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    Sports Tunes

    What the Houston Rockets should be listening to: A music playlist for James Harden, Dwight Howard & more

    Curtis D'Costa
    Curtis D'Costa
    Jan 10, 2015 | 1:28 pm

    Four years after the NBA came down on Vince Carter for listening to his iPhone during pre-game warm ups, LeBron James would don a pair of Beats by Dre at the Beijing Olympics and suddenly, heavy would become the head that wore the headphones. Here we are in 2015, and before tipoff even the nattiest stars must be caught trekking through parking garages, heads squashed between two rumbling cushions of sound.

    It turns out a lot of players will readily sharing what they're listening to. But most of the time — as in the case of Washington Wizards star John Wall, who is a Lil Durk fan — the truth can be underwhelming. That's why I thought it'd be fun to play DJ and pick a song I feel best personifies the individual game of some of my favorite Rockets — call it an exercise in personal anthems.

    1. Patrick Beverley: "War" by Chief Keef

    Throughout his career, Patrick Beverley has been locked in a cycle of owning up to mistakes and proving people wrong. He starred in a documentary his senior year of high school; left University of Arkansas after being found guilty of academic dishonesty; played in Ukraine, then Greece: in no time it's 2013 and he's at the helm of an NBA playoff team. The road has been bumpy, and he's had a lot of explaining to do, to fans, to coaches and to media.

    But ask Jrue Holiday. Ask Russell Westbrook. P-Bev wants war, and no explanation is necessary.

    2. James Harden: "Jumpin Jack Flash" by The Rolling Stones

    I'm a believer in straight, dirty ass rock 'n' roll. It's a crossfire hurricane down in the paint, and the way Harden catches the ball, coming off a screen — the way he's already squared up and he's springing on the soles of his feet — brings Keith Richards' opening riffs to mind. It's called "revving," folks, and pretty often the result is two and one (Jagger: "1, 2!").

    Now that the Bearded One is lighting it up on defense and has both ends burning, there's no denying it's alright now for the NBA's leading scorer: In fact, it's a gas.

    3. Trevor Ariza: "Simply Beautiful" by Al Green

    When Al Green whispers "All you gotta do is call me" on this smooth, otherworldly afterthought of a track from I'm Still in Love with You, I can see Ariza hunched over in the locker room after a close win, bopping his head in agreement. After all, only a couple weeks ago the small forward was quietly averaging the most minutes in the league. (Chicago Bull Jimmy Butler has since overtaken him.)

    The slow jam's willowy minimalism also reminds me of Ariza's Zen-like defense: At 6-foot-8, the guy is basically a high-speed balancing act.

    4. Donatas Motiejunas: "Quiet Storm" by Mobb Deep

    Yao Ming's journey into the English language was always witty, charming and diplomatic. D-Mo, on the other hand, dived right in. At a press conference the night he was drafted, the Lithuanian took the opportunity to cobble together a challenge to Dwight Howard (coach Kevin McHale: "Whoa there, big guy!"). A couple months later, after a win in the summer league, the 7-footer told reporters, "If you're scared of wolves, don't go to the woods."

    This season has found Motiejuanas in stealth mode. The storm has quieted, he's shooting 47 percent from the field, and a new nickname has been glimpsed on the horizon: Motielajuwon.

    5. Dwight Howard: "Halo" by Beyonce

    Harden is first in the league in free throws attempted, Dwight Howard is fourth, but considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft. No big man can take over a game as utterly as the eight-time All-Star can.

    Considering Harden wants to be fouled and Howard definitely does not, one thing is clear: Dwight Howard might be a diva, but he's not soft.

    "Halo" is proof that Beyonce is a force of nature in her own right. Both stars could use a little tenderness, though, as well as a strong supporting cast: The Destiny's Child-less diva howls her way through this chorus with about as much finesse as Dwight bricking free throws.

    6. Corey Brewer: "Anarchy in the UK" by Sex Pistols

    The Rockets snagged Corey Brewer, and the Houston Zoo now has its very own baby giraffe. The lightning quick, doddering small forward out of Florida has injected the Rockets' play with all the veering, weaving and crashing that makes punk rock so addictive. The Sex Pistols themselves liked to play in the open court: Practically incapable of recording in the studio, onstage they were brilliant, opening up new vistas of what music could mean.

    Likewise, sometimes when Brewer's on the floor, it can feel like you're watching ice hockey.

    7. Jason Terry: "Sweet Mental Revenge" by Waylon Jennings

    Now that we're deep into the season, a lot of us have lost the irrational feeling that Rockets general manager Daryl Morey let the wolf into the hen house when he traded for the Rocket killer. Terry hasn't shot stellar, but there's no denying he's a great locker room presence; also, he and Harden play beautiful two-ball together.

    I chose this country standard because its viciousness reminds me of Terry's competitive nature. You might say the veteran shooting guard is more interested in his opponents' shorts than the jersey he's wearing, since he's been known to wear a pair to bed before game time to give him that sweet, sweet mental edge.

    Curtis D'Costa is a professor of English at Houston Community College and an avid Rockets fan.

    Waylon Jennings' "Sweet Mental Revenge."

    Waylon Jennings
    Courtesy of fanpop.com
    Waylon Jennings' "Sweet Mental Revenge."
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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