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    Food for Thought

    Can Brio Tuscan Grille make waves in Houston's perfect storm of great Italianrestaurants?

    Marene Gustin
    Aug 20, 2012 | 10:58 am
    • Brio changed the layout of the former Pesce location to a wide-open Tuscanrestaurant with different areas separated by arches and draping.
      Photo by Jill Hunter
    • Lamb chops are a Brio speciality
      Photo by Jill Hunter
    • Within sight of the new Brio is the original Carrabba's Italian Grille.
      Photo by Shannon O'Hara/Greater Houston Convention and Visitors Bureau
    • Among competitors in the Upper Kirby cooridor is Giacomo's.
      Photo by Karen Burd
    • Alto pizzaria is a hop, skip and jump away.
      Alto Pizzeria/Facebook
    • Tony Vallone’s eponymous swanky eatery just down the road in Greenway Plaza isthe godfather of Italian food in Houston.
      Photo by Julie Soefer/Greater Houston Convention and Visitors Bureau

    Like so many foodies, I was sad when Pesce closed, even though, like so many, I really hadn’t been there in awhile.

    But I was kinda skeptical when I heard that a national Italian chain, based in Ohio no less, Brio Tuscan Grille, was moving into the space in the Centre at River Oaks. Face it; the corner of Kirby Drive and West Alabama Street is smack dab in the middle of the perfect storm of great Italian eateries in Houston. It’s within minutes, if not spitting distance, from some of the finest pasta palaces in Houston, if not the country.

    I will say that walking into Brio was kinda nice. They’ve changed the whole layout to a wide-open Tuscan restaurant with different areas separated by arches and draping. Not bad, not bad.

    There are more than 300 Italian restaurants in Houston, and most of the locally owned, chef-driven ones are inside the loop.

    But then the food started coming.

    I watched my dining companion closely as she ate and repeated my question of whether or not this was a good location for Brio. (See paragraph two above.)

    She (with slight eye roll): "Not everyone is a foodie."

    Me: "Are you telling me you can’t taste the difference?"

    She: "Is it the best Italian food I’ve ever had? No. Is it good and am I going to eat it all? Yes."

    Me: "But wouldn’t you rather be at…"

    She (curtly): "Not everyone can afford to eat at Tony’s."

    Tony Vallone’s eponymous swanky eatery just down the road in Greenway Plaza is the godfather of Italian food in Houston, one of the oldest and surely the most elegant and service-oriented places to eat. Everyone, and I mean everyone should experience this bastion of fine dining at least once. Esquire Magazine food critic John Mariani has called it not only one of the best Italian restaurants in the county but one of the best restaurants period. And the Houston Chronicle’s Alison Cook recently restored it to its four-star status.

    And sure, if you’re ordering the Osetra caviar service as an appetizer you are going to get a huge bill at the end of the meal. But on the other hand there’s always a three-course Greenway Express lunch for about 20 bucks. It’s a great way to sample the wonderful food and soak in the rarefied atmosphere. Most working folks could brown bag PB&J’s for a week and then splurge on that kinda lunch at least once a month.

    “This is a great location,” says Erica Gibson. “Opportunity came and this location fell into our hands. So why would we not snap it up?”

    And there are Marco Wiles’s restaurants. Zagat and USA Today recently named Da Marco one of the nation’s top Italian restaurants with a score of 29 out of 30. And their lunch menu is only slightly higher priced than Brio’s.

    And I could go on. There are more than 300 Italian restaurants in Houston, and most of the locally owned, chef-driven ones are inside the loop. Swing a dead cat from the new Brio and you’ll hit Giacomo’s Cibo e Vino.

    She: "People still don’t know about Giacomo’s."

    Me: "Obviously they aren’t reading CultureMap."

    She: "Sigh."

    “It’s true, a lot of people still don’t know I’m here,” says chef/owner Lynette Hawkins who ran the famous fine-dining La Mora for years before taking a sabbatical and then opening Giacomo’s two-plus years ago. “And don’t forget that chef-driven, quality ingredient places are competing for about 10 percent of the dining population. The rest of the people eat at chains. They eat at Olive Gardens.”

    But why if they can eat better for only slightly more money?

    “And don’t forget that chef-driven, quality ingredient places are competing for about 10 percent of the dining population. The rest of the people eat at chains. They eat at Olive Gardens.”

    Dining companion (becoming bored with the conversation): "Because they don’t know or they just don’t care. They’ve eaten at chains all their lives and that’s just what they are used to. That’s what they want. I know a lot of people with good jobs living right down the street at West Ave and I bet they will come here a lot."

    If I lived at West Ave I’d just walk up stairs to celebrity chef Robert Del Grande’s Alto Pizzeria. Best pizzas I’ve had. Which is why I haven’t tried the pastas yet, can’t get past that triple meat pizza. And I have to drive there because I don’t live in West Ave.

    I also have to drive, but not very far, to get to the romantic Antica Osteria in Rice Village, Arcodoro Ristorante Italiano and Vallone’s Ciao Bello in the Galleria area, oh let’s not forget Coppa Ristorante Italiano in the Heights and Wiles’s Dolce Vita on the Westheimer curve, which I hear is about to reopen after that fire.

    Oh, and let’s not forget Carrabba’s Italian Grill. No, not the franchises around the country. I mean the one within sight of the new Brio. The original on Kirby that is still owned and operated by founder Johnny Carrabba. The one that’s about to move into a brand new building with a new, upscale Italian eatery by Carrabba right next door.

    Someone commented that if Brio thought it was going to compete with Johnny Carrabba, they might think again. Carrabba, Mandola and, of course, Vallone, are names that have been around for years if not decades. Names that inspire fierce loyalty in Houstonians.

    So, we’ll see what happens in the race for dining dollars in the hub of Houston Italian food.

    I could be wrong to worry about Brio. I’m sure they didn’t make this expansion lightly, I’m sure they did the market research. And maybe the general manager has the right idea: A high tide floats all boats.

    “This is a great location,” says Erica Gibson. “All the restaurants here are successful and there are a lot of young people moving here now. Opportunity came and this location fell into our hands. So why would we not snap it up?”

    OK Brio, welcome to da ‘hood. And good luck.

    unspecified
    news/restaurants-bars

    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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