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    Movie Review

    Hormonal teenagers journey in search of new planet in Voyagers

    Alex Bentley
    Apr 9, 2021 | 2:20 pm
    Hormonal teenagers journey in search of new planet in Voyagers
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    Plenty of films have dealt with the possibility of another habitable planet in the universe, as well as the existential need for such a place given how humans have not treated the Earth well over the course of history. While some films go the philosophical route or explore the dangers of space travel, the makers of the new film Voyagers figured they would be different and just make it about horny and angry teenagers.

    In the world of the film, humanity has come up with a plan to send a group of people to a newly discovered Earth-like planet after Earth has grown too hot and filled with drought and disease to sustain life. But because it will take 86 years to reach said planet, the group is made up almost entirely of young people, born and raised in isolation, whose children and grandchildren will be the ones to actually set foot on the new world.

    Mission leader Richard (Colin Farrell) does his best to keep the group in line, mostly through the use of a blue drink that suppresses the kids’ hormonal urges. But when two of them, Christopher (Tye Sheridan) and Zac (Fionn Whitehead), discover the truth about the drink, they stop taking it, setting in motion a series of events that allows the young people to experience their full range of emotions for the first time, for good and for bad.

    Written and directed by Neil Burger, the film skips over a lot of ethical and practical questions about the space journey in favor of getting right to the juicy part of kids acting crazy in a confined space. The big problem is that because the group has been emotionally-stilted since birth, anyone who acts out seems supremely odd, and not in a good-for-the-story kind of way.

    Burger seems to have given his cast permission to act as strange as possible, leading to a host of awkward moments where one person is acting over the top while another is staring blankly. What’s meant to be an interesting juxtaposition between characters who are finally seeing the light and those still under the drug’s spell comes off instead as goofy, laughable interactions.

    And that’s to say nothing of Burger trying to inject a possible alien story into the mix. For kids who’ve been sheltered literally their entire lives, they sure seem to know a lot about things they’ve never seen before. The third act of the film succeeds somewhat as an action set piece, but because the film doesn’t establish many connections between characters earlier, there’s not much to hold on to in the end.

    Both Sheridan (Ready Player One) and Whitehead (Dunkirk) are actors on the rise, but neither is done any favors by the inert script. Lily-Rose Depp, whose character is in a sort of love triangle with Christopher and Zac, has a nice presence that serves her well in her first major role. Most of the rest of the actors remain as anonymous as their characters.

    Voyagers brings up a lot of questions about the future of humanity, the Earth, and space travel, but instead of trying to address those in any meaningful way, it instead throws a bunch of hormonal teenagers together merely to see what happens. The result is not exciting on any level, and should not be sought out by moviegoers desperate for a trip to the theater.

    ---

    Voyagers opens in theaters on April 9.

    Tye Sheridan and Lily-Rose Depp in Voyagers.

    Tye Sheridan and Lily-Rose Depp in Voyagers
    Photo by Vlad Cioplea
    Tye Sheridan and Lily-Rose Depp in Voyagers.
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    Movie Review

    Knives Out series takes a more serious turn in Wake Up Dead Man

    Alex Bentley
    Nov 28, 2025 | 4:00 pm
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery
    Photo by John Wilson/Netflix
    Josh O'Connor and Josh Brolin in Wake Up Dead Man: A Knives Out Mystery.

    Since 2019, writer/director Rian Johnson has essentially turned over his career to murder mysteries, including 2019’s Knives Out, 2022’s sequel Glass Onion, and the just-canceled Peacock series Poker Face. He’s back for another bite of the apple with Wake Up Dead Man: A Knives Out Mystery.

    While private detective Benoit Blanc (Daniel Craig) returns to help investigate a seemingly impossible murder, the majority of the focus of this film is on the employees and parishioners at a small Catholic church in upstate New York. Father Jud Duplenticy (Josh O’Connor) has been assigned to the parish to work under Monsignor Jefferson Wicks (Josh Brolin). Wicks is a fiery orator who relies on intimidation, as well as the help of church aide Martha Delacroix (Glenn Close), to maintain control over his flock.

    That group includes lawyer Vera Draven (Kerry Washington), her politically ambitious brother Cy (Daryl McCormack), Dr. Nat Sharp (Jeremy Renner), writer Lee Ross (Andrew Scott), cellist Simone Vivane (Cailee Spaeny), and groundskeeper Samson Holt (Thomas Haden Church). The tenets of Catholicism, and religion in general, are put to the test as Father Jud challenges Monsignor Jefferson for leadership, and a death changes things even further.

    The free-wheeling and fun nature of the first two Knives Out films gives way to a more methodical and introspective approach in Wake Up Dead Man. While Johnson is interested in presenting a murder mystery, it’s the lives of the various characters that take precedence, especially that of Father Jud. He is shown from the start as someone who wrestles with his faith, which is tested on multiple occasions as he encounters people who challenge him more than expected.

    The arrival of Blanc on the scene turns the film into a type of buddy movie, with Father Jud serving as both investigator and suspect. Neither man embodies the type of behavior one might expect out of their respective professions, and what limited comedy the film has comes from their interactions. They’re reined in by Police Chief Geraldine Scott (Mila Kunis), although her desire to get to the bottom of the murder is somewhat stymied by Blanc and Father Jud’s diversions.

    The lessons learned from two very different types of sources — mystery novels and Catholicism — collide over the course of the film. A book club that very coincidentally includes multiple mystery novels, including John Dickson Carr’s The Hollow Man, plays a key role, as does the devoutness of the various people at the church. Ultimately, as was the case in the first two films, the nature of the whodunit comes in second place to how the characters react to the multiple reveals along the way.

    Craig seems to tone down the over-the-top way he usually plays Blanc in this film, and his performance fits in well with the story being told. O’Connor, a star on the rise after Challengers and more, is asked to carry the film and he does so ably. The strong actors in the supporting cast are not used as well as they could have been, with only Close and Brolin truly making an impact. Geoffrey Wright shows up in a couple of small scenes and makes his presence known quickly.

    Wake Up Dead Man is the least entertaining Knives Out film so far, but that’s not to say that it’s uninteresting. Johnson explores topics that result in more talking than action, but those conversations — especially between Blanc and Father Jud — are consistently engaging and revelatory about the characters and the crime they are investigating.

    ---

    Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters; it debuts on Netflix on December 12.

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