00 pm
    Anne Hathaway in Verity
    Photo by Alisha Wetherill
    Anne Hathaway in Verity.

    Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

    Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

    The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

    Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

    Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

    What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

    Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

    Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

    ---

    Verity is now playing in theaters.

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