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    Coldplay Still Has The Magic

    Coldplay still has the Magic: Chris Martin mourns loss of love in intimate concert

    Jane Howze
    May 12, 2014 | 10:02 am

    NEW YORK — One of the best things about summer in Houston (and anywhere else for that matter) is live concerts. And this is a big summer with Beyoncé and Jay Z, One Direction, and Lady Gaga planning Houston stops. One group that won’t be hitting the big arenas this summer is Coldplay, despite the upcoming release of their first album since 2011’s award winning Mylo Xyloto.

    This lucky business traveler happened to be in New York last week when the band performed at the historical 2,800-capacity Beacon Theatre to promote their sixth album, Ghost Stories, which will be released May 19. Tickets to the minimally-publicized concert were available only by signing up with the band’s website, and there are only six small concerts in five countries planned to promote the album. The crowd was a mix of high-powered business types (it was, after all, sponsored by Citibank) and a younger, edgier and more diverse group.

    While the adoring audience would have been delighted to just enjoy prior hits, the concert was not about reliving the past.

    Performing under stars hanging from the ceiling of the stage with a laser show as good as I’ve seen, the 70-minute set featured 16 songs—including the robust euphoric singalong songs — "Clocks," "Viva la Vida" and "Paradise."And like all Coldplay concerts, lead singer Chris Martin danced wildly, twirled, gyrated and gratefully thanked the audience which he always does — “thank you for spending your Monday night with us.”

    There were reams of confetti that seemed to come from every angle after "Every Teardrop is a Waterfall." The band did not perform perennial favorite "Yellow," but any disappointment was assuaged when Martin offered a heartfelt version of "Fix You"— a song of healing — which he dedicated to Mick Jagger, whose longtime girlfriend L’Wren Scott, recently committed suicide.

    While the adoring audience would have been delighted to just enjoy prior hits, the concert was not about reliving the past. The band performed seven of the nine tracks on its upcoming album, and here is where the difference lies. The new songs are a more somber, stripped down acoustic sound, much of it seemingly inspired by Martin’s troubled marriage with actress Gwyneth Paltrow (they have since announced their separation or “conscious uncoupling”). These songs lack the urgency and excitement of the band's earlier top tunes. They seem melancholy — so raw and intimate you feel like you are eavesdropping on a confession.

    The seven songs from Ghost Stories don’t fit in at a large arena or baseball field — but the smaller audience at the Beacon cheered rapturously while someone yelled, “Hang in there Chris.” The band performed"Magic" and "A Sky Full of Stars," which they did last week on Saturday Night Live. Martin’s voice has never sounded better with a much wider range. The band as a whole sounded great, too, and only get better after nearly 20 years of performing together.

    For the final song, Martin introduced "True Love" — a song the band was performing for the first time. “This is our most favorite song we have written,” he commented while asking the audience to “put away your camera phones and let this song be between us and you.”

    It was not the upbeat ending of a concert I had expected or a belief in love despite the loss of love. It was Martin at his most vulnerable, lamenting the loss of a love with a chorus of begging, “If you don’t love me, then lie.” But is this song better than "Clocks?" Better than "Speed of Sound?" Ah, well. To each his own.

    This ardent fan is waiting for Coldplay's seventh album when Martin finds the love and happiness that it appears will be missing on this CD. Currently the band plans no other U.S. concerts (besides LA later this month) to promote the album. For those fans who are hankering for some Coldplay this summer, you can catch their one-hour performance Sunday night (May 18) on NBC (Channel 2) as they promote Ghost Stories.

    Singer Chris Martin of Coldplay.

    Jane Howze Cold Play concert in New York May 2014 singer Chris Martin
      
    Photo by Jane Howze
    Singer Chris Martin of Coldplay.
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    Movie Review

    New horror film M3GAN 2.0 turns up the campy fun of the original

    Alex Bentley
    Jun 27, 2025 | 1:01 pm
    M3GAN in M3GAN 2.0
    Photo by Geoffrey Short/Universal Pictures
    M3GAN in M3GAN 2.0.

    When a studio releases a movie in January (aka Dumpuary), the general rule of thumb is that they’re trying to get rid of a movie that isn’t very good. Of course, there are exceptions to every rule, as M3GAN was in 2023, which rode the comedy of a killer AI robot who likes to dance to over $180 million worldwide.

    A sequel was a given, and now with a built-in fanbase, M3GAN 2.0is a prime summer release. After running into trouble with her robot invention, Gemma (Allison Williams) has seemingly seen the error of her ways, now focused on creating things like a mechanical exoskeleton that can benefit society. Little does she know that the code she used to create M3GAN (aka Model 3 Generative Android) has been co-opted to create AMELIA (Ivanna Sakhno), a new robot which is being used for nefarious purposes.

    Naturally, the only thing to do is to bring M3GAN (played by Amie Donald, voiced by Jenna Davis) back from the “dead,” which is easy to do because — surprise! — she has been lurking inside the smart house in which Gemma and her niece Cady (Violet McGraw) now live. The inevitable showdown between the two robots is alternately helped and hindered by people like billionaire Alton Appleton (Jemaine Clement), fellow tech entrepreneur Christian (Aristotle Athari), co-worker Cole (Brian Jordan Alvarez), and others.

    Written and directed by Gerard Johnstone, who also directed the first film, M3GAN 2.0 doesn’t stray from the original formula, delivering way more laughs than scares. Because there’s a familiarity with the character, Johnstone leans into the campy side of things, essentially winking at the audience for much of the film. Whether it’s temporarily imprisoning M3GAN in an innocuous desktop robot or a number of one-liners, there is a lot of comedy to be found.

    The film is a type of horror, though, and it delivers in the mild, PG-13 way that won’t offend non-horror fans. AMELIA (aka Autonomous Military Engagement Logistics and Infiltration Android) gives off Terminator vibes, and she lays waste to virtually all challengers. M3GAN doesn’t get to show off her skills as much as she did last time, which might be a tad frustrating for some, but she gets in enough punches and kicks for the experience to be worth it.

    The story itself starts off strong before devolving into an overly complicated mess. The arc of AMELIA is particularly strange, as the strength of her powers and the level of her autonomy seem to change at will in the second half of the film. Gemma develops a rivalry with another character that might have worked better if it had been hinted at early in the film instead of being dropped in as a surprise.

    Davis’ voice performance as M3GAN is once again fantastic, as she delivers sarcasm and menace equally well. Sakhno isn’t asked to do much but look terrifying, and she accomplishes that job. Williams is up and down in her role, stronger in the moments when she’s not being asked to prove her tech bona fides. Clement is his usual over-the-top self, which suits his character.

    As with the first film, if you go into M3GAN 2.0 not expecting anything more than some goofy violent robot action, you’ll walk away satisfied. The unlikely breakout hit for Blumhouse Productions may not be able to support a good story, but it entertains in the way it’s supposed to do.

    ---

    M3GAN 2.0 is now playing in theaters.

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