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    Calendar Highlights

    World premieres and big productions highlight new season at Ballet, Symphony, Opera and TUTS

    Tarra Gaines
    Feb 6, 2017 | 1:07 pm

    While the rest of Houston had our plates full with our diligent Super Bowl preparations (aka: we were partying), the major performing arts institutions of the Downtown Theater District were hard at work putting together their 2017-2018 seasons. The Houston Ballet, Houston Symphony and Houston Grand Opera, along with Theatre Under the Stars have now all announced their upcoming arts year of dance, music and drama.

    With these productions, you could almost spend every night downtown watching world class performing art, so check out their full seasons announcements. But if you’re looking for a cheat sheet, we've spotted some trends in these seasons and already know some of the highlights we won't want to miss.

    World Premieres
    Peruvian-born composer Jimmy López becomes the Houston Symphony’s new composer-in-residence, and to celebrate (September 22-24, 2017) Andrés Orozco-Estrada conducts the world premiere of López’s Violin Concerto that he composed for violinist Leticia Moreno and the Houston Symphony. The program also includes two Romantic symphonies by Schumann, Symphony No. 1, Spring and Symphony No. 2.

    Not exactly a world premiere, but Theater Under The Stars opens its 2017-2018 season on October 10 with the Broadway-bound revival of The Secret Garden which was a hit when it premiered in Washington D.C. The original Tony-winning musical with book and lyrics by Marsha Norman and music by Lucy Simon ran for 709 performances after its premiered in the early '90s. This brand new revival contains revisions from director David Armstrong and the original creative team. See it before New York does.

    Houston Grand Opera continues its annual new holiday opera series (November 30–December 17, 2017) with the world premiere of The House without a Christmas Tree based on 1972 television movie. From the composer/librettist team of Ricky Ian Gordon and Royce Vavrek, this brand new production will feature HGO Studio alumni soprano Lauren Snouffer and baritone Daniel Belchercomes as a daughter and father trying to come to an understanding about Christmas and family history.

    In the spring of 2018, the Houston Ballet debuts the new work by artistic director Stanton Welch as part Rock, Roll & Tutus (March 8-18), its evening of contemporary dance. Along with Welch’s Songs of Last Century, this international mixed repertoire event also includes the North American debut of Filigree and Shadow by another Australian choreographer, Tim Harbour and the humorous Tulle from Swedish choreographer Alexander Ekman.

    Old Favorites
    Next winter (January 19-February 2, 2018), we’ll see that daddy issues aren’t just a guy thing as HGO artistic and music director Patrick Summers conducts and Nick Sandys directs the revival of David McVicar’s production of Richard Strauss’s Elektra. This will be the first performances of Strauss’s one-act modernist opera from HGO in 25 years. Opera lovers will no doubt also welcomes back Soprano Christine Goerke, who received raves as Elektra in concert with the Boston Symphony Orchestra at Carnegie Hall and wowed Houston as Brünnhilde in HGO’s first Ring cycle (2014–17).

    After a 12-year hiatus, the Houston Ballet brings back Ben Stevenson’s Don Quixote. That inspiring, questing knight returns to tilt at windmills as he tries to win the love of Dulcinea once more while closing out the Ballet’s 2017-2018 season (June 7-17, 2018).

    Meanwhile, also in the summer of 2018 (June 12-24) over at the Hobby Center, we’ll find lots of boat rocking as TUTS brings back the classic American musical Guys and Dolls and that love rumble between gangsters, gamblers and upright women. TUTS director Nick DeGruccio, who directed last year’s In the Heights to exuberant reviews, has modern reimagining plans for the beloved musical born in the 1950s.

    Birthday Jamming with Lenny
    2018 marks the hundred years since the birth of iconic American composer and conductor, Leonard Bernstein, and both the Houston Symphony and Houston Grand Opera will be celebrating the centennial with special performances.

    In February and March of 2018, look for Bernstein three times on the Houston Symphony schedule including his Serenade for Violin and Orchestra, featuring master violinist, Hilary Hahn, on February 23-25 and his Symphony No. 2, The Age of Anxiety during the Easter and Passover season beginning on March 29.

    Meanwhile HGO tries the unprecedented, to be the first major American opera house to present one of the most beloved musicals of all time, Leonard Bernstein, Stephen Sondheim, and Jerome Robbins’s magnificent West Side Story (April 20–May 6, 2018). Directed by Francesca Zambello the production will feature HGO Studio alumni soprano Andrea Carroll and tenor Norman Reinhardt.

    Can’t-Miss Big Productions
    HGO always makes a big seasonal entrance, and this fall (October 20­–November 11, 2017) will be no exception with Verdi’s romantic opera, La traviata, Celebrated off-Broadway director Arin Arbus, who made her opera directorial debut with the 2012 HGO production of The Rape of Lucretia, stages this new production with Eun Sun Kim, making her American debut, conducting.

    Though this theatrical sun got eclipsed by Hamilton in 2016, Bright Star from Steve Martin and Edie Brickell held its own with five Tony nominations including best musical. Set in the south during the 1920s and '40s, this nostalgic love tale brought blue grass, banjos and fiddles to Broadway and next year (March 13-25, 2018) to Houston.

    As part of the Houston Symphony’s “Margaret Alkek Williams Sound + Vision” series Stravinsky’s Rite of Spring goes all in on immersive concerts as conductor Andrés Orozco-Estrada, choreographer Klaus Obermaier and the artistic-scientific think tank Ars Electronica Futurelab collaborate to bring lighting, video, dance 3-D visual effects to this Rite experience. (May 18-20, 2018)

    Quirky Fun
    For many years, holiday Panto has been a staple each December at Stages Theatre and now TUTS is getting in on the British-Christmas-tradition action with Sleeping Beauty and Her Winter Knight (December 6 - 24, 2017). Sleeping Beauty brings fairy tale fun for all ages along with a contemporary score and songs originally performed by Blondie, Bruno Mars, John Legend, Katy Perry, Mariah Carey. TUTS advises we should also be on the look out for local celebrities and comedy tailored to Houston audiences.

    Expect lots of fun concerts on the horizon from the Houston Symphony Pops and special series, including Totally ’80s! (October 6-8) and a showing of Alfred Hitchcock’s Psycho with live orchestra accompaniment, but we’re especially looking forward to that Amazonian songstress and Pink Martini member, Storm Large, singing all of our favorite one-then-done pop hits in a concert succinctly titled One-Hit Wonders (May 25-27, 2018). Get ready for hits like “Come on Eileen,” “Walking in Memphis and “Take on Me,” that we know all the words to but probably haven’t the slightest clue who first sang them.

    Acclaimed violinist, Leticia Moreno will premiere Houston Symphony's composer-in-residence Jimmy López's Violin Concerto on September 22-24, 2017.

    Houston Symphony: Leticia Moreno
      
    Photo by Omar Ayyashi
    Acclaimed violinist, Leticia Moreno will premiere Houston Symphony's composer-in-residence Jimmy López's Violin Concerto on September 22-24, 2017.
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    Salutations, Soon Youn

    Houston Ballet principal dancer announces retirement after 13 years

    Holly Beretto
    Jun 20, 2025 | 10:00 am
    ​Houston Ballet Principal Soo Youn Cho
    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.
    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

    Houston Ballet principal dancer Soon Youn Cho has announced her retirement, after 13 years with the company.

    For more than a decade, she has captivated audiences with her elegance, emotional authenticity, and technical brilliance. Audiences have seen her in roles such as Aurora in The Sleeping Beauty, Kitri in Don Quixote, Odette/Odile in Swan Lake, the Sugar Plum Fairy in The Nutcracker, and Suzuki in Madame Butterfly, among many others.

    Cho’s retirement follows a period of recovery from spinal surgery prompted by chronic back issues that intensified during and after her pregnancy.

    "This decision was not made lightly, but with a great deal of reflection and acceptance over the past year," said Cho. “Since I first began ballet at the age of four, it has been the greatest love of my life. Even through pain and injury, I felt joy and purpose in every moment. I gave my best to every step along the way, and I now leave the stage with a peaceful heart and deep gratitude.”

    Cho further said that even before becoming pregnant, she had been managing chronic back issues throughout her career.

    “With dedication, careful conditioning, and the unwavering support of those around me, I was able to continue dancing for many years,” she said. “Despite my best efforts to recover, I’ve come to the difficult realization that I won’t be able to return to dancing at the level I once did. With a heavy but full heart, I’ve decided to retire from the stage.”

    Born in Korea and trained there, as well as in Canada and Germany, Cho danced with Opera Leipzig Ballet in Leipzig, Germany and the Tulsa Ballet in Tulsa, Oklahoma, where she was promoted to principal in 2010. She joined the Houston Ballet in 2012 as a demi soloist. She quickly rose through the ranks, promoted to soloist in 2014, then first soloist in 2016. In 2018, she became the Houston Ballet’s first Korean principal.

    Upon achieving the designation, she said, “I feel like I have made an important mark in history, along with other great dancers, for my people in such a great company.”

    Cho’s roles onstage reflected her wide artistic range and commitment to storytelling through dance. Her Houston Ballet colleagues and audiences admire and praise the passion and sincerity she brought to every performance. One of those, Cho’s portrayal of Suzuki in Madame Butterfly, is especially close to her heart, not only for its emotional depth but for the lifelong friendship it sparked with fellow principal Yuriko Kajiya.

    “Becoming part of this Company and working alongside such extraordinary people has been one of the greatest blessings and privileges of my life. I close this chapter with a full heart and immense appreciation for the art, the audiences, and the people who made it all so meaningful.”

    Cho said that while she doesn’t yet know what will come next, she departs the company filled with gratitude.

    “Looking back, I feel nothing but gratitude,” she said. “Gratitude for the incredible colleagues and mentors I’ve shared the studio with. Gratitude for the audiences who supported us performance after performance. And gratitude for the art form itself — so demanding, so beautiful, and so deeply rewarding. I leave the stage with peace in my heart. Because I gave everything I had to this journey, I can move forward without regret.”

    \u200bHouston Ballet Principal Soo Youn Cho
      

    Photo by Amitava Sarkar (2016). Courtesy of Houston Ballet.

    Houston Ballet Principal Soo Youn Cho and in Theme and Variations.

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