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    GREAT AMERICAN BRO'D TRIP 2

    Lasting lessons from spring training: When things smell & an institution letsyou down

    Jeremy C. Little
    Mar 29, 2011 | 12:39 am
    • Colin "Dabbo" Dabbs and Jay "Doogie" McMurrey on Bourbon Street
      Photo by Jeremy C. Little
    • Brennan's New Orleans wasn't such a hit.
    • In fact, the original was a major let down from Brennan's Houston.
      Photo by Barbara Kuntz

    Editor's note: With Opening Day arriving Thursday (and the Houston Astros starting their season a day later at the powerhouse Phillies), CutureMap will be running stories all week that highlight the national pastime. What better way to start then with another series from our traveling baseball fanatic.

    Jeremy Little attacks spring training as only he can.

    In honor of the ninth-month anniversary of our “once in a lifetime” baseball road trip (which was chronicled in a nine-part series for CultureMap in June 2010), we decided to do it again. This time during spring training in Orlando, where we planned to see the Atlanta Braves, Washington Nationals, Boston Red Sox, St. Louis Cardinals and Houston Astros in preseason action.

    Last summer my buddy Dabbo and I covered more than 2,500 miles in nine days, driving from Houston to Milwaukee, then across the Great Lakes region visiting nine stadiums and catching five games before our finale between the Astros and New York Yankees at the new Yankee Stadium.

    We assaulted our arteries with $1 hot dogs at Progressive Field in Cleveland, made a pilgrimage to the Budweiser Brewery in St. Louis, tracked down an elusive Dunkin’ Donuts in Milwaukee, stayed in a seedy brothel masquerading as a Motel 6 in Elkerton, Md., and mocked our fellow Americans throughout the trip with a game we like to call “Douche / Not a Douche.”

    This year Dabbo, our buddy Doogie, and covered the nearly 1,000 miles from Houston to Orlando, then sat by the pool between games while I pretended to get a tan. No, it’s not as ambitious. It’s spring training.

    Because this was technically a bachelor party, I’ll only be sharing what happened outside of the brozone, not because I’m particularly faithful to brocode, but rather because I’m fairly certain that Dabbo’s fiancé will crush my windpipe with her Truckasaurus-like kung fu grip if I embarrass him.

    Our first stop was in New Orleans, which still seemed to be reeling from Mardi Gras. Like Las Vegas, New Orleans is such an assertive part of Americana, nothing about it was surprising, except maybe the smell. Let’s just say I won’t be making fun of New Jersey for a while.

    After a few hours of encouraging drunk frat guys to hurl beads at girls who wouldn’t touch them with oven mitts on, we decided to toast to our trip and Dabbo’s impending nuptials at a New Orleans (and Houston) icon . . .

    THIS IS THE ORIGINAL BRENNAN’S? REALLY?!

    Sequels are notorious for being dumbed-down, cash-grab imitations that rarely capture the magic of the original upon which they are based. Much to my amazement, Brennan’s managed to flip the script.

    Brennan’s of Houston is, without a doubt, one of the finest dining experiences in the continental United States. A meal at Brennan’s of Houston is an event, executed by its superior staff with ninja-like precision. When you dine at Brennan’s of Houston, you feel special.

    When you dine at the original New Orleans Brennan’s, you wonder how it warranted a sequel in the first place.

    I hate — and I mean absolutely hate — writing this about Brennan’s because I was so excited to experience the original, but I feel like I was mugged. Keep in mind that I have a deep reservoir of sympathy for folks in the food service industry. I rarely ever complain about an isolated dining experience (everyone deserves the benefit of the doubt), but by the time the original Brennan’s was done violating my credit card, I wanted to turn around and go home.

    Brennan’s misfired on pretty much every front. The service was slow and disinterested; the mouth-breathing patrons weren’t fit for IHOP; the chintzy, laminated menus were a better fit for Bennigan’s; and the Turtle soup (usually a religious experience) was bland and under heated.

    Dabbo and I each ordered steaks that were cooked to utter perfection, but were then marred by the sort of uninspired, too-safe side dishes you might get on an international flight . . . sitting in coach. Jay’s “Creole” shrimp entrée, on the other hand, was an utter failure. From what we could gather, it was a pile of shrimp cooked in canned tomatoes.

    After a few moments of grade school arithmetic, we calculated that each shrimp cost about $6. And the scoop of ice cream that accompanied Brennan’s signature Bananas Foster — which was prepared across the room instead of tableside (so much for showmanship) — had all the rich, soft creaminess of a jai-alai ball. I’m pretty sure I chipped a tooth.

    At the end of the meal, our barely post-pubescent waiter scurried by to collect the signed guest check as though it were on fire. Judging by his ill-fitting faux tuxedo, his prom date was sitting on a curb somewhere wondering why he was late. The staff even started organizing flatware at an adjacent table before we were finished eating. I can’t imagine that this would ever happen at Brennan’s of Houston.

    Under the completely reasonable assumption that my Puma track suit jacket and crusty, sweat-stained Astros baseball cap weren’t appropriate attire for a reputable fine dining establishment (which they are not), we called Brennan’s ahead of our reservation to check on the dress code. You know, like civilized people.

    Although the manager informed us that “business casual” was required, the joke was on us as the other diners would have been underdressed for a weekend trip to Walmart.

    C’mon now, Brennan’s. When you’re running up a guest check the size of a car payment in celebration of a close friend’s ascension from the barren wilderness of bachelordom into the sobering permanence of Catholic matrimony, you don’t expect to be surrounded by loud, drunken tourists in hoodies and hooker boots.

    You expect to feel special. We felt swindled.

    What do expect? You were there on a Monday night. Pretty sure we didn’t get a “Monday night discount.”

    But you’re in New Orleans. It’s a tourist trap. “Trap” doesn’t even begin to describe it.

    So much for the inferior sequel paradigm. Thank God Brennan’s of Houston is more The Dark Knight than Jaws: The Revenge.

    On deck: We arrive in Orlando and get our first look at the paper-champion Boston Red Sox . . .

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    Now hear this

    New Texas museum shines spotlight on Tejano music history

    Edmond Ortiz
    Dec 18, 2025 | 11:30 am
    Totally Tejano Hall of Fame and Museum, San Antonio, tejano music
    Photo by Edmond Ortiz
    Roger Hernandez serves as board president of the Totally Tejano Hall of Fame and Museum.

    For a city that proudly calls itself the capital of Tejano music, San Antonio has long been missing a permanent place to honor the genre’s pioneers and preserve its history. That gap officially closed In December with the opening of the Totally Tejano Hall of Fame and Museum at 1414 Fredericksburg Rd.

    The music couldn’t have found a better steward than its founder and board president. Roger Hernandez has had his finger on the pulse of Tejano music for decades. His company, En Caliente Productions, has provided a platform for countless performing artists and songwriters in Tejano, conjunto, and regional Mexican music since 1982.

    Hernandez says his wife, who ran a shop at Market Square years ago, would often get questions from visitors about the location of a physical Tejano music museum, a thing that simply did not exist. In 2022, he banded together with friends, family, and other local Tejano music supporters to make the nonprofit Hall of Fame a reality.

    “I decided I've been in the music scene for over 40 years, it's time to do a museum,” Hernandez recalls.

    Hernandez says a brick-and-mortar Tejano music museum has long been needed to remember musical acts and other individuals who grew the genre across Texas and northern Mexico, especially those who are aging. Recently, the community lost famed Tejano music producer Manny Guerra and Abraham Quintanilla, the renowned Tejano singer/songwriter and father of the late superstar Selena Quintanilla-Perez. Both deaths occurred roughly one week after the Totally Tejano museum opened to the public.

    “They're all dying. They're all getting older, and we need to acknowledge all these people,” Hernandez says.

    The Totally Tejano Museum — named after Hernandez’s Totally Tejano Television Roku streaming — has 5,000 square feet of space packed with plaques, photos, promotional posters, musical instruments, and other memorabilia honoring the pioneers and stars of the beloved genre. Mannequins wear stage outfits from icons like Laura Canales and Flaco Jimenez, and a wall of photos remembers late greats. Totally Tejano Television plays legendary performances on a loop, bringing the exhibits to life.

    Totally Tejano Hall of Fame and Museum, San Antonio, Tejano music The newly opened Totally Tejano Hall of Fame and Museum includes a growing collection of memorabilia. Photo by Edmond Ortiz

    Hernandez says the museum will soon welcome permanent and rotating exhibits, including traveling shows, a Hall of Fame section, and an area paying homage to Chicano music crossovers, such as the late Johnny Rodriguez, the South Texas singer-songwriter who blended country with Tex-Mex music. Plans call for the organization to hold its inaugural Hall of Fame induction in February 2026.

    Eventually, a 2,000 square feet back room will be converted into additional display space and host industry gatherings, community symposiums, and record and video release parties. The museum also plans to add a gift and record shop and a music learning room where visitors can listen to early Tejano music and browse archival photos. Hernandez is already talking with local school districts about educational field trips.

    Much like Tejano itself, the museum is a grassroots production. Hernandez and fellow board members have used their own money to rent, renovate, develop, and maintain the museum space. The board also leads the selection of the Hall of Fame honorees and curates the exhibits.

    Hernandez has been heartened by the museum’s reception, both from media outlets and music fans around Texas and beyond.

    “We had a radio station come in this morning from Houston to interview us,” he says. “People have come in from Lubbock, Texas. We have had people from Midland, Texas. We have another person who emailed us who’s coming in from New York. People are learning all about us.”

    That includes many of the musicians who helped shape the genre. Johnny Hernandez, Sunny Ozuna, Elida Reyna, and Danny Martinez from Danny and The Tejanos are among the luminaries who have already graced the halls.

    The Totally Tejano Hall of Fame and Museum is now open 10 am-6 pm, Tuesday-Sunday, and closed Monday. Admission is free, but donations are encouraged. Fans can call 210-314-1310 for more information.


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