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    Romance & rhinestones

    Jason Aldean celebrates redneck culture at rambunctious Rodeo concert

    Reid Schroder
    Mar 12, 2014 | 6:08 am

    Jason Aldean appeared for the fifth consecutive year at RodeoHouston on Tuesday night. I have every reason to believe he will make it back next year for a sixth straight appearance. I have put together a simple 20-step guide on how to enjoy an Aldean show when he inevitably returns, based on my observations from this year's rambunctious show.

    Step One: Put a ton of thought into your wardrobe

    This is not going to be a country music concert as much as it's going to be a celebration of redneck culture, amplified. Men; neon plaid pearl snaps or -shirts with eagles and bulls are acceptable, but please keep them tucked into your Wranglers. Ladies, your jean pockets MUST contain rhinestones. The more flair, the more rodeo cred. Also acceptable are boots worn with dresses, cut off shorts with pockets that extend past the shorts themselves, and plaid.

    Step Two: Take the light rail

    Riding the rail to and from RodeoHouston will ensure that you maximize your people-watching potential, and the Ensemble/HCC station is within walking distance from some lively after-rodeo bars and of course the Continental Club.

    Step Two: Get some carnival food

    After getting off at Reliant Park station, take a stroll through the carnival before stopping for pierogi at Polinia's booth. In fact, get the combo with the cabbage roll and sausage. It's a great deal, and you've got a long night of country amp-rock ahead of you.

    Step Four (for beer lovers): Get crafty

    Once inside Reliant Stadium, don't go for the deceptive Third Shift/Blue Moon psuedo-craft beer oases throughout the concourse. If you're willing to walk all the way to the south end zone, there is Karbach and St. Arnold. Get it, and go grab a seat.

    Step Five: Take a Selfie with your beer and all decked out in your rodeo garb

    Post it to Instagram if you're under 25, post it to Twitter if you're between 25 and 40, and post it to Facebook if you're still using Facebook. Hashtag #Hicktown.

    Step Six: Clown around

    Continue to check your social media app of choice while awaiting the show's start, pausing briefly to watch Barrel Racing, Mutton Bustin', and the antics of Leon Coffee, everyone's favorite rodeo clown.

    Step Seven: Get crazy

    As the concert begins, forget everything that you knew about country and bask in the delay pedal guitar glory and thrashing drums that opens up "Crazy Town."

    Step Eight (for ladies:) Let's dance

    Grab four of your friends and treat the aisles of Reliant Stadium like a Saturday night at Wild West. Let the music guide you and dance, dance, dance. Don't hold back. The show depends on your performance just as much as Aldean's bravado.

    Step Nine: Sing along

    Sing along to every word of "When She Says Baby." If you don't know the words, that's OK. Reliant Stadium puts them on a LED screen in the corner of the building, and it's quite helpful.

    Step Ten: Scream like crazy

    Scream like crazy when Luke Bryan and Eric Church are introduced by Aldean as co-writers of "The Only Way I Know"...then deflate like a balloon when Aldean breaks the news that those two aren't actually here.

    Step Eleven: After singing along for less than a verse of "The Only Way I Know," forget that Step Ten ever happened.

    Step Twelve (applies exclusively to Jason Aldean): You're totally in control. Own that stage. Strut around, pump your fist, be yourself. Adapt lyrics to make the citizens of the city you're playing in feel special (I.E. sing ..."girls of Houston,Texas..", "...tattoos on this Texas town...", etc.)

    Step Thirteen (applies exclusively to Aldean's drummer): Spin those sticks like your life depends on it. Remember, this isn't so much a concert as a public display of amplification. The more cowbell the better. You're not Jason Aldean, but the camera is going to be on you. A lot. Make the most out of that screen time. Drum with your face.

    Step Fourteen: When Aldean sings "Amarillo Sky" from his self-titled debut album, there's actually a pretty bit of farming imagery in the lyrics. Listen closely. It's not Steinbeck, but it's there and it's going to be the highlight of the show. Perhaps the most sincere moment of the entire night.

    Step Fifteen (for guys:) When Aldean asks "Where's all my dude's in the house tonight?" it's appropriate to respond loudly in an extra deep voice in order to prove that you are in fact a dude. Aldean can't see that far into the stands, so the vocal cues really help.

    Step Sixteen: Do not, I repeat, do not, take Aldean's advice to buy a bottle of Southern Comfort after the show and take your girl to the outskirts of town. You're better than that and it won't turn out like the lyrics of "Night Train," I can almost guarantee.

    Step Seventeen: It's a much better idea to relive the lyrics to "Tattoos on this Town" after the show. Go to The Hideout and dance to some honky-tonk music, or head to the carnival and win your sweetie a prize. Remember, you took the light rail to Reliant. There are a large amount of very cool bars and music venues along Main Street that will memorably extend anyone's Tuesday night. Have fun. Live it up.

    Step Eighteen: There's a country-rap delivery in the middle of "Dirt Road Anthem." It's a lot of fun to chant along to, but be sure you get the words right.

    Step Nineteen: If the words in Step Eighteen escape you, wave your hands back and forth during the chorus of "Dirt Road Anthem." It looks really cool when 72,088 fans in Reliant Stadium do it in unison.

    Step Twenty: Starting with "She's Country" and ending with the show closer, "Hicktown," the last three songs of the set are an opportunity to do everything you've been doing throughout the show — only bigger, better, and louder. Though remember, kids are watching.

    Setlist:

    Crazy Town
    Take a Little Ride
    When She Says Baby
    Big Green Tractor
    The Only Way I Know
    Fly Over States
    Johnny Cash
    Amarillo Sky
    Night Train
    Tattoos on this Town
    Dirt Road Anthem
    She's Country
    My Kinda Party
    Hicktown

    Jason Aldean performed before a RodeoHouston crowd of 72,088.

    Photo by Michelle Watson Catchlight Group
    Jason Aldean performed before a RodeoHouston crowd of 72,088.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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