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    A city on the mend

    Over two decades later, the faint scar of the Wall hovers over Berlin

    Stephan Lorenz
    Mar 19, 2011 | 3:00 pm
    • In Germany, Christmas season is taken seriously. In the spirit of capitalism,dozens of Christmas markets spring up throughout Berlin, serving everything fromentertainment to food.
      Photo by Stephan Lorenz
    • Much of the Wall has disappeared. Here is a section that was re-installed afterbeing torn down, serving as a memorial park for people that died on the Wallwhile trying to escape into West Berlin.
      Photo by Stephan Lorenz
    • Berlin has become one unified sprawl of lights at night, as seen from nearly 700feet up in the television tower.
      Photo by Stephan Lorenz
    • The famous “fernsehturm” (television tower) looms over a Christmas market.Millions of people take the ride to the observation platform of Germany’stallest structure to enjoy a panoramic view of Berlin, day or night.
      Photo by Stephan Lorenz
    • Unsure what these are, but we’ll take a dozen.
      Photo by Stephan Lorenz

    A cold front from the depth of Russia had swept across Eastern Europe during the night — extending right into Berlin — dumping two feet of snow into narrow streets and leaving verglas on buildings. We stepped into the street, ready to explore Germany’s vibrant capital, but the freezing air slapped our faces and crept through the cracks of down jackets piled atop an assortment of sweaters.

    We escaped into the relative warmth of the subway station. Our noses were frozen and hands trembling.

    We clearly missed the Indian summer by about three months. But the miserable weather of December is easily forgotten in any of the multitude of Christmas markets sprinkled around the city.

    The dawn of the Christmas cities

    The first Weihnachtsmarkt in Germany start to appear in November, but by December, many more have sprung up — like tent cities.

    We wanted to explore the museums and history of a divided Berlin. But at that moment, we were fighting our way through a wall of stands, selling delicious funnel cake, candied apples and Quarkkeulchen (similar to donut holes, but better). Sprinkled among the food stands were huts and tents selling wooden Christmas ornaments, cheap socks, hippie bracelets and Peruvian pan flutes. The narrow boardwalks were choked with inebriated Germans, enjoying glass after glass of Glühwein, a sweet wine heated in giant pots and consumed liberally throughout the Christmas season.

    Eventually, we made our way past the ice rink, with something cheesy similar to calzones in our stomachs and a dozen Quarkkeulchen in our hands, and arrived satiated at the base of the Fernsehturm.

    A vegetable of a beacon

    Completed in 1969 in what was then East Germany, the television tower still serves as the emblem of Berlin. At 1,200 feet, it remains the tallest structure in Germany. Once a symbol of communist ingenuity and power, throwing its asparagus-shaped shadow deep into capitalist West Germany, it now attracts hordes of tourists from all over the world.

    After paying a hefty 10 euros, a super fast elevator zipped us up to the observation platform at 670 feet. We spared our wallets and avoided the bar and rotating restaurant, and just enjoyed the view.

    The lights unite, but the mind divides

    At night, Berlin sprawled as a sea of bright incandescence, flickering lights, moving lamps and blazing spots of about 20 Christmas markets in all directions. The times are long gone when East Berlin lay in concrete darkness while the capitalist neighbor to the west lit up the sky. Looking out, the east and west have melted into one luminous metropolis covering the whole spectrum.

    The following morning, with temperatures just a smidgen more tolerable, we made our way down the famous Unter den Linden St. toward the Brandenburg Gate. Among brand name stores, bank buildings and art museums, small souvenir shops advertised East German memorabilia and pieces of the Wall — small chips of concrete packed in plastic containers.

    We figured we would hew our own piece. The Berlin Wall formerly bent around the Brandenburg Gate, putting it just barely into East Berlin. But when we arrived, there was no sign of it.

    Some careful searching revealed a row of reddish bricks set into the boardwalk, continuing across the street. They outlined the location of the Wall as it stood until 1989. But now, heavy traffic passed back and forth, along with hordes of tourists photographing the gate from every angle and direction.

    We walked back along the main street, stopped in one of the small shops and bought a postcard — with a tiny piece of concrete glued to it.

    We aren’t the only ones that feel Berlin lacks its Wall. After most sections had been eagerly torn down, denizens of Germany’s capital felt some concrete should be left standing as a memorial (and tourist draw).

    Chasing ghosts of wounds past

    We hopped back onto the subway and soon arrived at Checkpoint Charlie. It doesn’t take long to realize that the East—West division had turned into a cult here. We followed the convoluted halls and stairways of the Checkpoint Charlie Museum, learning about the construction of the Wall and numerous successful escapes, ranging from balloons to zip lines to tunnels. The museum’s gift shop takes up a sizeable portion of the exhibition.

    We skipped the East Germany museum, where communist utensils, GDR products and the famous Trabant are on display. My own grandmother, living in Wittenberg (which was formerly East Germany), still uses many of those things, and “Trabis” are still on the road.

    Instead, we visited one of the ghost subway stations. When East and West Berlin were divided — almost overnight — the subway line remained intact. Certain subway tracks in West Berlin crossed through East Berlin underground, passing closed stations heavily guarded by East German soldiers. A display showed eerie video footage of abandoned train stations, bored soldiers and subways roaring past.

    The Berlin Wall consisted of 12-foot-high concrete, encircling West Berlin for nearly 100 miles with over 300 watchtowers. It was designed to keep East German citizens from fleeing the communist dictatorship into West Germany, and about 200 people died on the Wall attempting escape.

    We were looking at a resurrected section, about 300 yards long. Placards explained the design and security measures. The houses in former East Berlin still lacked any windows facing west.

    Looking closely, there's still a faint scar running through Berlin — maybe a sudden change in pavement on a now-open street running east to west, or an odd incongruous space between buildings.

    But the city is healing fast. In just over 20 years, East Berlin has bright modern areas — and West Berlin has gray concrete corners.

    The death strip days are over

    A few days later, we found ourselves on a nature hike sponsored by a local organization. We followed a trail through a small city park on the edge of West Berlin.

    A hill in the center served as a remainder of World War II. Here, rubble of the destroyed city had been piled until it became overgrown with trees and shrubs.

    Further along, we passed tiny gardens and even smaller bungalows — typical of space-deprived Germany. People tend vegetable gardens, fruit trees, BBQ patios and one-room weekend houses — all in 20 x 20 feet. This time of year, however, the trees are bare and bungalows boarded up.

    Along the edge of the gardens ran a straight stretch of weed-choked open country, covered in light snow and bordered by fallow fields to the east.

    “This was the death strip,” says our guide. “The wall would have been right in front of us."

    In West Berlin, people would've been picking apples and grilling sausages in the shadow of the Wall, and on the eastern side, nobody would've been allowed within 500 feet.

    I look left and right, scour the ground — no sign of any concrete — and people are taking their dogs for a walk in the open stretch of snow and weeds.

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    New Texas museum shines spotlight on Tejano music history

    Edmond Ortiz
    Dec 18, 2025 | 11:30 am
    Totally Tejano Hall of Fame and Museum, San Antonio, tejano music
    Photo by Edmond Ortiz
    Roger Hernandez serves as board president of the Totally Tejano Hall of Fame and Museum.

    For a city that proudly calls itself the capital of Tejano music, San Antonio has long been missing a permanent place to honor the genre’s pioneers and preserve its history. That gap officially closed In December with the opening of the Totally Tejano Hall of Fame and Museum at 1414 Fredericksburg Rd.

    The music couldn’t have found a better steward than its founder and board president. Roger Hernandez has had his finger on the pulse of Tejano music for decades. His company, En Caliente Productions, has provided a platform for countless performing artists and songwriters in Tejano, conjunto, and regional Mexican music since 1982.

    Hernandez says his wife, who ran a shop at Market Square years ago, would often get questions from visitors about the location of a physical Tejano music museum, a thing that simply did not exist. In 2022, he banded together with friends, family, and other local Tejano music supporters to make the nonprofit Hall of Fame a reality.

    “I decided I've been in the music scene for over 40 years, it's time to do a museum,” Hernandez recalls.

    Hernandez says a brick-and-mortar Tejano music museum has long been needed to remember musical acts and other individuals who grew the genre across Texas and northern Mexico, especially those who are aging. Recently, the community lost famed Tejano music producer Manny Guerra and Abraham Quintanilla, the renowned Tejano singer/songwriter and father of the late superstar Selena Quintanilla-Perez. Both deaths occurred roughly one week after the Totally Tejano museum opened to the public.

    “They're all dying. They're all getting older, and we need to acknowledge all these people,” Hernandez says.

    The Totally Tejano Museum — named after Hernandez’s Totally Tejano Television Roku streaming — has 5,000 square feet of space packed with plaques, photos, promotional posters, musical instruments, and other memorabilia honoring the pioneers and stars of the beloved genre. Mannequins wear stage outfits from icons like Laura Canales and Flaco Jimenez, and a wall of photos remembers late greats. Totally Tejano Television plays legendary performances on a loop, bringing the exhibits to life.

    Totally Tejano Hall of Fame and Museum, San Antonio, Tejano music The newly opened Totally Tejano Hall of Fame and Museum includes a growing collection of memorabilia. Photo by Edmond Ortiz

    Hernandez says the museum will soon welcome permanent and rotating exhibits, including traveling shows, a Hall of Fame section, and an area paying homage to Chicano music crossovers, such as the late Johnny Rodriguez, the South Texas singer-songwriter who blended country with Tex-Mex music. Plans call for the organization to hold its inaugural Hall of Fame induction in February 2026.

    Eventually, a 2,000 square feet back room will be converted into additional display space and host industry gatherings, community symposiums, and record and video release parties. The museum also plans to add a gift and record shop and a music learning room where visitors can listen to early Tejano music and browse archival photos. Hernandez is already talking with local school districts about educational field trips.

    Much like Tejano itself, the museum is a grassroots production. Hernandez and fellow board members have used their own money to rent, renovate, develop, and maintain the museum space. The board also leads the selection of the Hall of Fame honorees and curates the exhibits.

    Hernandez has been heartened by the museum’s reception, both from media outlets and music fans around Texas and beyond.

    “We had a radio station come in this morning from Houston to interview us,” he says. “People have come in from Lubbock, Texas. We have had people from Midland, Texas. We have another person who emailed us who’s coming in from New York. People are learning all about us.”

    That includes many of the musicians who helped shape the genre. Johnny Hernandez, Sunny Ozuna, Elida Reyna, and Danny Martinez from Danny and The Tejanos are among the luminaries who have already graced the halls.

    The Totally Tejano Hall of Fame and Museum is now open 10 am-6 pm, Tuesday-Sunday, and closed Monday. Admission is free, but donations are encouraged. Fans can call 210-314-1310 for more information.


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