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    Novel Thoughts

    Set in Houston: From Galveston hurricane to Enron debacle, Gulf Coast history inspires three new novels

    Tarra Gaines
    Apr 8, 2014 | 9:49 am

    This month a Houston institution, Brazos Bookstore, celebrates its 40th anniversary and a big part of that celebration is a week’s worth of events featuring Houston writers and, perhaps a much more rare literary occurrence, locally set novels.

    Yes, Houston can be a great city that nurtures writers, but it’s not usually seen as the perfect atmospheric locale, filled with haunting ambiance, to set the great American, or even Texan, novel.

    It's our rich history that becomes both a source for story and a way to see deeper into our present and perhaps even our future.

    This Brazos anniversary set me to wondering about when Houston does serve as an imagined landscape and what is it about the region that can spark a writer’s imagination. So I decided to survey some experts, three novelists whose books just debuted and who all use either Houston or the Gulf Coast as their setting. The unanimous answer to my question was surprising. It's our rich history that becomes both a source for story and a way to see deeper into our present and perhaps even our future.

    We begin with School Board by Mike Freedman, which finds 1999 Houston during the age of Enron as comic fodder for a look at our unique culture of politics and business and the perfect setting to make some keen, wider observations about American at the end of the 20th century.

    From there we go back another 80 years to the 1920s and Duncan Alderson’s Houston when it was known as Magnolia City, in another time of great wealth and social change.

    Ann Weisgarber's The Promise takes readers to the very beginning of the 20th century and the scene of great Galveston hurricane of 1900, seen from the point of view of those living on the island but who are outsiders of the city.

    So how did this region inspire these writers?

    Freedman found just growing up here can be the greatest inspiration of all.

    “Certainly, having grown up in Houston, one cannot forget the Enron story. I set it [School Board] at the end of the 20th century because it is a comedy and the main character, a sort of a delusional Don Quixote-like character, who believes he is the ‘Last Populist.’ ”

    “The book, as a whole, is meant to serve as an allegory for the coming post-9/11 world and generation, and for that I remembered pretty well as I had experienced much of that directly,” explained Freedman, who is a former Special Forces Green Beret and at present a Rice University graduate student.

    “It felt like an injustice that these people were overlooked in most accounts of the storm. Their lives mattered."

    For Duncan Alderson it was seeing a photo of his mother as a flapper “during a more romantic time in Texas history,” that sent him on a search for the real Houston of the 1920s. What he discovered was a world seldom told in fiction, a southwest where “people were trying to emulate the Great Gatsby lifestyle.”

    “I also discovered the little-known history of an elite class who lived behind the gates of Courtlandt Place, cotton and oil barons who aspired to a formal Edwardian lifestyle complete with black-tie dinners,” Alderson described. “These were sophisticated and wealthy Houstonians who summered in Newport and took the grand tour of Europe. Old Houston suddenly looked much more interesting to me.”

    Ann Weisgarber, who divides her time between Sugar Land and Galveston, told me that she has wanted to set a novel in Galveston ever since her first novel’s The Personal History of Rachel DuPree debuted, but she didn’t have any specific ideas about the characters or plot. Those characters later came to her while she was researching a column for the Galveston monthly magazine The Islander about small business owners on the west end of the island.

    Hearing stories of how isolated life was even back in the 1960s, she began to wonder about all the untold stories that must be out there about those who set about creating a life there in 1900 never knowing the storm that was coming.

    “When I began my research, I found only the barest details about the families who lived outside of the city limits.” Weisgarber says, but with help from the archivists at Galveston’s Rosenberg Library, she began to learn a bit about the dairy farmers, ranchers, and fishermen who lived in the area, and everything she learned made her want to tell their stories.

    “It felt like an injustice that these people were overlooked in most accounts of the storm. Their lives mattered. They had hopes and plans for the future, they knew joy and heartbreak, they had loved and cried, and on September 8, 1900, the day of the hurricane, they fought to save their lives and the lives of those they loved.”

    Fact & Fiction

    All three novels weave history and fiction together to one degree or another. Weisgarber tried to ground the descriptions of the island and storm in fact with the belief that “historical facts should not be altered for the sake of the story. It’s the author’s duty to make the characters fit the times and events.”

    “I mean, how could you make up a name like Ima Hogg? I had to set a gala party at her pink mansion in River Oaks, Bayou Bend. And she, of course, appears as the hostess."

    Meanwhile, Alderson took advantage of Houston’s truly unique cast of true characters to depict them meeting his imagined characters, adding “authenticity” to his narrative. “I mean, how could you make up a name like Ima Hogg? I had to set a gala party at her pink mansion in River Oaks, Bayou Bend. And she, of course, appears as the hostess," he confessed.

    All three novelist also found that some of the issues of the past are still ones we struggle with today, whether that be the threat of hurricanes, human-made environmental disasters, or rapid growth in a city with no zoning laws. Yet there is hope, as there is hope for a continuing wave of great novels not set on the shores of the Hudson River or the Pacific Coast but on our Gulf Coast.

    Freedman, at least, is looking towards the future. “This place has so much energy, culture, and unique people that it is just a matter of time before someone writes “The Great Houston Novel.” I’m sort of tired of reading about NYC novels anyway, so I’m hoping it happens soon."

    ------

    School Board author Michael Freedman will be at Brazos Bookstore Tuesday night (April 8); The Promise author Anne Weisgarber Wednesday night (April 9) and Magnolia City author Duncan Alderson Thursday night (April 10). All appearances are at 7 p.m.

    Duncan Alderson, author of Magnolia City

    Duncan Alderson author Magnolia City
    Courtesy photo
    Duncan Alderson, author of Magnolia City
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    Best May Art

    MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

    Tarra Gaines
    May 11, 2026 | 12:45 pm
    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH
    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

    May brings some of the biggest art shows and museum exhibitions of the year to town. Some fly in with patriotic fanfare, while others give us a rare opportunity to gaze at European masterworks. Whether someone is looking for irreverent performance art at the CAMH, wants to get in touch with whimsical spirits at Moody Art Center, buy art for a good cause at Silver Street, or get ready for the World Cup at Sawyer Yards, Houston artists, galleries, and museums have a show for all tastes.

    “Freedom Plane National Tour: Documents That Forged a Nation” at Houston Museum of Natural Science (now through May 25)
    We’ll call this one the art of democracy. This exhibition 250 years in the making might not fit the usual definition of "art," but this touring presentation of Founding-era documents at HMNS has to make this month's must-see list. The National Archives and Records Administration, in partnership with the National Archives Foundation, set aloft this flying tour of some of the nation’s most historical documents, complete with their own plane. Houston is one of only eight U.S. cities where the Freedom Plane will land. The original National Archives records featured in the exhibition are traveling together for the first time. Just some of the historic documents included in the exhibition are an original engraving of the Declaration of Independence; George Washington, Alexander Hamilton, and Aaron Burr’s Oaths of Allegiance, 1778; and the Secret Printing of the Constitution in Draft Form, 1787.

    “As our nation approaches its 250th anniversary, there is no more fitting tribute than bringing these original documents, leaving the National Archives together for the very first time, directly to the American people,” says Joel Bartsch, president and CEO of HMNS. “From George Washington’s oath as a Continental Army officer to the Treaty of Paris that secured our independence, these are not replicas or reproductions. They are the genuine records, and Houston will have the rare privilege of experiencing them in person this May.”

    “20th Annual Empty Bowls” at Silver Street Studios (May 15 and 16)
    For two decades this beloved grassroots fundraising event has given art lovers the chance to pick up one of a kind, handcrafted ceramic bowl-shaped artworks for just $25 dollars each and helped to serve up millions of meals to the hungry. Over the years, Empty Bowls Houston has raised over $1.2 million for the Houston Food Bank. The lunch fundraiser is a collaboration between Houston-area ceramists, woodturners, and artists working in all media and Houston Center for Contemporary Craft. A special ticketed preview party on May 15 will feature light bites, beer and wine, live music, a pottery throw down event with local potters, and a chance to purchase a bowl early before the main event on May 16. Archway Gallery will also host its own annual Empty Bowls exhibition throughout May.

    “No Longer, Not Yet” at Art League (May 15-July 19)
    This exhibition of mixed media and fiber sculptures from Houston-based artist Marisol Valencia is the culmination of Valencia volunteering at a Houston-area shelter serving migrant women and children. To create the works in the show, Valencia uses material imbued with meaning, including fibers sourced from rural Mexican communities where migration often shapes daily life; bedsheets and pillows gathered from the shelter; and porcelain pieces inscribed with collected definitions of “home.” At the center of the exhibition will be a large cascading crochet sculpture made in collaboration with women and volunteers at the shelter.

    “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at Museum of Fine Arts (May 20-September 13)
    Houston claims another first as the MFAH hosts the U.S. debut of this monumental touring exhibition of masterworks by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other major artists of postwar Europe. The exhibition will also tell the story of influential gallerist Heinz Berggruen and his relationship with the artists and collecting world. From the 1940s into the 1990s, Heinz Berggruen assembled a singular collection of hundreds of modern masterworks, many directly from the artists, and then in 2000, Berggruen placed the collection with the German state. The collection is now housed in the Museum Berggruen in Berlin-Charlottenburg as part of the Berlin State Museums/Foundation of Prussian Cultural Heritage.

    “It is especially rewarding to introduce our audiences to the life and legacy of Heinz Berggruen — a pioneering art dealer, publisher, and collector whom I was privileged to know and work with for more than two decades,” remarks MFAH director Gary Tinterow on bringing the exhibition to Houston.

    “Ballet of the Masses” at Sawyer Yards (May 21-July 25)
    As Houston gets ready for the World Cup, local artists score their own kind of goals with this exhibition of artful soccer balls. Over 40 Houston artists have put a unique spin on a regulation sized fútbol — turning them into sculptural pieces. Organizers will suspend the works from the ceiling of Sabine Street Studios' North Gallery to create a kind of celestial soccer constellation. Together, these works will celebrate the dynamism and joy within sports and art.

    “Never Forgotten” at Sabine Street Studios (May 21-July 25)
    This powerful exhibition comes from a unique collaboration between Texas Center for the Missing, Houston Police Department Forensic Artists, and Sabine Street Studios, all dedicated to bringing the missing home. Three local forensic artists: Thurston Johnson, Bryan Bradley, and Kristen Aloysius have created age-progression portraits of missing persons in the hopes of reuniting families. Beyond showcasing real art, “Never Forgotten” was organized to shine a light on each individual case and continue raising awareness of the missing in our community. Sabine Street Studios will also host special programming in conjunction with the show, including a workshop on forensic drawing and drawing portraits based on memories.

    “Mary Ellen Carroll: How To Talk Dirty and Influence People” at Contemporary Arts Museum (May 22-November 1)
    Acclaimed New York-based conceptual artist Mary Ellen Carroll has spent over four decades crossing disciplines of performance art, photography, architecture, writing, video making, and public art to explore issues of environmentalism, architectural and technological infrastructure, immigration, urban legislation, and identity, as well as tackling fundamental questions of the nature of art. And some of this exploration has taken place in Houston with Carroll’s continual transformation and documentation of a post-war home in the city’s Sharpstown neighborhood.

    This first major museum survey of Carroll’s work takes inspiration from legendary comic Lenny Bruce’s 1965 autobiography of the same name, and emphasizes the irreverent and honest nature of Carroll’s work. The exhibition will bring renewed focus onto some of Carroll’s larger series, for example, “prototype 180,” the Sharpstown project, and “My Death Is Pending… Because,” consisting of separate pieces like video documentation of the artist driving and destroying a 1985 Buick in a demolition derby in 2017 and video of Carroll in a polar bear suit climbing a defunct smokestack in Memphis.

    “Carroll is that unique kind of artist who continually reminds you of the power of art and artists to inspire radical change, in ourselves and the world,” notes senior curator Rebecca Matalon.

    "Shapeshifters, Sprites, and Spirits” at Rice Moody Center for the Arts (May 29 - August 15)
    Delve into a world of whimsical wonder in this new exhibition and the first Texas solo show of acclaimed Japanese artist Masako Miki’s sculptural work and installations. Influenced by diverse artistic movements from European Surrealism to Japanese manga, Miki creates sculptures from felt layered over wood armatures. Once completed, they resemble animated and large scale forms of everyday objects infused with personality and character.

    Miki’s work is also inspired by folkloric traditions, especially Shinto animism and its belief that all beings and things contain a spirit. For the site specific Moody exhibition, Miki has also created works with a focus on yōkai, supernatural entities taking the form of beings, objects, and apparitions, and particularly those that appear in the Night Parade of One Hundred Demons (Hyakki Yagyō), a legend dating to medieval Japan.

    “My characters are ordinary but have extraordinary powers,” describes Miki of her sculptures. “They are secular but are attuned to sacred traditions. As a collective, they advocate for both individual and collective agency, and the importance of stories as unifying systems in today’s complex world.”

    as Pablo Picasso, Woman in a Multicolored Hat, part of the MFAH's upcoming Picasso\u2013Klee\u2013Matisse: Masterpieces from the Museum Berggruen exhibit, opening May 20
    Image courtesy MFAH

    Museum of Fine Arts, Houston presents Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen (Pablo Picasso, Woman in a Multicolored Hat, 1939, oil on canvas, Museum Berggruen, Neue Nationalgalerie, Berlin. © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York)

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