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    Miranda Lambert's Rodeo

    Miranda Lambert shows she's moved on from Blake in sizzling Rodeo performance

    Jonathan Valadez
    Mar 8, 2016 | 6:48 am

    Playing at RodeoHouston for the first time since her split with Blake Shelton shocked her many fans, Miranda Lambert opened her set with “Kerosene” on Monday night. The song, which is about giving up on love, seemed like a subtle way to let her audience know that she is ready to move on without having to mention her former husband and Voice star by name.

    During the song, which was Lambert's first big hit a decade ago, her vocals were muffled, which made it very hard to hear the lyrics. The sound techs quickly fixed the problem and she soon sounded a lot better, proving to the excited crowd of 60,118 why she is one of country music's biggest female stars.

    Before the show started, I looked around NRG Stadium and was legitimately dissatisfied with the lack of cowboy hats and sequin tops in the crowd. I tried to reason with myself and decided that most people were saving their rodeo best for the weekend.

    The lights went down and the fireworks began while a one-minute montage of the rodeo played on the big screen. Nothing will pump you up more for Lambert than fireworks and a montage. The five-time rodeo veteran came out on stage, dressed in a denim dress dripping in fringe and matching cowboy boots, and her “Ran fans” erupted.

    Between songs, a stagehand handed Lambert a beautiful semi-hollowed guitar, and she readied for the next song. Sadly, she only used the pink guitar once. If I had the opportunity to play a guitar that beautiful, I would use it for every song, even if the tune didn’t call for it, but I guess that’s why I’m not a country star.

    After a few, Lambert played a new song called “Sweet By and By,” which she said she had never performed live before. A couple of songs later, she launched into “Baggage Claim” and called on the women in the audience to join in. They went wild as Lambert belted out the last lyrics: “Come and get your shit.”

    In between songs, Lambert played the crowd like the consumate professional she is. At one point, the Longview native said, "This feels like home.” Then, she quickly adjusted by declaring, “No, it is home!”

    She went on to say that she and the band were headed to London in the morning for a series of European concerts and drew big applause when she said, “We’re gonna show them how Texas does it over there.”

    Lambert showed an easy rapport with her band, occasionally playfully hitting and teasing them, which the crowd seemed to enjoy. Whenever she launched into a solo, the guitarist performing it would get into the obligatory power stance and squint his face as if he were concentrating really hard on what he was doing. A guitarist with a soul patch, who looked like he probably played in a ‘90s rock band, perfected the stance and facial expression so well that it looked effortless.

    The bassist danced a lot but often by himself. I have a feeling that Lambert may have told him that if he’s going to do that he better do it in the corner. My favorite member of the band was the tambourine player-turned-hype girl. She played the tambourine as if her life depended on it. It didn’t hurt that she was wearing a sequin top that really stood out as she moved and danced.

    However goofy the band appeared at times, they still gave the impression that they genuinely enjoyed their work and were thankful for the opportunity.

    The most moving moment occurred when the lights dimmed and Lambert played “The House That Built Me” while fans pulled out their cell phones and lit up NRG. The crowd went berserk as Lambert finished the song.

    Lambert & Co. ended with “Gunpowder and Lead” as the audience kept cheering while some sang along. Lambert thanked the crowd and said, “See 'ya next year,” as she left the stage and the crowd roared.

    As the song ended, Lambert was escorted to the tunnel and the fireworks began again. Her catch-phrase “Well-Behaved Women Rarely Make History” appeared on the big screen and I realized that if the singer hadn't made much history on this night, she certainly showed the large crowd a damn good time and proved she is having a good time, too.

    -------------------

    Set List

    Kerosene

    Fastest Girl in Town

    Heart Like Mine

    Sweet By and By

    Over You

    Baggage Claim

    All Kinds of Kinds

    Smokin' and Drinkin'

    Mama's Broken Heart

    Covered Wagon

    The House That Built Me

    Automatic

    White Liar

    Little Red Wagon

    Gunpower and Lead

    Miranda Lambert had a good time during her performance at the Houston Livestock Show and Rodeo.

    Miranda Lambert at Rodeo
    © Michelle Watson/Catchlight Group
    Miranda Lambert had a good time during her performance at the Houston Livestock Show and Rodeo.
    houston-rodeo
    news/entertainment

    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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    news/entertainment

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