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    Auto-correct not allowed

    Who's the best speller of them all? A Grown Up Spelling Bee defies convention, brings hot competition

    Joel Luks
    Jan 18, 2013 | 12:04 pm

    In a society where spell checkers and auto-corrects render people's spelling faculties a tad lackadaisical — and offer hilarious faux pas on occasion — only the fearless would dare put their language prowess, or lack thereof, on trial.

    Consider this: Could you spell puissant, moiety, hessian, princox, scrutator or malacia, words that don't appear in some digital dictionaries, under pressure?

    Following cocktails and amuse-gueules in the Julia Ideson Library's atrium, contestants and their groupies marched right up to the reading room and Tudor Gallery, ushered by 1920s jazzy riffs courtesy of the lively Leo Polk jazz quartet for dinner prepared by Jackson and Co.

    In a setting that resembled a tableau right out of To Kill A Mockingbird, the Spanish Revival stylings of the bibliothèque were charmingly suited for Houston Center for Literacy's "21st Great Grown-Up Spelling Bee" Thursday, where a scholarly yet au courant assemblage of 250 converged in support of the nonprofit's vocation to make illiteracy a thing of the past.

    Last year's defending champs, attorneys Matthew Behncke and Ryan Caughey of Susman Godfrey, relinquished their title to Houston Bar Association's wordsmiths Linda Marshall and Ben Wickert.

    Forget Words with Friends. This orthography feud wasn't your stereotypical affair of proper Ps and Qs. Witty pronouncer Meredith Walker, co-creator and executive producer of Smart Girls at the Party, and Nic Phillips, dressed as a studious school principal of sorts, offered waggish clues as, "He wanted to be the flâneur of Houston society, but he lived with his mother — outside the Loop."

    Teams including the Missing Vowels, The Bee-lievers and Spell-You-Later faired well during the first few rounds. But at the conclusion, last year's defending champs, attorneys Matthew Behncke and Ryan Caughey of Susman Godfrey, relinquished their title to Houston Bar Association's wordsmiths Linda Marshall and Ben Wickert.

    The winning riddle? From French, enceinte, meaning pregnant.

    Chairs Isabel and Danny David and Heather and Rob Safi honored Linsay and Jeremy Radcliffe's tireless commitment to the nonprofit's services that enable tutors like Steve McCarthy to help adults learners like Nicholas Beauregard, who hopes to enroll at Houston Community College to study culinary arts. Handwritten testimonials from other language learners reminded guests that Houston Center for Literacy changes people's lives.

    This bee roused patrons to gather $155,000 and Wells Fargo to pledge $50,000 for HCL president and CEO Sheri Suarez Foreman's literacy awareness campaign.

    Dotting I's and crossing the T's were Phoebe Tudor, Gracie Cavnar, Leisa Holland-Nelson and daughter Laura, Mark Sullivan, Peter Remington, Marita Fairbanks, Kristy and Chris Bradshaw, Sally Kolenda, Jen and Steve Dolman, Angie Wickert, William Griffin (who took a new position as region executive and managing director at U.S. Trust), Council Member Jerry Davis, Holly and Steve Radom, Molly Hubbard, Campbell Eitler and Susan Criner.

    6, Spelling Bee, Janaury 2013, Linsay Radcliffe, Jeremy Radcliffe
    Photo by © Roswitha Vogler Photosbyrovo.com
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    Curtain Call

    Porgy and Bess revival leads stunning launch of HGO’s new season

    Joel Luks
    Nov 7, 2025 | 11:30 am
    Houston Grand Opera 2025 season opening
    Photo by Emily Jäschke
    The cast of Porgy and Bess with conductor James Gaffigan.

    Houston Grand Opera launched its 2025-26 season with a soul-stirring statement — one that blended history, harmony, and high jazzy American style — at the season-opening performance of Porgy and Bess, followed by a celebration dinner that felt more like an all-cast reunion than a buttoned-up black-tie din din.

    Houston Grand Opera 2025 season opening

    Photo by Emily Jäschke

    The cast of Porgy and Bess with conductor James Gaffigan.

    Under the direction of Francesca Zambello, the Gershwin classic unfolded on the Wortham Theater Center’s stage in a performance that was both nostalgic and unflinchingly honest. The lush, jazz-meets-classical score had audiences leaning in, and many found themselves marveling at how many of the opera’s melodies live rent-free in cultural memory.

    But it wasn’t just the music that captivated. The emotional weight of the story and the conversations it inspired lingered long after the curtain dropped.

    HGO general director and CEO Khori Dastoor opened the evening by reflecting on the company’s legacy with Porgy and Bess, which stretches back to a 1976 production that earned both a Tony and a Grammy. This 2025 revival, nearly 50 years later, brought that legacy full circle, honoring the past while setting a tone for the season’s theme: The light we hold.

    The production, which runs through November 15, features a powerhouse cast that includes bass-baritone Michael Sumuel as Porgy and soprano Angel Blue as Bess. Soprano Latonia Moore, making her HGO mainstage debut, appears as Serena. Baritone Blake Denson takes on the role of Crown, and tenor Demetrious Sampson Jr. brings charisma to Sportin’ Life. A poignant full-circle moment came with baritone Donnie Ray Albert, who portrayed Porgy in HGO’s 1976 production, returning to the stage as Lawyer Frazier. Opening night was conducted by James Gaffigan, with Richard Bado leading later performances.

    The post-performance celebration on Fish Plaza, chaired by Dina Alsowayel and Tony Chase, transformed the space into an elegant nod to Charleston charm. Creams and greens, soft candlelight, and natural textures made for a timeless scene, but it was the congenial vibe that truly stole the show. The mood was chatty, the energy high, and the mission clear: Reconnect, rejoice, and rally behind the power of opera.

    During the dinner, Dastoor and artistic and music director Patrick Summers acknowledged the many supporters who brought this night to life. Dastoor offered a poignant nod to Summers as he begins his final season in his current role, transitioning to music director emeritus next year. She also welcomed Astley Blair as HGO’s newly elected board chair, signaling an exciting chapter ahead.

    Weeks later, HGO announced Gaffigan’s appointment as the company’s fifth music director — a major milestone in its 70-year history. Gaffigan, a rising star in European opera houses and orchestras, made his American operatic debut at HGO in 2011 and returned this fall to conduct Porgy and Bess. His connection to Houston runs deep, as an alumnus of Rice University’s Shepherd School of Music.

    As the night wound down, the cast and creative team received a standing ovation again. And rightly so. The event drew 450 guests and raised $690,000, the second-highest total in HGO Opening Night history.

    CultureMap seen were Margaret Alkek Williams, Jana and Scotty Arnoldy, Sylvia Barnes and Jim Trimble, Vivianna Jolie, Elizabeth and Neil Chapman, Rebekka and Damon Chargois, Jane Cizik, Molly Crownover, Misook Doolittle, Marty Dudley, Elaine Finger, Marianne and Joe Geagea, Claire Liu and Joe Greenberg, Janet Gurwitch and Ron Franklin, Alecia Harris, Matt Healey and Denise Reyes, Chris and Morgan Hollins, Elizabeth and Richard Husseini, Teresa and José Ivo, Monica Karuturi and Kumaran Sathyamoorthy, Sarah and Bryant Lee, Karen and Ramon Manning, Nancy McGregor and Neal Manne, Terrylin Neale, Franci Neely, Cynthia and Tony Petrello, Rebecca Rabinow and Matt Ringel, Jill and Allyn Risley, Cora and Judson Robinson, Kelly and David Rose, Anita Smith, Dian and Harlan Stai, Ellen Susman, Marguerite Swartz, Charlene Tombar, Nestor Topchy, Jesse, Brooks, and Sherida Tutor, Marcia and Alfredo Vilas, Donna Sims and Frank Wilson, Gretchen Watkins, Mary-Olga and John Warren, Yuichi and Uny Watanabe, Geraldina and Scott Wise, and Kristina and Enoch Woodhouse.

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