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    Priceless Hermès Scarves

    $435 scarves in high demand: A stylish cult worships at the altar of Hermès over new Texas wildlife pieces

    Shelby Hodge
    shelby hodge
    Feb 14, 2014 | 1:29 pm

    Who knew that such an ardent Kermit Oliver/Hermès cult exists in Houston and across the state? The passion for the talented Texas artist's creations for the French luxury house was full on Wednesday night when Hermès introduced La Vie Sauvage du Texas scarf.

    Oliver's 17th scarf design for Hermès is being introduced only in Houston and Dallas in limited edition with 2,000 scarves screened in four colorways. Most were sold out via pre-order before the Houston and Dallas launch parties. But as Hermès USA president and CEO Robert Chavez, in from New York, noted, a number were held back so that there would be some of the coveted scarves for sale on party night.

    Even at that, by the time the champagne reception was underway, the black and orange versions of the scarf were already sold out. And a collector reported that one of the coveted pieces was already being offered for sale on eBay at $600, well above the $435 ticket.

    The shy and retiring artist made one of his rare public appearances on this night, wearing a sports jacket and tie, quietly and almost reluctantly accepting the showers of adoration. Among those in line to greet Chavez and Oliver were Sallie Wright and her daughter, Eliza Wright. Oliver had painted the Wright family portrait some years back. Laura and Tony Visage greeted the artist, whose work they had recently purchased at Hooks-Epstein Galleries, where modest-sized paintings by Oliver go for around $20,000.

    Janelle and Tio Kleberg, King Ranch owners who hosted Oliver on his two-day visit to the Caesar Kleberg Wildlife Research Institute on the ranch, made the party as well, explaining that the institute served as inspiration for the scarf that is replete with Texas wildlife — 120 beautifully-detailed examples of flora and fauna in each. A portion of proceeds from sale of the scarves will benefit the institute.

    The credit card terminals were whirring as guests scooped up scarves, ties and other Hermès luxuries. Among the Hermès fans were Bobbie and John Nau, Victoria and Parker Johnson, Lynn Wyatt, Ann and Henry Hamman, Nicole Katz, Valerie Dieterich, Ceron and Todd Fiscus, Pete Coneway, Ellen and Ed Randall and Lindsey Looke.

    While most of the above displayed some form of Hermès love, none did it better than Jolie Berndt and Dina Cole, both draped in magnificent Hermès shawls and carrying the requisite Birkins. Cole's was filled with 14 neatly-folded Hermès scarves, all designed by Oliver.

    Which begged the question — how many Hermès scarves did she have in all? "I have no idea," she coyly replied.

    Tio and Janell Kleberg, from left, Kermit Oliver and Robert Chavez at the Hermès event unveiling Oliver's new design.

    Tio and Janell Kleberg, from left, Kermit Oliver and Robert Chavez at Kermit Oliver at Herm\u00e8s February 2014
    Photo by © Fulton Davenport PWL Studio
    Tio and Janell Kleberg, from left, Kermit Oliver and Robert Chavez at the Hermès event unveiling Oliver's new design.
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    Curtain Call

    Porgy and Bess revival leads stunning launch of HGO’s new season

    Joel Luks
    Nov 7, 2025 | 11:30 am
    Houston Grand Opera 2025 season opening
    Photo by Emily Jäschke
    The cast of Porgy and Bess with conductor James Gaffigan.

    Houston Grand Opera launched its 2025-26 season with a soul-stirring statement — one that blended history, harmony, and high jazzy American style — at the season-opening performance of Porgy and Bess, followed by a celebration dinner that felt more like an all-cast reunion than a buttoned-up black-tie din din.

    Houston Grand Opera 2025 season opening

    Photo by Emily Jäschke

    The cast of Porgy and Bess with conductor James Gaffigan.

    Under the direction of Francesca Zambello, the Gershwin classic unfolded on the Wortham Theater Center’s stage in a performance that was both nostalgic and unflinchingly honest. The lush, jazz-meets-classical score had audiences leaning in, and many found themselves marveling at how many of the opera’s melodies live rent-free in cultural memory.

    But it wasn’t just the music that captivated. The emotional weight of the story and the conversations it inspired lingered long after the curtain dropped.

    HGO general director and CEO Khori Dastoor opened the evening by reflecting on the company’s legacy with Porgy and Bess, which stretches back to a 1976 production that earned both a Tony and a Grammy. This 2025 revival, nearly 50 years later, brought that legacy full circle, honoring the past while setting a tone for the season’s theme: The light we hold.

    The production, which runs through November 15, features a powerhouse cast that includes bass-baritone Michael Sumuel as Porgy and soprano Angel Blue as Bess. Soprano Latonia Moore, making her HGO mainstage debut, appears as Serena. Baritone Blake Denson takes on the role of Crown, and tenor Demetrious Sampson Jr. brings charisma to Sportin’ Life. A poignant full-circle moment came with baritone Donnie Ray Albert, who portrayed Porgy in HGO’s 1976 production, returning to the stage as Lawyer Frazier. Opening night was conducted by James Gaffigan, with Richard Bado leading later performances.

    The post-performance celebration on Fish Plaza, chaired by Dina Alsowayel and Tony Chase, transformed the space into an elegant nod to Charleston charm. Creams and greens, soft candlelight, and natural textures made for a timeless scene, but it was the congenial vibe that truly stole the show. The mood was chatty, the energy high, and the mission clear: Reconnect, rejoice, and rally behind the power of opera.

    During the dinner, Dastoor and artistic and music director Patrick Summers acknowledged the many supporters who brought this night to life. Dastoor offered a poignant nod to Summers as he begins his final season in his current role, transitioning to music director emeritus next year. She also welcomed Astley Blair as HGO’s newly elected board chair, signaling an exciting chapter ahead.

    Weeks later, HGO announced Gaffigan’s appointment as the company’s fifth music director — a major milestone in its 70-year history. Gaffigan, a rising star in European opera houses and orchestras, made his American operatic debut at HGO in 2011 and returned this fall to conduct Porgy and Bess. His connection to Houston runs deep, as an alumnus of Rice University’s Shepherd School of Music.

    As the night wound down, the cast and creative team received a standing ovation again. And rightly so. The event drew 450 guests and raised $690,000, the second-highest total in HGO Opening Night history.

    CultureMap seen were Margaret Alkek Williams, Jana and Scotty Arnoldy, Sylvia Barnes and Jim Trimble, Vivianna Jolie, Elizabeth and Neil Chapman, Rebekka and Damon Chargois, Jane Cizik, Molly Crownover, Misook Doolittle, Marty Dudley, Elaine Finger, Marianne and Joe Geagea, Claire Liu and Joe Greenberg, Janet Gurwitch and Ron Franklin, Alecia Harris, Matt Healey and Denise Reyes, Chris and Morgan Hollins, Elizabeth and Richard Husseini, Teresa and José Ivo, Monica Karuturi and Kumaran Sathyamoorthy, Sarah and Bryant Lee, Karen and Ramon Manning, Nancy McGregor and Neal Manne, Terrylin Neale, Franci Neely, Cynthia and Tony Petrello, Rebecca Rabinow and Matt Ringel, Jill and Allyn Risley, Cora and Judson Robinson, Kelly and David Rose, Anita Smith, Dian and Harlan Stai, Ellen Susman, Marguerite Swartz, Charlene Tombar, Nestor Topchy, Jesse, Brooks, and Sherida Tutor, Marcia and Alfredo Vilas, Donna Sims and Frank Wilson, Gretchen Watkins, Mary-Olga and John Warren, Yuichi and Uny Watanabe, Geraldina and Scott Wise, and Kristina and Enoch Woodhouse.

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