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    Women Power

    New Houston Chronicle editor tells the city's power brokers how she'll fix the newspaper

    Clifford Pugh
    Nov 14, 2013 | 10:40 am

    Having just moved to Houston four weeks ago, Houston Chronicle editor Nancy Barnes admits she hasn't made many friends yet. So The Clifford Group president Cindy Clifford hosted a lunch at La Griglia to introduce the first woman to head the newsroom in the paper's 112-year history to a cross section of the city's most powerful women, along with a few good men.

    Among the "who's who" of Houston female leaders welcoming Barnes were Mayor Annise Parker, U.S. District Judge Vanessa Gilmore, Houston City Council members Ellen Cohen and Melissa Noriega, former City Council members Anne Clutterbuck and Sue Lovell, Judge Zinetta Burney, and attorneys Jessica Rossman and Y. Ping Sun.

    Channel 11's Courtney Zubowski, Channel 13's Miya Shay, Houston Chronicle business editor Laura Goldberg, educational consultant Laurie Bricker and former Houston Astros president Pam Gardner also made up the power group. One guest noted the last time the Astros had a winning team was when Gardner headed the team. "I told her to write a book about baseball — without balls," Cohen quipped.

    "My job is to prioritize and figure how to get that covered. Do I use existing resources? Maybe. Do I get some money for it? I'll be asking."

    In a brief remarks, followed by a question-and-answer session, Barnes, a 30-year newspaper veteran, admitted that "Texas was not on my road map" when Hearst officials approached her about the Chronicle's top news job. But she became intrigued. "People in the rest of the country probably don't know the story of what's going on here," she said.

    She said the Chronicle remains Hearst's most profitable newspaper, even though the "double tsunami" of a troubled economy and the digital revolution has walloped the industry. "I think we're here to stay, but I think it's going to be different, and we won't have as many resources we had in the past, that's for sure," she said.

    Asked about the presence of the Hearst Corporation, which purchased the Chronicle in 1987 but largely left it alone until recent years, Barnes said, "That's an interesting question . . . I'm not sure the Hearst Corporation is more visible as a presence, but I do know they are putting a lot more attention on the paper here."

    She said her job is "assess the newsroom, assess the community, what stories we are telling well, what stories we are not telling well, and lift up the paper a little bit after those years of the great recession and the digital tsunami."

    Whether she can hire more staff, she said, depends on how much money she can "wring out" of Hearst, but it sure sounds like she is going to try.

    "I don't think we have enough reporters on the ground, in particular in the area of business and local coverage and enterprise areas. At the moment, there's nobody covering religion, there's nobody covering the business of health care, there's nobody covering immigration questions. There's a whole swath of things that aren't being covered. That goes back to what happened in 2008-2009. My job is to prioritize and figure how to get that covered. Do I use existing resources? Maybe. Do I get some money for it? I'll be asking.

    "A huge part of our readership is in the suburbs, which we don't cover at all. We don't cover any of the suburban school districts. That has to be something that gets added to the equation. More reporters on the ground covering news and business in particular is going to be part of the solution here. I don't know exactly what it's going to look like. It depends on how big of a check I get."

    Barnes still owns a house in Minneapolis, where she oversaw the news gathering operation of the Minneapolis Star Tribune for a decade, and doesn't expect it to sell until at least March, when the winter weather thaws a bit in frigid Minnesota and home sales pick up. But she said she plans to put down roots in Houston.

    "I'm not a fly-by-night editor," she said.

    Among the men Clifford invited to the luncheon because "they always support women" were Houston Arts Alliance executive director Jonathon Glus, Yellow Cab president and former state legislator Roman Martinez, American Society of Civil Engineers president Wayne Klotz and political consultant Jason Fuller.

    Houston bail bondsman Michael Kubosh, who is in a runoff in the race for Houston City Council At-Large Position 3, dropped in the luncheon after learning that it was going on while dining at the restaurant. Clifford introduced Kubosh, who with his brother led the fight to remove red-light cameras, around the room.

    From left, Jessica Rossman, Cindy Clifford, Mayor Annise Parker, Nancy Barnes, Dana Kervin.

    Jessica Rossman, Cindy Clifford, Mayor Annise Parker, Nancy Barnes, Dana Kervin at La Griglia November 2013
    Courtesy photo
    From left, Jessica Rossman, Cindy Clifford, Mayor Annise Parker, Nancy Barnes, Dana Kervin.
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    Curtain Call

    Porgy and Bess revival leads stunning launch of HGO’s new season

    Joel Luks
    Nov 7, 2025 | 11:30 am
    Houston Grand Opera 2025 season opening
    Photo by Emily Jäschke
    The cast of Porgy and Bess with conductor James Gaffigan.

    Houston Grand Opera launched its 2025-26 season with a soul-stirring statement — one that blended history, harmony, and high jazzy American style — at the season-opening performance of Porgy and Bess, followed by a celebration dinner that felt more like an all-cast reunion than a buttoned-up black-tie din din.

    Houston Grand Opera 2025 season opening

    Photo by Emily Jäschke

    The cast of Porgy and Bess with conductor James Gaffigan.

    Under the direction of Francesca Zambello, the Gershwin classic unfolded on the Wortham Theater Center’s stage in a performance that was both nostalgic and unflinchingly honest. The lush, jazz-meets-classical score had audiences leaning in, and many found themselves marveling at how many of the opera’s melodies live rent-free in cultural memory.

    But it wasn’t just the music that captivated. The emotional weight of the story and the conversations it inspired lingered long after the curtain dropped.

    HGO general director and CEO Khori Dastoor opened the evening by reflecting on the company’s legacy with Porgy and Bess, which stretches back to a 1976 production that earned both a Tony and a Grammy. This 2025 revival, nearly 50 years later, brought that legacy full circle, honoring the past while setting a tone for the season’s theme: The light we hold.

    The production, which runs through November 15, features a powerhouse cast that includes bass-baritone Michael Sumuel as Porgy and soprano Angel Blue as Bess. Soprano Latonia Moore, making her HGO mainstage debut, appears as Serena. Baritone Blake Denson takes on the role of Crown, and tenor Demetrious Sampson Jr. brings charisma to Sportin’ Life. A poignant full-circle moment came with baritone Donnie Ray Albert, who portrayed Porgy in HGO’s 1976 production, returning to the stage as Lawyer Frazier. Opening night was conducted by James Gaffigan, with Richard Bado leading later performances.

    The post-performance celebration on Fish Plaza, chaired by Dina Alsowayel and Tony Chase, transformed the space into an elegant nod to Charleston charm. Creams and greens, soft candlelight, and natural textures made for a timeless scene, but it was the congenial vibe that truly stole the show. The mood was chatty, the energy high, and the mission clear: Reconnect, rejoice, and rally behind the power of opera.

    During the dinner, Dastoor and artistic and music director Patrick Summers acknowledged the many supporters who brought this night to life. Dastoor offered a poignant nod to Summers as he begins his final season in his current role, transitioning to music director emeritus next year. She also welcomed Astley Blair as HGO’s newly elected board chair, signaling an exciting chapter ahead.

    Weeks later, HGO announced Gaffigan’s appointment as the company’s fifth music director — a major milestone in its 70-year history. Gaffigan, a rising star in European opera houses and orchestras, made his American operatic debut at HGO in 2011 and returned this fall to conduct Porgy and Bess. His connection to Houston runs deep, as an alumnus of Rice University’s Shepherd School of Music.

    As the night wound down, the cast and creative team received a standing ovation again. And rightly so. The event drew 450 guests and raised $690,000, the second-highest total in HGO Opening Night history.

    CultureMap seen were Margaret Alkek Williams, Jana and Scotty Arnoldy, Sylvia Barnes and Jim Trimble, Vivianna Jolie, Elizabeth and Neil Chapman, Rebekka and Damon Chargois, Jane Cizik, Molly Crownover, Misook Doolittle, Marty Dudley, Elaine Finger, Marianne and Joe Geagea, Claire Liu and Joe Greenberg, Janet Gurwitch and Ron Franklin, Alecia Harris, Matt Healey and Denise Reyes, Chris and Morgan Hollins, Elizabeth and Richard Husseini, Teresa and José Ivo, Monica Karuturi and Kumaran Sathyamoorthy, Sarah and Bryant Lee, Karen and Ramon Manning, Nancy McGregor and Neal Manne, Terrylin Neale, Franci Neely, Cynthia and Tony Petrello, Rebecca Rabinow and Matt Ringel, Jill and Allyn Risley, Cora and Judson Robinson, Kelly and David Rose, Anita Smith, Dian and Harlan Stai, Ellen Susman, Marguerite Swartz, Charlene Tombar, Nestor Topchy, Jesse, Brooks, and Sherida Tutor, Marcia and Alfredo Vilas, Donna Sims and Frank Wilson, Gretchen Watkins, Mary-Olga and John Warren, Yuichi and Uny Watanabe, Geraldina and Scott Wise, and Kristina and Enoch Woodhouse.

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