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    the shows go on

    Houston live music venues maintain COVID safety measures after restrictions lift

    Johnston Farrow
    Johnston Farrow
    Mar 10, 2021 | 11:22 am

    Mask on or mask off? That is the question.

    Like many in the hospitality and entertainment industry, local live music venues are scrambling to decide what actions to take in the wake of Governor Greg Abbott’s announcement last week rescinding the state-wide mask mandates and opening all businesses at full capacity.

    Houston venues still hosting shows instituted strict health guidelines months ago, which included limited capacity, mask requirements, staggered entry times, and enforced social distancing with tables or cordoned off sections. For now, it looks like those most of those measures will remain in place.

    White Oak Music Hall, one of the largest venues to host shows during the pandemic, did so by implementing a grid system wherein small groups share a section of the outdoor lawn area. Patrons are required to wear masks should they step out of their section and concessions were ordered online. The venue effectively shut the indoor stage area and has no immediate plans to re-open it.

    They’ll move ahead with upcoming grid shows, including two Blue October frontman Justin Furtsenfeld on Friday, March 12 and Saturday, March 13.

    White Oak fans can also watch for the Texas Smoke Break Fest Comedy Show with Ali Siddiq, Byrson Brown, and more on Wednesday, March 17. The Texas Smoke Break Fest with Larry June, Le$f, Slim Thug, DevinTheDude, and goes down on Saturday, March 20. Meanwhile, the Read Southall Band performs on Saturday, April 17 with all current safety measures in place.

    "We’re thrilled to see COVID rates declining and steps taken to open Texas back up,” Johnny So, managing partner of White Oak Music Hall said in a statement. “We’re still evaluating what that means for us and how that might affect our concerts. We're hopeful that it will allow us to book more shows and welcome more fans, but we need to ensure that those shows can be done safely."

    Other venue owners echoed the same sentiment, while not committing to any quick changes to safety measures.

    “We have great hope that our venues will return to normal operations very soon,” Edwin Cabaniss with the Heights Theater tells CultureMap. “If we continue to see progress, we anticipate making incremental changes to our protocols on our way to full reopening. We are just thankful to be in a position to safely-reopen after an extraordinarily difficult year - many of our peers were not that fortunate.”

    Out of those that responded to requests from CultureMap, the majority of local spots said they elected to keep current safety guidelines in place. Others that shuttered completely will stay closed for the time being.

    While some national artists are still touring, namely Staind lead singer Aaron Lewis performing on March 11 and South African punk rap act Die Antwoord booked for May 29 at Revention Music Center, it appears it will be some time before venues get close to hosting full sized crowds.

    The following is a list of music venues that responded to requests about the health and safety restrictions in place. All of those hosting shows have hand sanitization stations throughout the venue.

    Venues currently open:

    Axelrad: Limited capacity; masks required inside and while ordering.

    Dosey Doe: Patrons encouraged to wear masks.

    Heights Theater: Mandatory social distancing; face mask required except while eating and drinking.

    House of Blues: Face coverings mandatory and must be worn at all times except while eating and drinking; guest belongings must be kept in a clear bag or small clutch bag; mandatory social distancing; staggered arrival times.

    Main Street Crossing: Face coverings mandatory and must be worn at all times except while eating and drinking; mandatory social distancing; contactless payment.

    McGonigel’s Muck Duck: Mask requirements except while eating and drinking; capacity limits

    Revention Music Center: Face coverings mandatory and must be worn at all times except while eating and drinking; guest belongings must be kept in a clear bag or small clutch bag; mandatory social distancing; staggered arrival times.

    Rudyards: Mask requirements except while eating and drinking; capacity limitations.

    Warehouse Live: Limited seating; masked encouraged when not seated; social distancing encouraged.

    White Oak Music Hall: Face coverings mandatory and must be worn at all times except while eating and drinking; limited capacity; mandatory social distancing; drinks must be ordered through cocktail server.

    Venues closed or currently not booking acts:

    Satellite Houston: No shows booked at this time.

    Smart Financial Center: No shows until May 15.

    The Secret Group: Closed through the month of March and likely through April.

    The Continental Club: Remains closed at this time.

    Blue October's Justin Furstenfeld will play two solo shows at the White Oak Music Hall Lawn.

    Justin_Furstenfeld
      
    Courtesy White Oak Music Hall
    Blue October's Justin Furstenfeld will play two solo shows at the White Oak Music Hall Lawn.
    musicnightlifeconcerts
    news/entertainment

    Movie Review

    Disturbing new horror film Bring Her Back will shock fans of the genre

    Alex Bentley
    May 30, 2025 | 4:00 pm
    Sally Hawkins and Sora Wong in Bring Her Back
    Photo courtesy of A24
    Sally Hawkins and Sora Wong in Bring Her Back.

    While there have been plenty of great horror movies that have come out of the United States, there are also many examples of other countries delivering films that put American ones to shame. Whether it’s the freedom of working outside the U.S. studio system, different sensibilities, or something else, international horror movies often hit way harder than domestic ones.

    The latest example is the Australian film Bring Her Back, directed by Danny and Michael Philippou, the same filmmakers behind the 2023 sensation Talk to Me. The fantastically unnerving story centers on Andy (Billy Barratt) and his sister, Piper (Sora Wong), who’s legally blind. The two are put into foster care after the death of their father, finding a home with Laura (Sally Hawkins), a former social worker. Laura is enthusiastic about having Piper, who reminds her of her blind daughter who passed away, but Andy feels a coolness toward him right away.

    Also living with Laura is Oliver (Jonah Wren Phillips), whom Laura says has been mute since her daughter’s death. But Oliver’s actions are much weirder than him not being able to talk, and Laura alternates between being dismissive of him and overly attentive. Things start to go off the rails when Andy witnesses a horrific event, and he and Piper - along with the audience - are unprepared for how awful things will get.

    The film, written by Danny Philippou and Bill Hinzman, ranks extremely high on the list of most disturbing films you’re likely to see. It’s not just the blood and gore that can be found in many other horror movies; it’s the manner in which the carnage comes about that may haunt the dreams of viewers. The things that the filmmakers choose to show are so shocking that it’s fair to wonder what kind of a mind comes up with such atrocities.

    But the Philippous have more on their mind than trying to traumatize viewers visually. It’s a movie about grief and a broken foster care system mixed with a tinge of the supernatural. While it’s not entirely clear what’s going on with Laura and Oliver, it involves something spooky that has affected both of them in inexplicable ways. The film combines the horrors of real life and the incomprehensible for a highly effective story.

    The film also veers far away from your typical horror film arc. While Laura is the “villain” of the film, she’s also a victim in a certain way, and the filmmakers have empathy for the trauma that she has endured. They don’t excuse her actions, but the reasons behind them are explained, and so the journey that Andy and Piper go on becomes more meaningful than if it involved a monster with no back story.

    Hawkins, who’s been nominated for two Oscars, elevates the film with her high-level acting. No matter what kind of weird thing Laura does, it feels grounded because Hawkins is bringing it to life. Barratt and Wong play their roles well, but it’s Phillips who’s the real revelation. Without speaking a word, he turns in a supremely creepy performance, one that’s especially amazing for the physical things he’s asked to do.

    Even horror film aficionados may not be able to anticipate the level of depravity on display in Bring Her Back. Unlike other movies in the genre, it’s not out for cheap thrills. The Philippous give it heart and soul, along with some of the most messed-up scenes you’ll see this year.

    ---

    Bring Her Back is now playing theaters.

    moviesfilm
    news/entertainment

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