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    A city on the mend

    Over two decades later, the faint scar of the Wall hovers over Berlin

    Stephan Lorenz
    Mar 19, 2011 | 3:00 pm
    • In Germany, Christmas season is taken seriously. In the spirit of capitalism,dozens of Christmas markets spring up throughout Berlin, serving everything fromentertainment to food.
      Photo by Stephan Lorenz
    • Much of the Wall has disappeared. Here is a section that was re-installed afterbeing torn down, serving as a memorial park for people that died on the Wallwhile trying to escape into West Berlin.
      Photo by Stephan Lorenz
    • Berlin has become one unified sprawl of lights at night, as seen from nearly 700feet up in the television tower.
      Photo by Stephan Lorenz
    • The famous “fernsehturm” (television tower) looms over a Christmas market.Millions of people take the ride to the observation platform of Germany’stallest structure to enjoy a panoramic view of Berlin, day or night.
      Photo by Stephan Lorenz
    • Unsure what these are, but we’ll take a dozen.
      Photo by Stephan Lorenz

    A cold front from the depth of Russia had swept across Eastern Europe during the night — extending right into Berlin — dumping two feet of snow into narrow streets and leaving verglas on buildings. We stepped into the street, ready to explore Germany’s vibrant capital, but the freezing air slapped our faces and crept through the cracks of down jackets piled atop an assortment of sweaters.

    We escaped into the relative warmth of the subway station. Our noses were frozen and hands trembling.

    We clearly missed the Indian summer by about three months. But the miserable weather of December is easily forgotten in any of the multitude of Christmas markets sprinkled around the city.

    The dawn of the Christmas cities

    The first Weihnachtsmarkt in Germany start to appear in November, but by December, many more have sprung up — like tent cities.

    We wanted to explore the museums and history of a divided Berlin. But at that moment, we were fighting our way through a wall of stands, selling delicious funnel cake, candied apples and Quarkkeulchen (similar to donut holes, but better). Sprinkled among the food stands were huts and tents selling wooden Christmas ornaments, cheap socks, hippie bracelets and Peruvian pan flutes. The narrow boardwalks were choked with inebriated Germans, enjoying glass after glass of Glühwein, a sweet wine heated in giant pots and consumed liberally throughout the Christmas season.

    Eventually, we made our way past the ice rink, with something cheesy similar to calzones in our stomachs and a dozen Quarkkeulchen in our hands, and arrived satiated at the base of the Fernsehturm.

    A vegetable of a beacon

    Completed in 1969 in what was then East Germany, the television tower still serves as the emblem of Berlin. At 1,200 feet, it remains the tallest structure in Germany. Once a symbol of communist ingenuity and power, throwing its asparagus-shaped shadow deep into capitalist West Germany, it now attracts hordes of tourists from all over the world.

    After paying a hefty 10 euros, a super fast elevator zipped us up to the observation platform at 670 feet. We spared our wallets and avoided the bar and rotating restaurant, and just enjoyed the view.

    The lights unite, but the mind divides

    At night, Berlin sprawled as a sea of bright incandescence, flickering lights, moving lamps and blazing spots of about 20 Christmas markets in all directions. The times are long gone when East Berlin lay in concrete darkness while the capitalist neighbor to the west lit up the sky. Looking out, the east and west have melted into one luminous metropolis covering the whole spectrum.

    The following morning, with temperatures just a smidgen more tolerable, we made our way down the famous Unter den Linden St. toward the Brandenburg Gate. Among brand name stores, bank buildings and art museums, small souvenir shops advertised East German memorabilia and pieces of the Wall — small chips of concrete packed in plastic containers.

    We figured we would hew our own piece. The Berlin Wall formerly bent around the Brandenburg Gate, putting it just barely into East Berlin. But when we arrived, there was no sign of it.

    Some careful searching revealed a row of reddish bricks set into the boardwalk, continuing across the street. They outlined the location of the Wall as it stood until 1989. But now, heavy traffic passed back and forth, along with hordes of tourists photographing the gate from every angle and direction.

    We walked back along the main street, stopped in one of the small shops and bought a postcard — with a tiny piece of concrete glued to it.

    We aren’t the only ones that feel Berlin lacks its Wall. After most sections had been eagerly torn down, denizens of Germany’s capital felt some concrete should be left standing as a memorial (and tourist draw).

    Chasing ghosts of wounds past

    We hopped back onto the subway and soon arrived at Checkpoint Charlie. It doesn’t take long to realize that the East—West division had turned into a cult here. We followed the convoluted halls and stairways of the Checkpoint Charlie Museum, learning about the construction of the Wall and numerous successful escapes, ranging from balloons to zip lines to tunnels. The museum’s gift shop takes up a sizeable portion of the exhibition.

    We skipped the East Germany museum, where communist utensils, GDR products and the famous Trabant are on display. My own grandmother, living in Wittenberg (which was formerly East Germany), still uses many of those things, and “Trabis” are still on the road.

    Instead, we visited one of the ghost subway stations. When East and West Berlin were divided — almost overnight — the subway line remained intact. Certain subway tracks in West Berlin crossed through East Berlin underground, passing closed stations heavily guarded by East German soldiers. A display showed eerie video footage of abandoned train stations, bored soldiers and subways roaring past.

    The Berlin Wall consisted of 12-foot-high concrete, encircling West Berlin for nearly 100 miles with over 300 watchtowers. It was designed to keep East German citizens from fleeing the communist dictatorship into West Germany, and about 200 people died on the Wall attempting escape.

    We were looking at a resurrected section, about 300 yards long. Placards explained the design and security measures. The houses in former East Berlin still lacked any windows facing west.

    Looking closely, there's still a faint scar running through Berlin — maybe a sudden change in pavement on a now-open street running east to west, or an odd incongruous space between buildings.

    But the city is healing fast. In just over 20 years, East Berlin has bright modern areas — and West Berlin has gray concrete corners.

    The death strip days are over

    A few days later, we found ourselves on a nature hike sponsored by a local organization. We followed a trail through a small city park on the edge of West Berlin.

    A hill in the center served as a remainder of World War II. Here, rubble of the destroyed city had been piled until it became overgrown with trees and shrubs.

    Further along, we passed tiny gardens and even smaller bungalows — typical of space-deprived Germany. People tend vegetable gardens, fruit trees, BBQ patios and one-room weekend houses — all in 20 x 20 feet. This time of year, however, the trees are bare and bungalows boarded up.

    Along the edge of the gardens ran a straight stretch of weed-choked open country, covered in light snow and bordered by fallow fields to the east.

    “This was the death strip,” says our guide. “The wall would have been right in front of us."

    In West Berlin, people would've been picking apples and grilling sausages in the shadow of the Wall, and on the eastern side, nobody would've been allowed within 500 feet.

    I look left and right, scour the ground — no sign of any concrete — and people are taking their dogs for a walk in the open stretch of snow and weeds.

    unspecified
    news/travel

    1. tree-mendously stylish

    New, art-filled boutique hotel debuts in Houston with bold vintage flair

    Emily Cotton
    Dec 5, 2025 | 1:59 pm
    Hotel Daphne lobby
    Photo by Julie Soefer
    Hotel Daphne introduces sophisticated vintage flair to The Heights.

    Taking one step beyond the threshold of the new Hotel Daphne in the Heights is — in a word — transformative. Layered with handcrafted details, various textiles, warm-natured tones, and vintage and custom pieces that embrace contemporary whimsy, Houston’s newest property from Austin-based company Bunkhouse Hotels has truly outdone itself.

    The five story, 49-room property features an all-day restaurant called Hypsi, along with a picturesque walled-courtyard, jewel-box library, lobby retail shop, and a perfectly-curated art collection that could easily rival the best galleries. Those looking to make a splash will be delighted to know that a pool, dedicated outdoor bar, and 10 poolside bungalow suites are currently in the works to open in the spring of 2027. Hotel Daphne is Bunkhouse’s second Houston property, joining the Hotel Saint Augustine that opened in Montrose in 2024 and earned a prestigious Michelin Key in October.

    Setting itself apart from other new build properties, Hotel Daphne has taken painstakingly-precise care not to have disturbed the numerous mature Live Oak trees surrounding the building, giving the hotel a “we’ve always been here” quality that locals can appreciate. Those very trees inspired the hotel’s name, after Daphne of Greek mythology, who famously changed herself into a laurel tree and represents allure and restraint.

    “With Hotel Daphne, we set out to create a project that bridges Houston Heights’ eclectic energy with its residential roots to seamlessly blend into the surrounding landscape,” Timothy Blanchard, founder, principal architect, Blanchard A+D tells CultureMap. “Drawing on the area’s commercial and historic cues, we shaped the building around large heritage oak trees to create a place that feels welcoming, restrained, and quietly refined.”

    The hotel’s exterior features stepped parapets, dark steel sash windows, and soft gray shutters that bridge the scale between neighboring bungalows and historic industrial structures. Local landscape firm McDugald Steele rounds out the exteriors team with lush selections befitting the building and playing nicely with native surroundings, while giving nods to the Heights’ architectural charm and its origins as a utopian society founded in the 1890’s.

    Bunkhouse designed the interiors in-house, with 80 percent of the furniture and decor designed and selected during the initial design phase, leaving the remaining 20 percent to be selected post buildout. Select pieces like the show-stopping, circular modular sofa in the lobby, were sourced during the recent Round Top Fall Antiques Show. Situated beneath a vintage Murano chandelier, the sofa’s striped linen has been swapped for a more commercial-friendly Gem Velvet from Brentano, while the exposed sides have been dressed in a playfully-patterned Bargello from Nobilis. Suffice it to say: she’s Instagram-ready.

    “We always like to keep a healthy mix of vintage. When everything is custom or off the shelf, the end result can feel planned, prescriptive, and a little too perfect. Leaving room for the unplanned is where a dose of magic happens,” explains Tenaya Hills, head of design for Bunkhouse Hotels and JdV by Hyatt. “If you use up every inch of space with things you decided months before, you lose the creativity that hits you while you’re out shopping for vintage, or even when you’re sitting around with your team in the finished space thinking, ‘Okay, what does this space actually need?’ And also — it’s just fun.”

    A right turn off of the lobby leads to Hotel Daphne’s library. Absolutely drenched in a gorgeous, high-gloss blue, the impressive cabinets and bookcases house everything from books to ceramics and found objects — feel free to grab a book off the shelf and get cozy. Grounded by a handwoven rug by Shame Studios, the library offers three custom tables for gaming, providing an onyx chess set, marble checkers, and one table left bare for board games or other amusements. The library’s French doors can be closed off for private events, meetings, and dinners as well.

    Rounding out the first floor, Italian-style restaurant Hypsi, led by two-time James Beard Award nominee Terrence Gallivan, nods to the area’s Prohibition-era supper club history. Opulent and playful details include a blueberry lava stone bar outfitted with leather Cassina chairs, an indoor fireplace framed by an antique mantel, banquettes piled with psychedelic pillows, vintage Gerli chairs reupholstered in velvet, and custom Carimate dining chairs by Vico Magistretti.

    Hypsi’s adjoining vine-wrapped courtyard and Hotel Daphne patio offer outdoor dining. Playful Gubi patio furniture, paired with vintage, mosaic-tiled tables hand-painted to depict nymphs and the like, is available for more informal lounging. Remember those books in the library? Pair one with a cocktail or coffee while taking in an afternoon breeze.

    The remaining four floors are all guest rooms. Hotel Daphne offers a robust selection of double-queen rooms and single-king rooms, with both configurations available in ADA options. Select rooms, like the Terrace King Rooms, offer outdoor balconies. The Terrace King Premiere is 890 square feet, featuring a king bed, lounge area, workspace, and a terrace with dining and lounge furniture — perfect for entertaining a small group outdoors.

    Larger groups may opt for one of the two suites. The Balcony Suite is 850 square feet, featuring a king bed, a bistro table with seating, a parlor room with lounge area, dining table for six, wet bar, and a Juliet balcony. The Penthouse Suite is 1,150 square feet, featuring two rooms with king beds, plus a lounge area, a parlor room, dining table for eight, lounge area, wet bar, and two bathrooms. The Penthouse Suite is a three-key suite and each space can be booked individually.

    Guest rooms feature custom upholstered beds with floral velvet headboards inspired by Trebah Gardens. In fact, the fabric itself is Trebah Velvet by Osborne & Little.

    “We love that fabric and it brought exactly the mood we were looking for,” explains Hills. “Against the room’s more classic backdrop, we wanted an element that felt a little trippy and not-so-perfect, something that captured the spirit of the hotel. The pattern has this dreamy, slightly surreal quality that lets a subtle, ethereal, almost acid trip note come through. The hotel takes inspiration from the Heights’ beginnings as a planned utopian community, but we’ve layered in its history of 1930s clandestine drinking culture and the patina of time to a home that would have occurred on that original idealism. Trebah felt like the perfect way to thread those stories together, refined on the surface, with a little fray underneath.”

    The beds are all dressed in luxe Sferra linens (bath towels are also Sferra), and rooms are additionally outfitted with mohair seating, Arts & Crafts-style credenzas, plus natural stone tables and vintage finds. Adjoining bathrooms are wrapped in rich green Fireclay tiles that play magnificently with onyx vanities. Hotel Daphne’s signature amenities are by Dr. Vranjes of Florence, Italy, and are available for purchase in the lobby’s gift shop, including its signature scent, Dr. Vranjes’ Onyx Rose Tobacco.

    Also available in the gift shop are Hotel Daphne’s signature guest room robes. Collecting robes from Bunkhouse properties has become somewhat of a thing, to say the least.

    “Bunkhouse has a tradition of creating a custom robe for every property, says Hills. “Daphne’s robe was inspired by vintage men’s pajamas, designed to bring a masculine touch to balance the softer, feminine details throughout the rooms. Its striped pattern and colorway were directly drawn from the Trebah Velvet fabric used on the headboards. This connection makes the robe feel distinct but fully integrated with the overall guest room palette.”

    If the carpeting looks familiar, it’s not a trick of the mind. The spaces not clad in brass-inlaid, herringbone wood floors are swathed in patterned carpeting inspired by William Morris’ iconic “Strawberry Thief” pattern, but adjusted and created using AI — that’s certainly one way to mix old with new.

    In an interesting twist to Bunkhouse tradition, a substantial portion of the art on display is held in a private collection. Hotel owner Ben Ackerley and his father will rotate select pieces from the Ackerley Family Collection for guests of the hotel to enjoy. Bunkhouse art director Dina Pugh sourced works by Austin-based painter Alexandra Valenti that are on display in the guest rooms and hallways.

    An additional 160 works of art in the property belong to the Ackerley Family Collection. In January of this year, Hesse McGraw, formerly executive director of Contemporary Arts Museum Houston, came on as Hotel Daphne’s art director. Find works by Vernon Fisher and Kent Dorn on display in the hotel’s lobby, plus artists Kelli Vance and Dorothy Hood on view in the library. The giant Matt Kleberg overlooking the dining room at Hypsi is on loan from Houston’s Hiram Butler Gallery until January, when a commissioned work by the same artist will be completed. The untitled work will be difficult to miss with its 15’ x 8’ stature.

    Ackerley believes that sharing his family’s collection with the city will benefit living, Texas-based artists in a myriad of ways, especially by putting them in front of other potential collectors.

    “99-percent of collectors have no relation to the artists. They look at it as an investment and have no emotional connection to the work or the person behind it,” says Ackerley. “Whereas, we collect people we hang out with. We support living, contemporary Texas artists, and 80-percent of what you’ll see in this hotel is that — there is plenty of cool art.”

    Bunkhouse was purchased by Hyatt Hotels in October 2024, but there are no signs of Hyatt branding in the hotel. The plus is that rooms can be booked with points through Hyatt’s rewards program. Rooms at Hotel Daphne begin at $359 per night.

    Hotel Daphne lobby

    Photo by Julie Soefer

    Hotel Daphne introduces sophisticated vintage flair to The Heights.

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