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    Live Music Now

    These are the 7 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Apr 30, 2019 | 9:01 am

    One-third of 2019 is over and what a year it's been for concerts in the Bayou City.

    RodeoHouston exceeded expectations with a handful of over-the-top shows, including Santana, Cardi B, and George Strait. Muse and Michael Bublé rocked Toyota Center. Leon Bridges kicked off another great season at Cynthia Woods Mitchell Pavilion last week. And a ton of other great bands already made appearances in a city that continues to draw huge names from across the music world.

    It will be hard to live up to those first four months, but if the concert calendar is any indication, the summer will be just as hot with more top caliber shows across the metro than a weekly column can handle.

    CultureMap's best, biggest, and most notable shows of the week are as follows:

    CultureMap show of the week: Al Green
    There is only one question surrounding this show. Why the heck are there still tickets available? The Reverend Al Green is one of music's best legends and talents, with countless timeless singles that are as part of the American experience as apple pie and the Fourth of July.

    Simply put, thousands have Green to thank for getting their parents in the mood to create them. That's the power of those silky, smooth vocals and soulful jams that include "Let's Stay Together," "How Can You Mend a Broken Heart?," "Let's Get Married," and "Take Me to the River." Better yet, New Orleans band Tank and the Bangas will open, a group that caught its big break after NPR singled them out from thousands of entries as part of its Tiny Desk Contest in 2017. Do not miss this one.

    Al Green plays Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Tuesday, April 30. Tank and the Bangas open. Tickets start at $59.50 plus fees. Doors open at 8 pm.

    CultureMap recommends: Deerhunter at White Oak
    Few indie-rock bands today are as highly revered as Atlanta, Georgia's Deerhunter. Led by the distinctively gangly and charismatic Bradford Cox, the band combines hooky melodies with hints of psych-rock, art school pastiche, and layers of sound. Just check out "Desire Lines" from the 2010's Halcyon Digest as proof of their power.

    For a group that hasn't put out a bad album, they have hit a high watermark with one of this year's best in Why Hasn't Everything Already Disappeared? Now on their seventh album, Deerhunter will be able to pull from their back catalog to perform what's sure to be one killer live set.

    Deerhunter plays at White Oak Music Hall, located at 2915 N. Main St., on Wednesday, May 1. The TIMKOH opens. Tickets start at $25 plus fees. Doors open at 7 pm.

    The Cult at HOB
    The Cult were criminally underrated during their heyday due to the fact that they refused to wear spandex at the height of the hair metal and they loved The Doors a little too much. It's too bad, because the group, maintained by the vocal beast in Ian Astbury and supremely talented guitarist Billy Duffy, was insanely good during their best years, producing some fantastic hard rock albums and singles that have aged like fine wine, including "Fire Woman" and "She Sells Sanctuary."

    The Cult is at House of Blues, located at 1204 Caroline St., on Thursday, April 2. The Broken Things open. Tickets start at $35 plus fees. Doors open at 7 pm.

    Silent Disco at Revention
    Ever want to know what its like to hang out in a big music space with multiple DJs on stage, no audible sounds emanating from speakers, while the crowd dances to different beats? Welcome to Silent Disco, a strange, yet appealing concert experience that allows the audience to select their evening soundtrack through special headphone sets. Not into house music? Switch over to the hip-hop channel. Or try the '80s channel while your friend raves on with the EDM frequency. Sure to be a crowd pleaser, no matter the musical taste.

    Silent Disco goes down at Revention Music Center, located at 520 Texas Ave., on Friday, May 3. Tickets start at $12. Doors open at 8 pm.

    The 1975 in Sugar Land
    Exploding out of Manchester, the 1975 is one of the more successful U.K. acts to take American shores lately on the strength of dance pop that can be compared to a darker, more experimental take on Maroon 5's vision. Fronted by the eccentric Matt Healy, a Millennial version of INXS' Michael Hutchence, the band broke through with the verbose album, I like it when you sleep, for you are so beautiful yet so unaware of it, which hit No. 1 in both the U.K. and U.S.

    They have another hit on their hands with their most inspired set of their career, 2018's A Brief Inquiry Into Online Relationships, their third No. 1 U.K. album, featuring the singles "Give Yourself a Try" and "Love It If We Made It."

    The 1975 perform Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Saturday, May 4. Pale Waves and No Rome open. Tickets start at $39.50 plus fees. Doors open at 8 pm.

    The Psychedelic Furs at WOMH
    Fans of '80s music and John Hughes flicks will be out in full force for the Psychedelic Furs on Saturday night. Sure, the band's biggest days are behind them, but the tunes they've racked up are fantastic. They are best known for the title track to the Molly Ringwald flick, Pretty In Pink, but their early albums were some of the post-rock era's best, including their 1980 self-titled debut and 1981's Talk Talk Talk. Fans of Echo and the Bunnymen, early U2, and synth-pop will find a home at White Oak this weekend.

    The Psychedelic headlines White Oak Music Hall, located at 2915 N. Main St., on Saturday, May 4. Royston Langdon opens. Tickets start at $30 plus fees. Doors open at 8 pm.

    Elle King at WOMH
    Los Angeles native Elle King, daughter of comedian Rob Schneider, made waves in 2016 with the hit single, "Ex's & Ohs," a poppy confection that made its way to the top of the alternative charts. She also dabbled in country, getting to No. 1 on those charts with the Dierks Bentley duet, "Different for Girls," that same year. Both songs garnered Grammy nominations, seemingly paving the way toward a solid career.

    A few years in the wilderness, a failed marriage, and rock star excess finally gave way to 2018's Shake the Spirit. While it hasn't made as much of a dent as those first big singles, the girl can sing, which is always worth the price of admission.

    Elle King rolls into White Oak Music Hall, located at 2915 N. Main St., on Sunday, May 5. Barns Courtney opens. Tickets start at $30 plus fees. Doors open at 8 pm.

    ---

    What are your favorite shows of 2019 so far? Let us know on Facebook.

    Elle King plays White Oak Music Hall on Sunday, May 5.

    Elle King
    Elle King/Facebook
    Elle King plays White Oak Music Hall on Sunday, May 5.
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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 15, 2026 | 10:00 am
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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