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    An Art Surprise

    Hot bodies become human canvases: Don't miss these hunky dancers' art transformation

    Courteney Harris
    Jan 15, 2013 | 5:44 pm
    233, Urban Souls Dance Company, Canvas and Choreography, fundraiser, January 2013, Amir Bellamy and Nick Muckleroy
    Amir Bellamy sings Stereo by John Legend while Nick Muckleroy performs.
    Photo by © Emile Browne

    Urban Souls Dance Company provided supporters a night of artistic revelry on Saturday with its "Canvas and Choreography" event in the cavernous studio space of a downtown warehouse. It was a unique evening in which company dancers became human canvases and guests with pots of paint became the surprise artists — the artistic fete the vision of Urban Souls founder and artistic director Harrison Guy.

    As fans arrived at the performance scene, they strolled effectively through the creative process as featured artists created original paintings on the spot. The paintings were immediately available for auction to the attendees. And this was only just the beginning.

    It was a unique evening in which company dancers became human canvases.

    Act two of the colorful night found participants ushered into a darkened performance theater where they received small plastic cups filled with paint. As the darkness lifted, lights shone on the chiseled bodies of minimally clad men, conjuring up images of Rodin’s The Thinker, The Bronze Age and The Shade. These men — sculptures themselves — were the company’s dancers, whose bodies had been repurposed, as it were, as canvases.

    While music played, company volunteers encouraged the audience to become crowd-sourced artists and paint the dancers as they saw fit. As the painting progressed, one could literally witness the evolution of the audience’s looks from awkward surprise into energetic and creative expression.

    Next, the audience was transported and treated to several remarkable contemporary dance performances, some aided by Mariam Ratller and Amir Bellamy. Each piece illustrated company member’s artistic dance prowess. The show culminated with a brilliant performance by the entire dance company. The choreographed exhibition illustrated the abundant talents of a unified collective of Soul mates.

    Urban Souls has its next public performance, "Rewritten in Stone," at 8 p.m. on Feb. 23 at the University of Houston Cullen Theater

    Jackie Adams, from left, with MOCAH's Branden Morris and Queen of Creativity artist Nia Jacob

    246, Urban Souls Dance Company, Canvas and Choreography, fundraiser, January 2013, Jackie Adams, Branden Morris, Nia Jacob
      
    Photo by © Emile Browne
    Jackie Adams, from left, with MOCAH's Branden Morris and Queen of Creativity artist Nia Jacob
    unspecified
    news/entertainment

    Movie Review

    New horror film M3GAN 2.0 turns up the campy fun of the original

    Alex Bentley
    Jun 27, 2025 | 1:01 pm
    M3GAN in M3GAN 2.0
    Photo by Geoffrey Short/Universal Pictures
    M3GAN in M3GAN 2.0.

    When a studio releases a movie in January (aka Dumpuary), the general rule of thumb is that they’re trying to get rid of a movie that isn’t very good. Of course, there are exceptions to every rule, as M3GAN was in 2023, which rode the comedy of a killer AI robot who likes to dance to over $180 million worldwide.

    A sequel was a given, and now with a built-in fanbase, M3GAN 2.0is a prime summer release. After running into trouble with her robot invention, Gemma (Allison Williams) has seemingly seen the error of her ways, now focused on creating things like a mechanical exoskeleton that can benefit society. Little does she know that the code she used to create M3GAN (aka Model 3 Generative Android) has been co-opted to create AMELIA (Ivanna Sakhno), a new robot which is being used for nefarious purposes.

    Naturally, the only thing to do is to bring M3GAN (played by Amie Donald, voiced by Jenna Davis) back from the “dead,” which is easy to do because — surprise! — she has been lurking inside the smart house in which Gemma and her niece Cady (Violet McGraw) now live. The inevitable showdown between the two robots is alternately helped and hindered by people like billionaire Alton Appleton (Jemaine Clement), fellow tech entrepreneur Christian (Aristotle Athari), co-worker Cole (Brian Jordan Alvarez), and others.

    Written and directed by Gerard Johnstone, who also directed the first film, M3GAN 2.0 doesn’t stray from the original formula, delivering way more laughs than scares. Because there’s a familiarity with the character, Johnstone leans into the campy side of things, essentially winking at the audience for much of the film. Whether it’s temporarily imprisoning M3GAN in an innocuous desktop robot or a number of one-liners, there is a lot of comedy to be found.

    The film is a type of horror, though, and it delivers in the mild, PG-13 way that won’t offend non-horror fans. AMELIA (aka Autonomous Military Engagement Logistics and Infiltration Android) gives off Terminator vibes, and she lays waste to virtually all challengers. M3GAN doesn’t get to show off her skills as much as she did last time, which might be a tad frustrating for some, but she gets in enough punches and kicks for the experience to be worth it.

    The story itself starts off strong before devolving into an overly complicated mess. The arc of AMELIA is particularly strange, as the strength of her powers and the level of her autonomy seem to change at will in the second half of the film. Gemma develops a rivalry with another character that might have worked better if it had been hinted at early in the film instead of being dropped in as a surprise.

    Davis’ voice performance as M3GAN is once again fantastic, as she delivers sarcasm and menace equally well. Sakhno isn’t asked to do much but look terrifying, and she accomplishes that job. Williams is up and down in her role, stronger in the moments when she’s not being asked to prove her tech bona fides. Clement is his usual over-the-top self, which suits his character.

    As with the first film, if you go into M3GAN 2.0 not expecting anything more than some goofy violent robot action, you’ll walk away satisfied. The unlikely breakout hit for Blumhouse Productions may not be able to support a good story, but it entertains in the way it’s supposed to do.

    ---

    M3GAN 2.0 is now playing in theaters.

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