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    Better Than Laughing Gas

    Jay Leno cracks 'em up at Alley Theatre's $1 million gala held on the floor of NRG stadium

    Shelby Hodge
    May 11, 2015 | 2:15 pm

    "Whose idea was this anyway?" Jay Leno cracked wise as he attempted to summon intimate comedy club ambience in the vast environs of NRG Stadium. While the space might have been less than ideal for entertainment, it proved to be a commendable canvas for the Alley Theatre's "Much Ado About the Alley" gala.

    "This is the worst place ever for a standup comedian," Leno quipped as he viewed the immense party setting adding, "We're about 64,000 people short." Yet, the 600 black-tie attired guests who did attend the gala in this most unusual setting were enchanted by the elaborate decor that channeled "merry olde" England. The fact that the event raised more than $1 million further validated the location.

    Chairs Mady and Ken Kades had envisioned the Shakespearean evening decorated in reds and gold, the theme grandly interpreted by Richard Flowers and The Events Co. Bravos for the beautiful setting could be heard throughout the party scene, which occupied about half of the Houston Texans playing field. Skylights were blacked out and the ceiling was dark with all light work focusing on the party action.

    The space featured lengthy banquet style tables, round tables and even tables of four, each laden with beautiful bouquets of garden flowers some with a touch of fruits and vegetables, each arrangement different. The party perimeter was defined by red velvet draping and murals of the 15th century Unicorn Tapestries.

    Amid the lavish setting, guests raised their champagne glasses to the evening's honoree, Margaret Alkek Williams, the toast led by Alley managing director Dean Gladden. The two were joined in the program on stage by Alley artistic director Gregory Boyd and emcee Deborah Duncan. From there David Caceres and his orchestra provided dinner music until Leno took the stage. Also receiving special recognition on this night was Alley patron Beth Madison, entertainment chair who made Leno's appearance possible.

    Dinner, by the way, was one of Jackson and Co.'s best in recent memory. The four courses were comprised of a miniature vegetable terrine, poached Arctic char, a brace of stuffed quail and a pear royale for dessert.

    Despite the challenges of the space, Leno had fans laughing. Among them were Sue and Lester Smith, Helene and Dror Zadok, Jana and Scotty Arnoldy, Gracie and Bob Cavnar, Laura Bellows and Jack Pendergrast, Josie de Guzman, Jane Gladden, Trini Mendenhall, Andrew Cordes and Brian Teichman, Karla and Greg Vesey and Kristi and John Schiller.

    Following his presentation Leno moved to the Houston Texans owner's suite for a brief VIP meet-and-greet. Down on the stadium floor (cement, grass palettes removed), the party continued as the young professionals poured in for the late-night bash chaired by Michelle Phillips and David Peck, David Bamford and Luis Bamford-Perez.

    Gracie and Bob Cavnar.

    Photo by © Michelle Watson CatchLightGroup.com
    Gracie and Bob Cavnar.
    unspecified
    news/society

    Memorable Fêtes

    Balletomanes turn disco as Houston Ballet Ball raises $1.6 million

    Joel Luks
    Feb 25, 2026 | 12:16 pm
    Houston Ballet Ball 2026
    Photo by Michelle Watson
    Julie Kent, Margaret Alkek Williams, Stanton Welch AM, and Sonja Kostich.

    Some ballets end in heartbreak. This one ended in a packed dance floor where everyone had a signature move.

    Black tie met ballet blanc as more than 500 patrons floated into the Wortham Theater Center for the 2026 Houston Ballet Ball: Giselle. The evening channeled the romantic mystique of artistic director Stanton Welch’s reimagined interpretation of the 1841 classic, slated for June 11–21 performances.

    Chaired by Christine and David Underwood, the soirée honored longtime champions Richard Flowers and Houston First. For more than 35 years, Richard Flowers and The Events Company have helped shape the ballet’s most memorable fêtes. As steward of the Wortham Theater Center, Houston First continues to safeguard the company’s artistic home. This marked Flowers’ 41st Ballet Ball, which deserves its own standing ovation.

    The Grand Foyer was transformed into a dreamscape of deep blues and vibrant greens. Blue-and-white lace-draped tables bloomed with lush florals, while a halo of blossoms and light hovered above a glowing aqua dance floor.

    Plot twist? Members of the Houston Ballet Corps de Ballet and apprentices surprised guests with an impromptu number set to ABBA — yes, ABBA — choreographed by soloist Jacquelyn Long. Tiaras weren’t required, but enthusiasm was. The performance dissolved into what it always does at this particular gala: a dance floor teeming with patrons who proved that pliés aren’t just for professionals.

    Stratosphere kept the energy high, and as always, the crowd obliged.

    The annual event raised $1.6 million in support of Houston Ballet’s mission to inspire a lasting love of dance in Houston and beyond.

    Taking their own final bows were Christine and David Underwood, Angel Rios, Michael Heckman, Sonja Kostich, Kristy and Chris Bradshaw, Julie Kent, Stephanie and Frank Tsuru, Lynn Wyatt, Andrea Medina, Anne and Albert Chao, Rose Cullen, Jordan Seff, Vanessa Ames, Allison and Troy Thacker, Phoebe and Bobby Tudor, Hallie Vanderhider and Bobby Dees, Margaret Williams, Beth Muecke, Patti Murphy, Marianne and Joe Geagea, Lenni and Bill Burke, Victoria Gutierrez and Nick Pierce, Jean and Henry May, Kris and Richard McGee, Leigh and Reggie Smith, Shawn Stephens and Jim Jordan, Beth and Nick Zdeblick, Claudia Kreisle, Sidney Faust, Claudia and David Hatcher, Cynthia and Tony Petrello, Patrick Benge, Mignon and Stephen Gill, Chad Libertus, Cabrina and Steven Owsley, Shara and Kent Schaffer, Marguerite Swartz, and Jay and Terry Jones.

    Houston Ballet Ball 2026

    Photo by Michelle Watson

    Julie Kent, Margaret Alkek Williams, Stanton Welch AM, and Sonja Kostich.

    fundraisershouston ballet
    news/society
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