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    Tattered Jeans

    The real story of dispersant in the Gulf and its magic trick of horrors

    Katie Oxford
    Sep 1, 2010 | 6:47 pm
    • The Gulf's waters — and what exactly is in them — are still more than murky.
      Photo by Katie Oxford
    • Rather than letting the problem get to the surface, dispersant hides it.
      Photo by Katie Oxford
    • The Gulf waters still face an uncertain future.
      Photo by Katie Oxford
    • No one knows exactly what or how much ....
      Photo by Katie Oxford
    • dispersant has been poured into ...
      Photo by Katie Oxford
    • the waters that so many ....
      Photo by Katie Oxford
    • people depend on.
      Photo by Katie Oxford

    Editor's note: Katie Oxford is on the ground and in the boats in Louisiana, reporting from the heart of the Gulf oil spill disaster. This is her 11th column from the scene.

    I couldn’t give the Gulf oil disaster a rest, even temporarily, without addressing what sometimes still keeps me up at night like a bad dream. Dispersant.

    Interestingly, dispersant came up (once again) during my last conversation with one of the locals in southern Louisiana. He was a fisherman who understandably, like others I’d met on previous trips, did not wish to be identified.

    First, I should say two things — one of which, as one friend calls them, is a “BFO,” blinding flash of the obvious. I ain’t no investigative reporter. Secondly, where the hell are they?

    Where are the Woodwards and Bernsteins of the world? Do they exist or have we all (myself included) gone to fast food news?

    From the little I’ve learned, sure seems like we need them. Months ago. Amphibian types who’re willing to sieve through this mess inside a mess, exacerbated from the get go by what I call a bloody crime — BP’s use of Corexit, a chemical compound that they’ve injected into the gulf. Corexit 9527, Corexit 9500 and God only knows what others.

    I was deep in Louisiana but heading home to Houston when I made one last stop in LaFourche Parish just before entering Terrebonne Parish. I’d seen another hand-painted sign. Wanting to view it more closely, I made a u-turn and parked.

    A few minutes later, a middle-aged guy pulled up in a pickup truck. Oddly enough, he turned out to be a distant cousin of another fellow I’d met. Thankfully, he was just as friendly as his cousin.

    “I’ve trawled for shrimp all my life,” he said. “Now I work for BP, looking for oil.” He explained the drill. Each boat was given a “territory” of approximately 20 miles to work within. He’d been working the job for 50 days now and of these — had picked up oil for a total of two days.

    I asked him the “king for a day” question and he answered, “pay’s good.” But there were two things he didn’t like. If you saw oil in your neighboring water, but your neighbor wasn’t around, “you still can’t pick it up,” he stated.

    “It’s not in your territory.” Secondly, “The second you DO see oil, someone calls in and a boat runs up and pisssshhhhed,” he pointed, “sprays that stuff.”

    “What stuff?” I asked.

    “Dispersant,” he answered, quickly adding, “There’s a lot of sheen but you can’t pick it up! Basically, they’re hiding the oil and giving us money to keep our mouths shut.”

    I wanted to scream. Instead, I listened a little longer, thanked him for his candor and returned to my car. Then, I screamed. All the way to Houston.

    The battle seeps into the homefront

    Once home, I gratefully returned to pilates sessions with a gifted dancer, teacher and good friend whose words, like his body, contain zero fat.

    Over the last few months, Manuel Barra had patiently listened to my rants regarding the Gulf oil disaster, but this dispersant business, as he knew too well, had hit a nerve. What was the real story, I thought.

    “There’s an article you should read,” Manuel said, as somberly as saying someone had just died. “It’s about BP and the dispersant.” After our session, I made a beeline to the bookstore and purchased the Aug. 5 issue of Rolling Stone magazine.

    “The Poisoning” by Jeff Goodell, gets right to the point. I read it but not in one sitting. I got so stirred up that, occasionally, I’d get up and walk around the house wanting to spit. Go scrub toilets or something. When I finished the article, I wanted to call Jeff Goodell and thank him. Then, go out and start a revolution.

    Goodell methodically addresses what Corexit is, what it does and how much was used and when. He also introduces us to the players and the politics involved in permitting this poisoning in the first place. The story is as complex as the chemical compound itself, but Goodell breaks it down with clarity. He blows open the doors on the dispersant debacle and, he reminds us, several times, of the enormous “unknowns” as to its effects.

    Unknowns that who knows when will become discernable and in what forms? It’s an article I wished everyone would read — starting with my husband.

    “It’s ONE article,” P stated.

    “EXACTLY!” I responded. “Who else is writing about this?!!”

    A ticking time bomb of unknown consequences

    The dispersant did its job all right, or rather — trick. Remember the ole “Now you see it now you don’t” trick? The dispersant was sprayed directly into the oil (at the gusher itself) into the Gulf — over the Gulf — causing the oil to sink rather than surface. Where bad as it is, we could DEAL with it. Meaning, pick it up!

    After reading “The Poisoning,” I read another article in the Houston Chronicle — “Latest research says microbes did, indeed, eat most of the oil.”

    According to a group of scientists in Berkeley, Calif., an oil-eating bacteria had “consumed a huge deep-sea plume of dispersed oil fouling the Gulf of Mexico since the Deepwater Horizon rig explosion in April.” The article stated that the chief microbiologist (Terry Hazen) believed “the plume that was once 22 miles long and 3,600 feet deep is now ‘undetectable’.”

    Interestingly, the same word used by a chief surgeon in describing my mother’s cancer. Three months later, she was dead.

    The last paragraph of this article was laughable. “The group’s work is supported by part of the $200 million grant that BP gave to an environmental research project run by the University of California, Hazen’s team, the Berkeley lab and the University of Illinois.”

    What dispersant actually does, seems to speak not to our wishes, but certainly BP’s. Out of sight, out of mind. It speaks to our unwillingness to honestly deal. Seems to me if we keep this attitude, what began with an explosion may end with an implosion.

    Buddha knew something about this dispersant business and thankfully, Alice Walker reminded us. In her book, Overcoming Speechlessness, she opens with one of his quotes.

    “Three things cannot be hidden: The sun, the moon, and the truth.”

    Let’s hope BP doesn’t start jacking with the first two.

    Other Katie Oxford columns in this series:

    At the Gulf's bedside

    Let's do the hustle

    An unexpectedly grave concern

    The Little Girl in the Church

    Oil pain seeps into the radio

    Tempers flare on the Bayou

    Beauty amid the Gulf oil spill aftermath

    The Ant Man from the Louisiana marsh

    Life on a shell

    The Ya-Ya Sisters of Port Fourchon

    unspecified
    news/travel

    Now hear this

    New Texas museum shines spotlight on Tejano music history

    Edmond Ortiz
    Dec 18, 2025 | 11:30 am
    Totally Tejano Hall of Fame and Museum, San Antonio, tejano music
    Photo by Edmond Ortiz
    Roger Hernandez serves as board president of the Totally Tejano Hall of Fame and Museum.

    For a city that proudly calls itself the capital of Tejano music, San Antonio has long been missing a permanent place to honor the genre’s pioneers and preserve its history. That gap officially closed In December with the opening of the Totally Tejano Hall of Fame and Museum at 1414 Fredericksburg Rd.

    The music couldn’t have found a better steward than its founder and board president. Roger Hernandez has had his finger on the pulse of Tejano music for decades. His company, En Caliente Productions, has provided a platform for countless performing artists and songwriters in Tejano, conjunto, and regional Mexican music since 1982.

    Hernandez says his wife, who ran a shop at Market Square years ago, would often get questions from visitors about the location of a physical Tejano music museum, a thing that simply did not exist. In 2022, he banded together with friends, family, and other local Tejano music supporters to make the nonprofit Hall of Fame a reality.

    “I decided I've been in the music scene for over 40 years, it's time to do a museum,” Hernandez recalls.

    Hernandez says a brick-and-mortar Tejano music museum has long been needed to remember musical acts and other individuals who grew the genre across Texas and northern Mexico, especially those who are aging. Recently, the community lost famed Tejano music producer Manny Guerra and Abraham Quintanilla, the renowned Tejano singer/songwriter and father of the late superstar Selena Quintanilla-Perez. Both deaths occurred roughly one week after the Totally Tejano museum opened to the public.

    “They're all dying. They're all getting older, and we need to acknowledge all these people,” Hernandez says.

    The Totally Tejano Museum — named after Hernandez’s Totally Tejano Television Roku streaming — has 5,000 square feet of space packed with plaques, photos, promotional posters, musical instruments, and other memorabilia honoring the pioneers and stars of the beloved genre. Mannequins wear stage outfits from icons like Laura Canales and Flaco Jimenez, and a wall of photos remembers late greats. Totally Tejano Television plays legendary performances on a loop, bringing the exhibits to life.

    Totally Tejano Hall of Fame and Museum, San Antonio, Tejano music The newly opened Totally Tejano Hall of Fame and Museum includes a growing collection of memorabilia. Photo by Edmond Ortiz

    Hernandez says the museum will soon welcome permanent and rotating exhibits, including traveling shows, a Hall of Fame section, and an area paying homage to Chicano music crossovers, such as the late Johnny Rodriguez, the South Texas singer-songwriter who blended country with Tex-Mex music. Plans call for the organization to hold its inaugural Hall of Fame induction in February 2026.

    Eventually, a 2,000 square feet back room will be converted into additional display space and host industry gatherings, community symposiums, and record and video release parties. The museum also plans to add a gift and record shop and a music learning room where visitors can listen to early Tejano music and browse archival photos. Hernandez is already talking with local school districts about educational field trips.

    Much like Tejano itself, the museum is a grassroots production. Hernandez and fellow board members have used their own money to rent, renovate, develop, and maintain the museum space. The board also leads the selection of the Hall of Fame honorees and curates the exhibits.

    Hernandez has been heartened by the museum’s reception, both from media outlets and music fans around Texas and beyond.

    “We had a radio station come in this morning from Houston to interview us,” he says. “People have come in from Lubbock, Texas. We have had people from Midland, Texas. We have another person who emailed us who’s coming in from New York. People are learning all about us.”

    That includes many of the musicians who helped shape the genre. Johnny Hernandez, Sunny Ozuna, Elida Reyna, and Danny Martinez from Danny and The Tejanos are among the luminaries who have already graced the halls.

    The Totally Tejano Hall of Fame and Museum is now open 10 am-6 pm, Tuesday-Sunday, and closed Monday. Admission is free, but donations are encouraged. Fans can call 210-314-1310 for more information.


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