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    New $25 Million Arts Center

    It's a MATCH: New $25 million Midtown arts center aims to enhance Houston's rep as center for creative class

    Clifford Pugh
    May 8, 2014 | 3:01 pm

    A band playing oldies tunes and a food truck doling out tasty treats livened up a desolate Midtown lot along Main Street Wednesday afternoon amid high spirits it will soon be transformed into a thriving center for smaller arts groups and cement Houston's reputation as a city that welcomes the creative class.

    "I always knew this day would come, but I can't believe it is finally here," an ebullient Midtown Arts and Theatre Center Houston board president Emily Todd proclaimed as arts leaders gathered to officially break ground for the new complex, known by the snappy acronym MATCH.

    "We've put a lot of energy over the last few years in making Houston a city where one wants to live; not just one where one comes to make a living," Parker said.

    For a decade, Todd and others have been working to build a new multi-venue arts facility with theaters, flexible performing spaces and art galleries for smaller arts groups that don't have the resources to rent space at larger venues like the Wortham Theater Center or the Hobby Center for the Performing Arts.

    Before a crowd of 300 arts leaders, Todd joined Mayor Annise Parker, State Rep. Garnett Coleman, Houston Endowment president Ann Stern and MATCH board member George Levan for a symbolic groundbreaking for the $25 million complex, designed by Lake/Flato and Studio RED architects.

    "I've done a lot of these things, so don't pick up much dirt," Parker instructed the others as they each dug a shovel and into a mound on the parking lot and raised it for the cameras.

    More than $20 million has been raised for the complex, in a unique mix of public and private funds. Contributions have included a $6 million grant from Houston Endowment. "We think it is a fantastic investment for the arts community, for this vibrant neighborhood and for the future of Houston," said Stern. "And like you, we can't wait to see it come to life."

    Parker noted that it was fitting that the groundbreaking was taking place the week that the Offshore Technology Conference was bringing in thousands of visitors because it shows "there's a lot more to Houston than being a town that's just about business."

    "We've put a lot of energy over the last few years in making Houston a city where one wants to live; not just one where one comes to make a living," Parker added.

    Parker cited a recent survey by the Center for Houston's Future on the impact of the arts. "One of the things the study showed was while we have a strong and very dynamic arts community, there really hasn't been a path for small organizations to grow. MATCH isn't the only answer to that, bit it's one answer," she said.

    Parker also noted the project, located on a light rail stop in booming Midtown, will serve as a catalyst for development. "Midtown is exploding with the young professionals who are changing the face of Houston," she said. "We have an opportunity for this new facility to become not just a catalyst for development in the immediate vicinity, but to allow us another huge step forward in recreating Houston as a city in which one wants to live, where we are in competition for the creative class here in America and around the world."

    The groundbreaking included a fanfare written specifically for this occasion by Musiqa composer Marcus Maroney and performed by River Oaks Chamber Orchestra Brass Trio. The orchestra will be among the small arts groups to utilize the center when it opens next year.

    A large crowd of civic and arts leaders turned out for the groundbreaking

    MATCH groundbreaking May 2014 crowd
    Courtesy photo
    A large crowd of civic and arts leaders turned out for the groundbreaking
    unspecified
    news/arts

    Thanks, Tommy

    Houston-born Broadway legend  donates 50,000 item personal collection to UH

    Holly Beretto
    Jan 9, 2026 | 1:45 pm
    Tommy Tune headshot
    Courtesy of University of Houston
    Tommy Tune has received 10 Tony Awards.

    Broadway legend Tommy Tune and his sister Gracey have made a major gift to the University of Houston, ensuring that the star's larger-than-life legacy will be available for scholars and students for generations to come. The Tony Award-winning actor, choreographer, and director has given a collection of costumes, scripts, design sketches, choreography notes, photos and personal letters to the university.

    More than 50,000 items in all, the collection captures the creative spirit of Broadway in the 1960s, ’70s and ’80s and provides a window into how iconic productions were conceived, staged, and experienced. Tune, a native Houstonian who earned his master's degree in directing from UH in 1964, has been one of Broadway's luminaries for decades, helming the original production of The Best Little Whorehouse in Texas, Nine, and more. He is the first person to win Tony Awards in four different categories, and the only person in Tony Awards history to win the same categories in consecutive years, taking home best choreography and best directing in 1990 and 1991. He is also the recipient of a Lifetime Achievement Tony Award.

    He starred opposite Barbra Streisand in the 1969 film Hello, Dolly!

    “The University of Houston felt like the natural home for it because it’s where my story truly began,” Tune said. “This collection represents my life in musical theater, and I want it to inspire the next generation of artists in the city that first inspired me.”

    The collection is housed in the UH Archives in the MD Anderson Library. Tune's sister Gracey noted that her brother's extraordinary career is part of theater history.

    “You don’t win nine Tony Awards in so many facets of the craft — and a 10th for Lifetime Achievement — without shaping the era itself,” she said. “This collection covers every corner of his Broadway life, and many of his creations still live on stages around the world.”

    The gift means that current and future generations of students and researchers will have access to remarkable items and letters.

    “This collection is a significant contribution to the study of theater history, particularly musical theater,” said University of Houston Archivist Mary Manning. “It will be invaluable to students, performers, filmmakers and researchers who want to explore Tune’s creative process, reconstruct productions or gain cultural context for the works he directed and performed in.”

    Tune's connections to Houston run deep. TUTS' annual Tommy Tune Awards are named for the star, and recognize excellence in high school musical theater.

    Tune expressed gratitude for the university and acknowledged that donating these pieces of his life and work represent a full-circle moment.

    “The University of Houston has an energy and creative spirit that matches everything this collection represents,” Tune said. “If my life’s journey can help even one young artist see a bigger future for themselves, it will be the perfect encore.”

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