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    Road Trip!

    Foodies gone wild: Your guide to the debauchery of New Orleans restaurant week

    Davon D.E. Hatchett
    Sep 13, 2012 | 2:02 pm
    • The crab cakes at Ruth's Chris
      Ruth's Chris New Orleans/Facebook
    • Mr. B's Bistro in New Orleans
      Mr. B's Bistro/Facebook
    • Welcome to the first Ruth's Chris Steak House: It all began in New Orleans.
      Photo by Davon D.E. Hatchett
    • Mr. B's barbecued shrimp
      Photo by Emile C. Browne
    • Mr. B's shrimp and grits
      Photo by Emile C. Browne
    • Fried soft-shelled crab at Mr. B's
      Photo by Davon D.E. Hatchett
    • Blueberry Mojito at Mr. B's Bistro
      Photo by Davon D.E. Hatchett

    Houston Restaurant Weeks has come and gone. No more glee-filled, multi-course lunches and dinners, high-end meals at rock-bottom prices, and multiple wine-pairings that cost less than one glass of wine.

    Gourmands across the city have to man- and woman-up, dry their tears, take their taste buds off of “indulge” status, and wait for next year.

    Or do they?

    Well, I’ll let you in on a little secret. Want to know what’s better than Houston Restaurant Weeks? Restaurant week in another city.

    Why? You get to eat and travel. So I can’t imagine anything more comforting for those having HRW withdrawals than New Orleans hosting its second-annual Louisiana Seafood Restaurant Week (it runs through the end of Sunday, making for a perfect potential weekend getaway).

    Martinis for a quarter? Only in New Orleans.

    After just coming down from a month plus of restaurant deals here in Houston, one might wonder “what’s the fuss?” Well, on paper, the Louisiana Seafood Restaurant Week has a very similar blueprint to Houston Restaurant Weeks: Two- (sometimes three-) course lunches cost $20, and three-course dinners run $35, with several terrific restaurants to choose from.

    But this is New Orleans, dawlin', and restaurant week has a slightly different spin on it.

    A saying attributed to Ben Franklin states that one should “Eat to live, not live to eat.” As a city that culturally identifies itself by its cuisine, and where indulgence is practically an art form, the philosophy isn’t “eat to live” but rather “live to eat.” It’s quite apropos, then, that the Crescent City’s Louisiana Seafood Restaurant Week is aptly named “We Live to Eat.”

    Clearly, Mr. Franklin would have utterly despised New Orleans.

    A Dining Strategy

    I had the providential good fortune of being able to attend the inaugural seafood week in September 2011. In order to develop a good dining strategy to determine which restaurants to pick, I decided to reach out to Sarah Peltier, Greater New Orleans regional director of the Louisiana Restaurant Association. She immediately suggested Mr. B’s Bistro which turned out to be an amazing choice.

    Mr. B’s Bistro is owned and operated by the Brennan family. Many members of the wait staff have been working there for 20-plus years, which is a testament to how the owners treat them like family. Once you step through the wood and glass revolving front door, you’ll be treated like family, too.

    The city has such a connection to food that it’s easy to have a fantastic meal in New Orleans, and during this week chefs are eager to put their cooking prowess on full display.

    I decided to dive right into the spirit of “We Live to Eat (WLTE)” and ordered several dishes to sample, starting with shrimp and grits. The smooth, buttery and creamy grits were topped with bacon-wrapped shrimp and a generous drizzle of savory-sweet red-eye gravy. It was perfection on a plate.

    My next dish was classic Mr. B's Barbequed Shrimp: A bowl of plump, juicy shrimp covered in a velvety, peppery brown butter sauce that found me “kissing” my fingertips (because “licking your fingers” sounds so un-Southern belle-like).

    The final entree made me feel like I’d hit the culinary trifecta when the soft-shelled fried crab arrived. The sweet crab was encased in a crisp, crunchy, seasoned crust and nestled in a pool of lemony butter sauce that was almost good enough to drink. For dessert, I tried both the white chocolate brownie and the pecan pie. The pièce de résistance, however, was a fresh, hand-crafted blueberry mojito to-go, which allowed me the distinct pleasure of strolling through the French Quarter to walk off the meal I’d just reveled in, while sipping my cocktail.

    You can’t get that at restaurant weeks in Houston.

    Next up was lunch at Café Adelaide located in the Loews Hotel. I looked at the menu and my jaw dropped: the restaurant offered full-sized 25-cent martinis. Martinis for a quarter? Only in New Orleans.

    The numerous first course offerings included turtle soup, blue crab-golden tomato gazpacho, a duck tasso flatbread and the B.O.L.T (bacon-crusted oyster, lettuce and tomato) po'boy. I picked the po'boy as a starter, another version of shrimp and grits with basil beurre sauce for my entree and creme brulee for dessert. The po'boy got a resounding “thumbs up.”

    Although my shrimp and grits were tasty, they were edged out by those I’d had at Mr. B’s. The creme brulee custard was wonderfully silky with a perfectly crunchy-charred sugar crust. As for martinis, I’m pleading the fifth on how many, if any, I had.

    Night Moves

    Dinner found me at Ruth’s Chris Steakhouse, which was the first one ever built. The chain was founded in 1965 by Ruth Fertel after she bought the existing Chris Steak House in New Orleans. In buying the restaurant, Fertel had to agree to keep the "Chris" name for a certain period of time.

    She later relocated the restaurant and renamed the rebuilt establishment "Ruth's Chris." I wanted to test the saying “there’s nothing like the original” and I wasn’t disappointed.

    I enjoyed the nods to New Orleans reflected in the menu such as the quintessential bowl of gumbo, which was delicious. I also thoroughly enjoyed the decadently delicious lump meat crab cakes which were filled with crab meat that was barely bound together. For my entree, I ordered an exquisitely cooked filet mignon with a side of butter-laden mashed potatoes. It was an impeccably classic steakhouse meal, with a nice “down-on the-bayou” touch.

    The final entree made me feel like I’d hit the culinary trifecta when the soft-shelled fried crab arrived.

    The city has such a connection to food that it’s easy to have a fantastic meal in New Orleans, and during the WLTE week the chefs really are eager to put their cooking prowess on full display. Add in the fact that the restaurants also feature fantastic and inexpensive drink specials (that you can take with you as you peruse the French Quarter while listening to jazz and brass band street players) and you have a restaurant week experience unlike any other.

    In my assessment, and without question, the “We Live to Eat” New Orleans Seafood Restaurant Week is definitely worth the trip up Interstate 10 for a high octane, epicurean-fueled weekend.

    Some people trek to New Orleans every February for Mardi Gras. Others make it a point to be in the city in May for the Jazz Festival. Still others are doggedly determined to make it to Bayou Bacchanal in November.

    While those are all excellent reason to make your way to the city, in my book, the “We Live to Eat” Louisiana Seafood Restaurant Week is at the top of the list.

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    news/travel

    Now hear this

    New Texas museum shines spotlight on Tejano music history

    Edmond Ortiz
    Dec 18, 2025 | 11:30 am
    Totally Tejano Hall of Fame and Museum, San Antonio, tejano music
    Photo by Edmond Ortiz
    Roger Hernandez serves as board president of the Totally Tejano Hall of Fame and Museum.

    For a city that proudly calls itself the capital of Tejano music, San Antonio has long been missing a permanent place to honor the genre’s pioneers and preserve its history. That gap officially closed In December with the opening of the Totally Tejano Hall of Fame and Museum at 1414 Fredericksburg Rd.

    The music couldn’t have found a better steward than its founder and board president. Roger Hernandez has had his finger on the pulse of Tejano music for decades. His company, En Caliente Productions, has provided a platform for countless performing artists and songwriters in Tejano, conjunto, and regional Mexican music since 1982.

    Hernandez says his wife, who ran a shop at Market Square years ago, would often get questions from visitors about the location of a physical Tejano music museum, a thing that simply did not exist. In 2022, he banded together with friends, family, and other local Tejano music supporters to make the nonprofit Hall of Fame a reality.

    “I decided I've been in the music scene for over 40 years, it's time to do a museum,” Hernandez recalls.

    Hernandez says a brick-and-mortar Tejano music museum has long been needed to remember musical acts and other individuals who grew the genre across Texas and northern Mexico, especially those who are aging. Recently, the community lost famed Tejano music producer Manny Guerra and Abraham Quintanilla, the renowned Tejano singer/songwriter and father of the late superstar Selena Quintanilla-Perez. Both deaths occurred roughly one week after the Totally Tejano museum opened to the public.

    “They're all dying. They're all getting older, and we need to acknowledge all these people,” Hernandez says.

    The Totally Tejano Museum — named after Hernandez’s Totally Tejano Television Roku streaming — has 5,000 square feet of space packed with plaques, photos, promotional posters, musical instruments, and other memorabilia honoring the pioneers and stars of the beloved genre. Mannequins wear stage outfits from icons like Laura Canales and Flaco Jimenez, and a wall of photos remembers late greats. Totally Tejano Television plays legendary performances on a loop, bringing the exhibits to life.

    Totally Tejano Hall of Fame and Museum, San Antonio, Tejano music The newly opened Totally Tejano Hall of Fame and Museum includes a growing collection of memorabilia. Photo by Edmond Ortiz

    Hernandez says the museum will soon welcome permanent and rotating exhibits, including traveling shows, a Hall of Fame section, and an area paying homage to Chicano music crossovers, such as the late Johnny Rodriguez, the South Texas singer-songwriter who blended country with Tex-Mex music. Plans call for the organization to hold its inaugural Hall of Fame induction in February 2026.

    Eventually, a 2,000 square feet back room will be converted into additional display space and host industry gatherings, community symposiums, and record and video release parties. The museum also plans to add a gift and record shop and a music learning room where visitors can listen to early Tejano music and browse archival photos. Hernandez is already talking with local school districts about educational field trips.

    Much like Tejano itself, the museum is a grassroots production. Hernandez and fellow board members have used their own money to rent, renovate, develop, and maintain the museum space. The board also leads the selection of the Hall of Fame honorees and curates the exhibits.

    Hernandez has been heartened by the museum’s reception, both from media outlets and music fans around Texas and beyond.

    “We had a radio station come in this morning from Houston to interview us,” he says. “People have come in from Lubbock, Texas. We have had people from Midland, Texas. We have another person who emailed us who’s coming in from New York. People are learning all about us.”

    That includes many of the musicians who helped shape the genre. Johnny Hernandez, Sunny Ozuna, Elida Reyna, and Danny Martinez from Danny and The Tejanos are among the luminaries who have already graced the halls.

    The Totally Tejano Hall of Fame and Museum is now open 10 am-6 pm, Tuesday-Sunday, and closed Monday. Admission is free, but donations are encouraged. Fans can call 210-314-1310 for more information.


    san antoniotejano musicmuseumshall of famemusicopenings
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