Audio Photo Essay
Inside Houston's highly-anticipated Picasso show: Expert delves deep to give exclusive insights
Feb 21, 2013 | 1:04 pm
As far as art exhibitions go, the most profound are rooted in a simple idea. Picasso Black and White at the Museum of Fine Arts, Houston fits that bill.
___ In French, this Skull would have been called a death's head. Picasso didn't flee Paris like many of his contemporaries in light of World War II. He didn't feel an immediate personal threat, perhaps confident due to his international notoriety. But he thought it was important to document the horrors of the era. In that effort, Picasso joined the communist party and fought for peace.
Photo courtesy of © 2013 Estate of Pablo Picasso Artists Rights Society (ARS), New York
___ In French, this Skull would have been called a death's head. Picasso didn't flee Paris like many of his contemporaries in light of World War II. He didn't feel an immediate personal threat, perhaps confident due to his international notoriety. But he thought it was important to document the horrors of the era. In that effort, Picasso joined the communist party and fought for peace.
Pablo Picasso, Skull, 1943, bronze, one of two unnumbered proofs, Private collection














