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    Usher's Crazy Houston Night

    Usher makes the most dramatic concert entrance ever, flashes nipple and teases Houston in record Rodeo night

    Tarra Gaines
    Mar 8, 2014 | 5:51 am

    Mark your journals in red, Houston. March 7, 2014, that was the night we’ll always remember, the night we met our perfect rodeo luvah, Usher.

    We first felt his presence, not by his whisper of our name echoing to us across Reliant Stadium, but by the growl of engines. Suddenly, 12 single headlights illuminated the darkness. Where only minutes before steers were wrestled and mutton busted, at that moment, in what is likely the most epic rodeo entrance ever, motorcycles came zooming unto the dirt floor.

    Circling the stage again and again, one popped a little wheelie. Could that be Usher? We know it was.

    Of course we scream. We had to scream. Our perfect rodeo boyfriend had arrived.

    The lights dimmed and then exploded as he stopped with an intentional skid in front of us, ripped off his helmet and bound onto the stage. He was wrapped all in black, jeans and a leather motorcycle jacket, because he knows what we like. He nodded to us, surveying his domain. And then he said our name: “Houston.”

    Of course we scream. We had to scream. Our perfect rodeo boyfriend had arrived.

    He stayed with us for a little over an hour. We leaped to our feet early on for “Love in the Club,” and never sat down again. Instead, we stayed up dancing like it was the last night of our life.

    He burned us up on “Burn.” He called us “Bad Girl,” and we let him know just how bad. During “U Remind Me” he crooned us into taking a little soul trip. Sometimes he sang straight to us. Other times, he fell to his knees like the song was breaking him in two. He joined his backup dancers in so many routines his jeans seemed to grow blacker with sweat. Others times he stood apart and like a maestro conducted his dancers in a kind of half-clothed simulated orgy.

    He teased us mercilessly when he asked if we minded if he got a little comfortable and slinked off his jacket, even giving us a few nipple glimpses, now and then. Still he wouldn’t show us the goods.

    He swore to us again and again that this was his first rodeo, but his moves and the way he worked us into a frenzy made us wonder if he could be lying. Surely there had been others before. But no, when he looked into our eyes — or the camera, whichever — during our Usher/crowd duet of “Climax,” we knew in our hearts he’d always be true.

    He joined his backup dancers in so many routines his jeans seemed to grow blacker with sweat.

    Yet, for one brief moment late into his serenades, he seemed almost adorably self-conscious when we gave him cause to doubt our love. Yes, in the intro to “Yeah” when he mentioned his Voice partner in bromance, Blake Shelton, we might have let out a little squeal for Blake, but we were only trying to make Usher jealous. We’re not really that fickle. So when he tested us with a “Blake” vs. “Team Usher" poll, oh boy did we yell his name.

    He prepared for our bitter parting with our favorite “Without U,” and ended with the words “I will never be the same, without you, Houston.” He told us he loved us, dropped mike (literally) and jumped back on his waiting motorcycle. As he circled once around, perhaps to glimpse our 75,067 faces one last time (a new Black Heritage Day Rodeo record crowd), fireworks exploded from the earth.

    Then, as the smoke cleared, he was gone, back into the night, leaving us with only a faint hope in our hearts that one night he would return to us.

    Come back, Usher, come back. We promise we’ll love you forever. Or at least until Adam Levine gets here on Thursday. Yeah, we might be a bit fickle.

    Set List:

    OMG

    Love in the Club

    U Make Me Wanna

    Lemme See/Lil Freak

    U Remind Me

    Twisted

    Caught Up

    Climax

    Burn

    U Don't Have to Call

    Bad Girl

    Yeah

    DJ Got Us Fallin in Love

    Without U

    Usher, the perfect Rodeo boyfriend? You'd better believe it.

    Usher clap
    Photo by © Michelle Watson CultureMapSNAP.com
    Usher, the perfect Rodeo boyfriend? You'd better believe it.
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    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV subscription.

    ---

    The Dink is now streaming on Apple TV.

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