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    African American Museum

    New landmark slavery exhibit makes U.S. premiere at Texas museum

    Megan Ziots
    Sep 20, 2018 | 6:00 am
    African American Museum, Slavery at Jefferson's Monticello: Paradox of Liberty
    Much of the exhibit focuses on Sally Hemings.
    Photo courtesy of African American Museum

    Texans will have the first opportunity to explore a groundbreaking new touring exhibition, "Slavery at Jefferson’s Monticello: Paradox of Liberty," opening September 22 at the African American Museum in Dallas' Fair Park.

    The exhibit uses Monticello, the home and plantation of Thomas Jefferson, to explore slavery and the lives of the enslaved families and their descendants. Jefferson owned over 600 slaves through the course of his lifetime.

    Visitors will view more than 300 objects, works of art, documents, and artifacts that were found at the plantation. Never-before-seen items will be on display, as well as a special feature on Sally Hemings, one of the most famous African American women in American history and mother of at least six of Thomas Jefferson’s children.

    “Slavery at Jefferson’s Monticello: Paradox of Liberty explores how the author of the Declaration of Independence [could] introduce a fledgling nation to the concept that all men are created equal ... while 20 percent of Americans were also held in chains and designated 3/5 human," says T.D. Jakes, senior pastor of The Potter’s House, in a release. "How do we view such contradictory posturing through a 21st century lens? I urge people of all ages and ethnic backgrounds to come and discover the other side of American history.”

    The exhibit will give guests an in-depth look at the lives of enslaved families at Jefferson’s plantation and how slavery affected their descendants. They'll also learn a bit about Jefferson’s views and actions — and inaction — against slavery at the time.

    The exhibition began as a partnership between the Thomas Jefferson Foundation at Monticello and the Smithsonian National Museum of African American History and Culture in Washington, D.C., and traveled on a four-venue tour between 2012 and 2015. Dallas is the first city to display the updated exhibition, which includes a special emphasis on Hemings.

    According to the release, highlights of the Dallas exhibit include:

    • A featured section on Sally Hemings and her children.

    • “Picturing Mulberry Row,” a digital recreation of the lost landscape of Mulberry Row, the industrial hub of Jefferson’s plantation that describes how the plantation thoroughfare changed over the course of Jefferson’s lifetime.

    • The Getting Word film introduces some of the descendants of Monticello’s enslaved families, shares their perspectives on the role of Monticello in their family histories, and highlights the important contributions their families have made towards shaping America.

    • New descendant stories, recorded by Monticello historians through the Getting Word Oral History Project since 2012.

    • Slavery at Monticello App, which debuted in 2015, makes use of the most recent scholarship on Monticello’s enslaved community and the activities and livelihoods centered on Mulberry Row.

    Gayle Jessup White, Monticello’s community engagement officer who is also a descendant of Jefferson and the Hemings family, says in a release, “our sweeping American story, wonderful and woeful as it is, leaves out too many people who have been denied and disregarded, folks who should be returned to our national narrative. This exhibition breathes life into those forgotten individuals, restoring to them their humanity and their place in history.”

    Paradox of Liberty will be open Tuesday through Saturday from 11 am-5 pm. Tickets cost $10 for adults and $5 for kids 3-12. Thursdays are free for seniors aged 65 or older.

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    LATE CHECKOUT

    These 2 haunted Texas hotels promise a spirited overnight stay

    Brandon Watson
    Oct 23, 2026 | 4:30 pm
    Hotel Emily Morgan
    The Emily Morgan Hotel/ Facebook
    The Emily Morgan is steps away from the Alamo.

    If you hear something knocking during a vacation in San Antonio, it might not be housekeeping. Two of the city's downtown landmark hotels — the Gunter and the Emily Morgan — have been named among the National Trust for Historic Preservation’s 25 most haunted hotels in the U.S.

    Each year, the nonprofit’s Historic Hotels of America program recognizes iconic properties where things are said to go bump in the night. It’s a playful way to highlight the organization’s work to preserve the nation’s diverse historic buildings and neighborhoods, whether one believes in the supernatural or not. The San Antonio pair were the only Texas properties to earn the hair-raising honors.

    “The list invites heritage and cultural travelers to discover historic hotels where lore and legends make for memorable stays,” explained the trust in a release. “For believers and skeptics alike, these one-of-a-kind hotels preserve tales of guests who never want to leave and staff who never stopped helping.”

    The Emily Morgan returned to the list after a year’s reprieve (maybe someone forgot this year’s blessing). The trust noted that the 102-year-old building is considered one of North America’s most active paranormal sites, owing to its original use as a medical building. Carved grotesques on the facade writhe from tooth pain and stomachaches. Inside, spectral nurses are said to be still providing care.

    “On the fourteenth floor, guests have reported a hospital-like smell and, on rare occasions, visions of a hospital scene rather than their guestroom when they open the door from the hallway,” wrote Historic Hotels. “On the twelfth floor, guests have reported bathroom doors opening and closing on their own, lights flashing, and apparitions of nurses pushing rickety gurneys down the corridor before vanishing.”

    Gunter Hotel Not pictured: Gunter's resident shadowy figure.Photo by Daniel Kelleghan Photography

    Although medical manifestations are unsettling enough, the other San Antonio hotel on the list has a more gruesome claim to fame. Built in 1909, the Gunter Hotel boasts a room that is only slightly less notorious than The Shining’s Room 237. Room 636 was the site of one of Alamo City’s most famous murders.

    In 1965, a housekeeper found ex-con Walter Emerick standing beside a blood-soaked bed. Police found empty wine bottles, bloody footprints, strands of blonde hair, and women’s clothing, but never found the body. Emerick left a psychic stain all over downtown, booking it to the St. Anthony’s room 536 (he reportedly asked to stay in 636 again), where he offed himself before arrest. The Gunter never quite recovered from his brief stay.

    “Since the 1960s, guests and staff have reported unsettling phenomena, including unexplained cold spots, flickering lights, and faint whispers or footsteps when no one is present,” said Historic Hotels. “Some claim to have seen a shadowy figure lingering near the doorway or caught the faint scent of cigar smoke despite the hotel’s smoking prohibition.”

    Still, the dark specters have not kept the Gunter from receiving another honor this year. Historic Hotels recently named it the Best City Center Historic Hotel, given to the property that “best celebrates its history in the guest experience and provides exceptional customer hospitality and service.”

    Both of San Antonio’s haunted hotels have largely embraced their eerie reputations. The Emily Morgan proudly touts its mysterious occurrences on one of its webpages. The Gunter glosses over some of the more grisly details of room 636 on its own page, and assures guests the room has since been remodeled.

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