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    travel journal

    Unplugged: An Internet addict goes off the grid on a low-tech holiday in theMarshall Islands

    Duncan Carson
    Dec 24, 2011 | 7:15 am

    I got off the plane and immediately, my hand went to my pocket. There was no faux hallway, like after the other Continental flights, just a mobile staircase, humid 85 degree heat and a strong breeze. I felt like a visiting dignitary, deplaning the only aircraft in a small military airstrip.

    Before taking in the sights, and even though I knew it wasn't going to work, I took out my cell phone and turned it on. There were no voicemails, no texts, no bars, no signal — just the wrong date and time and the word "Searching."
    ---
    I worship at the cult of the American city. I grew up in the suburbs of Pittsburgh, Houston and Milwaukee among pre-planned grids of beige sidewalks and identical houses, mini-marts and shopping malls. Never in my life have I been more than a half an hour ride from an electronics store, movie theater, or store specifically for orthopedic mattresses. In Austin (where I've lived since July), there is not a conveniently located Panera Bread, a harsh fact I sometimes find legitimately distressing.
    I think of Austin as the quintessential representation of what I mean when I say "modern life." It's rampant with tech firms, pervasive wireless Internet, sophisticated transit, blossoming arts and very connected people. Austin is an up-to-date city if there ever was one, with every amenity you could ask for without the annoying surfeit of people that New Yorkers or Los Angelinos complain about.
    If I were texting my friends or thinking of new updates to hashtag with "#islandtweets," I wouldn't have noticed the shells starting to move in my periphery as hermit crabs grow bold, heard the dull thumps of palm tree fronds falling to the ground in the distance or noticed the small black-beaked birds that run on spindly legs instead of flying when it's hot.
    But I jumped at the chance to visit my sister in the Marshall Islands for the holidays. They're an archipelago of small islands (and island derivatives) in the south Pacific, twice the distance as Hawaii in the same direction.
    After establishing a military base there for strategic reasons in World War II, the United States maintained their presence mainly to test bombs (the Marshall Islands include the Bikini Atoll, still slightly radioactive to this day). The base has since remained as an outpost, along with some civilian meteorological companies that maintain Pacific radar equipment.
    I realized that just over two weeks without the trappings of modern life would be "hard," but obviously, the rewards spoke for themselves. I won't go crazy without Twitter, will I?
    ---
    The journey here required five flights: from Austin to Houston to Los Angeles to Hawaii to Majuro Atoll to Kwajalein Atoll, where my sister lives, covering nearly 7,000 miles and 36 hours. It's an unthinkable journey on the face of it. In truth, the only perniciously annoying parts were the modern conveniences that went too far, like the LCD screens on the back of every seat in economy that insisted on playing a preview of FOX's Alcatraz over and over.
    Because the "island hopper" flight that runs the south Pacific gamut all the way to Guam doesn't fly around the clock, I spent an eight-hour layover in Honolulu International Airport enjoying ubiquitous Wi-fi for the last time, fortifying myself at a 24-hour Starbucks and relaxing with sessions in an automatic massage chair between naps.
    My sister paid for my trip, of course, so my bragging is only about my circumstantial luck, and my shame is that I still can't shake the need to check the Internet.
    When the plane set down in Majuro, the capital of the Marshall Island republic, some people deplaned and some local islanders got on — Continental does inter-island traffic for a modest fee. And for the short hop to Kwajalein from there, I sat next to a Marshallese man whose name I didn't get and whose language I didn't know, but who I loved because he spent the entire hour looking through the SkyMall catalog, pointing things out to me (camoflauge slankets, $100 dollar pet beds, roses preserved by hand-dipping them in gold) and laughing hysterically.
    ---
    The first two days here have been a peaceful respite, a time to unwind. I took a nap after I arrived and as soon as my mind realized my phone was lifeless, my laptop wasn't connected and I had nowhere specific to be and nothing specific to do, I slept as I haven't in a long time.
    If I were texting my friends or thinking of new updates to hashtag with "#islandtweets," I wouldn't have noticed the shells starting to move in my periphery as hermit crabs grow bold, heard the dull thumps of palm tree fronds falling to the ground in the distance or noticed the small black-beaked birds that run on spindly legs instead of flying when it's hot.
    It's beautiful, almost comically so — the sands are white, and the water a cerulean blue that still seems like a postcard after you've waded in it. My sister paid for my trip, of course, so my bragging is only about my circumstantial luck, and my shame is that I still can't shake the need to check the Internet: There is a snack bar with spotty Wi-fi, a combination Burger King/Subway/Baskin Robbins that is a haven of Americana, to which I've returned three times already.
    In the coming days I'll be seeing how my sister (who works for a school attached to the base) and other civilian contractors live in a sort of hybrid life, and then visiting other islands to see even more remote places and the third world existence of many indigenous Marshallese.
    And either it'll subside to a manageable degree or drive me insane, but the entire time, my hand is going to look for my phone. When I arrived and turned it on against all hope, I knew I was being foolish to begin with. But after giving it a second, even though I know that my life will be there when I get back, I couldn't stop myself from holding the phone up to the sky, looking in vain hope for a signal that isn't coming.
    unspecified
    news/travel

    1. tree-mendously stylish

    New, art-filled boutique hotel debuts in Houston with bold vintage flair

    Emily Cotton
    Dec 5, 2025 | 1:59 pm
    Hotel Daphne lobby
    Photo by Julie Soefer
    Hotel Daphne introduces sophisticated vintage flair to The Heights.

    Taking one step beyond the threshold of the new Hotel Daphne in the Heights is — in a word — transformative. Layered with handcrafted details, various textiles, warm-natured tones, and vintage and custom pieces that embrace contemporary whimsy, Houston’s newest property from Austin-based company Bunkhouse Hotels has truly outdone itself.

    The five story, 49-room property features an all-day restaurant called Hypsi, along with a picturesque walled-courtyard, jewel-box library, lobby retail shop, and a perfectly-curated art collection that could easily rival the best galleries. Those looking to make a splash will be delighted to know that a pool, dedicated outdoor bar, and 10 poolside bungalow suites are currently in the works to open in the spring of 2027. Hotel Daphne is Bunkhouse’s second Houston property, joining the Hotel Saint Augustine that opened in Montrose in 2024 and earned a prestigious Michelin Key in October.

    Setting itself apart from other new build properties, Hotel Daphne has taken painstakingly-precise care not to have disturbed the numerous mature Live Oak trees surrounding the building, giving the hotel a “we’ve always been here” quality that locals can appreciate. Those very trees inspired the hotel’s name, after Daphne of Greek mythology, who famously changed herself into a laurel tree and represents allure and restraint.

    “With Hotel Daphne, we set out to create a project that bridges Houston Heights’ eclectic energy with its residential roots to seamlessly blend into the surrounding landscape,” Timothy Blanchard, founder, principal architect, Blanchard A+D tells CultureMap. “Drawing on the area’s commercial and historic cues, we shaped the building around large heritage oak trees to create a place that feels welcoming, restrained, and quietly refined.”

    The hotel’s exterior features stepped parapets, dark steel sash windows, and soft gray shutters that bridge the scale between neighboring bungalows and historic industrial structures. Local landscape firm McDugald Steele rounds out the exteriors team with lush selections befitting the building and playing nicely with native surroundings, while giving nods to the Heights’ architectural charm and its origins as a utopian society founded in the 1890’s.

    Bunkhouse designed the interiors in-house, with 80 percent of the furniture and decor designed and selected during the initial design phase, leaving the remaining 20 percent to be selected post buildout. Select pieces like the show-stopping, circular modular sofa in the lobby, were sourced during the recent Round Top Fall Antiques Show. Situated beneath a vintage Murano chandelier, the sofa’s striped linen has been swapped for a more commercial-friendly Gem Velvet from Brentano, while the exposed sides have been dressed in a playfully-patterned Bargello from Nobilis. Suffice it to say: she’s Instagram-ready.

    “We always like to keep a healthy mix of vintage. When everything is custom or off the shelf, the end result can feel planned, prescriptive, and a little too perfect. Leaving room for the unplanned is where a dose of magic happens,” explains Tenaya Hills, head of design for Bunkhouse Hotels and JdV by Hyatt. “If you use up every inch of space with things you decided months before, you lose the creativity that hits you while you’re out shopping for vintage, or even when you’re sitting around with your team in the finished space thinking, ‘Okay, what does this space actually need?’ And also — it’s just fun.”

    A right turn off of the lobby leads to Hotel Daphne’s library. Absolutely drenched in a gorgeous, high-gloss blue, the impressive cabinets and bookcases house everything from books to ceramics and found objects — feel free to grab a book off the shelf and get cozy. Grounded by a handwoven rug by Shame Studios, the library offers three custom tables for gaming, providing an onyx chess set, marble checkers, and one table left bare for board games or other amusements. The library’s French doors can be closed off for private events, meetings, and dinners as well.

    Rounding out the first floor, Italian-style restaurant Hypsi, led by two-time James Beard Award nominee Terrence Gallivan, nods to the area’s Prohibition-era supper club history. Opulent and playful details include a blueberry lava stone bar outfitted with leather Cassina chairs, an indoor fireplace framed by an antique mantel, banquettes piled with psychedelic pillows, vintage Gerli chairs reupholstered in velvet, and custom Carimate dining chairs by Vico Magistretti.

    Hypsi’s adjoining vine-wrapped courtyard and Hotel Daphne patio offer outdoor dining. Playful Gubi patio furniture, paired with vintage, mosaic-tiled tables hand-painted to depict nymphs and the like, is available for more informal lounging. Remember those books in the library? Pair one with a cocktail or coffee while taking in an afternoon breeze.

    The remaining four floors are all guest rooms. Hotel Daphne offers a robust selection of double-queen rooms and single-king rooms, with both configurations available in ADA options. Select rooms, like the Terrace King Rooms, offer outdoor balconies. The Terrace King Premiere is 890 square feet, featuring a king bed, lounge area, workspace, and a terrace with dining and lounge furniture — perfect for entertaining a small group outdoors.

    Larger groups may opt for one of the two suites. The Balcony Suite is 850 square feet, featuring a king bed, a bistro table with seating, a parlor room with lounge area, dining table for six, wet bar, and a Juliet balcony. The Penthouse Suite is 1,150 square feet, featuring two rooms with king beds, plus a lounge area, a parlor room, dining table for eight, lounge area, wet bar, and two bathrooms. The Penthouse Suite is a three-key suite and each space can be booked individually.

    Guest rooms feature custom upholstered beds with floral velvet headboards inspired by Trebah Gardens. In fact, the fabric itself is Trebah Velvet by Osborne & Little.

    “We love that fabric and it brought exactly the mood we were looking for,” explains Hills. “Against the room’s more classic backdrop, we wanted an element that felt a little trippy and not-so-perfect, something that captured the spirit of the hotel. The pattern has this dreamy, slightly surreal quality that lets a subtle, ethereal, almost acid trip note come through. The hotel takes inspiration from the Heights’ beginnings as a planned utopian community, but we’ve layered in its history of 1930s clandestine drinking culture and the patina of time to a home that would have occurred on that original idealism. Trebah felt like the perfect way to thread those stories together, refined on the surface, with a little fray underneath.”

    The beds are all dressed in luxe Sferra linens (bath towels are also Sferra), and rooms are additionally outfitted with mohair seating, Arts & Crafts-style credenzas, plus natural stone tables and vintage finds. Adjoining bathrooms are wrapped in rich green Fireclay tiles that play magnificently with onyx vanities. Hotel Daphne’s signature amenities are by Dr. Vranjes of Florence, Italy, and are available for purchase in the lobby’s gift shop, including its signature scent, Dr. Vranjes’ Onyx Rose Tobacco.

    Also available in the gift shop are Hotel Daphne’s signature guest room robes. Collecting robes from Bunkhouse properties has become somewhat of a thing, to say the least.

    “Bunkhouse has a tradition of creating a custom robe for every property, says Hills. “Daphne’s robe was inspired by vintage men’s pajamas, designed to bring a masculine touch to balance the softer, feminine details throughout the rooms. Its striped pattern and colorway were directly drawn from the Trebah Velvet fabric used on the headboards. This connection makes the robe feel distinct but fully integrated with the overall guest room palette.”

    If the carpeting looks familiar, it’s not a trick of the mind. The spaces not clad in brass-inlaid, herringbone wood floors are swathed in patterned carpeting inspired by William Morris’ iconic “Strawberry Thief” pattern, but adjusted and created using AI — that’s certainly one way to mix old with new.

    In an interesting twist to Bunkhouse tradition, a substantial portion of the art on display is held in a private collection. Hotel owner Ben Ackerley and his father will rotate select pieces from the Ackerley Family Collection for guests of the hotel to enjoy. Bunkhouse art director Dina Pugh sourced works by Austin-based painter Alexandra Valenti that are on display in the guest rooms and hallways.

    An additional 160 works of art in the property belong to the Ackerley Family Collection. In January of this year, Hesse McGraw, formerly executive director of Contemporary Arts Museum Houston, came on as Hotel Daphne’s art director. Find works by Vernon Fisher and Kent Dorn on display in the hotel’s lobby, plus artists Kelli Vance and Dorothy Hood on view in the library. The giant Matt Kleberg overlooking the dining room at Hypsi is on loan from Houston’s Hiram Butler Gallery until January, when a commissioned work by the same artist will be completed. The untitled work will be difficult to miss with its 15’ x 8’ stature.

    Ackerley believes that sharing his family’s collection with the city will benefit living, Texas-based artists in a myriad of ways, especially by putting them in front of other potential collectors.

    “99-percent of collectors have no relation to the artists. They look at it as an investment and have no emotional connection to the work or the person behind it,” says Ackerley. “Whereas, we collect people we hang out with. We support living, contemporary Texas artists, and 80-percent of what you’ll see in this hotel is that — there is plenty of cool art.”

    Bunkhouse was purchased by Hyatt Hotels in October 2024, but there are no signs of Hyatt branding in the hotel. The plus is that rooms can be booked with points through Hyatt’s rewards program. Rooms at Hotel Daphne begin at $359 per night.

    Hotel Daphne lobby

    Photo by Julie Soefer

    Hotel Daphne introduces sophisticated vintage flair to The Heights.

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