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    get the table: nobu

    Get the table: How to score a seat at Houston's hottest new sushi restaurant, Nobu

    Steven Devadanam
    Jul 31, 2018 | 5:01 pm

    Be it the numerous pop and hip-hop song references, the myriad paparazzi photos, or the name-drop-worthy presence of co-owner Robert DeNiro, few restaurants encapsulate celebrity culture like Nobu. Synonymous with fame and luxury, the global sushi spot has become a go-to for stars — and aspiring stars — to see and be seen and celebrate. (To wit: When NBA star Kevin Love inked a recent blockbuster deal, basketball king LeBron James tweeted that Love owed him dinner at Nobu Malibu.) Often, a city’s food scene is deemed to have truly arrived once a Nobu opens its doors there.

    Aside from the glitz and glamour, Nobu is still known for its fare. As CultureMap food editor Eric Sandler notes, so iconic is the restaurant that many of its dishes have been copied worldwide, such as yellowtail sashimi with jalapeño, crispy rock shrimp in a spicy and tangy sauce, and miso-glazed cod. But what sets Nobu apart is the pure buzzworthy appeal, thanks to its elegant dining room, polished service, soundtrack, and uber-stylish crowd.

    So how frenetic was the reaction when Nobu opened here in The Galleria on June 1? Nobu’s director of operations, Brian Leon, recalls that his staff fielded at least 1,000 calls per day during the first week. “We were just trying to get to every call at that point,” says Leon. “Obviously, that booked us straight through July.”

    CultureMap caught up with Leon as part of a new series, where we offer tips on how to procure a table at the hottest restaurants in the city. Speaking of tips: Does money talk when trying to woo the reservation staff? Leon serves up the details.

    CultureMap: How far in advance do I need to book to secure a table between 6 pm and 8 pm on a weekday?

    BL: On a weekday, I’d say you can book probably about a week out — if not even less — for a weekday reservation. For a prime time table, it’s the same time frame. If you’re more flexible with the timing, you can come earlier. We open the bar lounge at 5 pm, so you can quickly snag a table at 6 pm, if you talk to the maitre’d or hostess. So you can definitely get in with a little bit shorter notice.

    CM: How far in advance do I need to book to secure a table between 6 pm and 8 on a Friday or Saturday?

    BL: I would say we are still looking at between two and three weeks out.

    CM: If OpenTable is booked, will calling the restaurant to ask about a table improve my chances?

    BL: It definitely helps. We try to keep all of our inventory of what we have available accurate and up to date on the online reservation system, but occasionally we have last minute cancellations — or maybe we have a little bit more wiggle room. Maybe you can come a little bit earlier, or come a little bit later. Calling definitely can assist with securing a reservation.

    CM: If I walk in, say, 7 pm on a Saturday night — no reservation — how long am I looking at to wait for a party of two or four?

    BL: If you’re willing to sit in the bar and lounge — which we do full-menu dining there — it could be pretty quick. People are coming and going from there. If you’re waiting for a table, it could be more than an hour wait.

    If you’re coming on the later side, we can usually fit people in around 9 or 9:30 pm. We’re able to accommodate a lot of people that are walk-ins on Saturday because the sushi bar has reservation requests, but we try to keep a lot of it open for people that do walk-ins without a reservation.

    CM: Here’s the million-dollar (hopefully, not literally) question: Is there an amount of money I can offer that will shorten the wait?

    BL: No. The Nobu brand has been around for a while and people are always pretty competitive to get a table or reservation, but we don’t prioritize reservations based off anything, or any of that type of behavior. We want to honor our reservations on our wait list. We think that’s the best strategy to retain our clientele and make people feel like it’s the most fair system possible.

    CM: Do you have a favorite place to sit in the restaurant and if so, what makes it your favorite?

    BL: I personally really like our two-top tables. Most of our two-top tables are corners, so it’s quite nice and comfortable to be at one of those for a date or something intimate with a friend. Also, the sushi bar is a great experience because of how interactive it is with the chef.

    CM: Given Nobu’s rep, we have to ask: How many local or national celebrities have you seen since you’ve opened in Houston?

    BL: We like to keep everyone’s information private, so I wouldn’t be able to disclose that. But we’ve been very lucky that we’ve gotten a great response from some of the trendsetters and really important people in this city.

    CM: You gotta give us something.

    BL: [Laughs] We’re definitely favorites of the local sports teams — that’s the best I can do. We feel very lucky that a high-profile clientele does enjoy our brand and what we offer. We think we’re doing a good job if people like that are coming out on a regular basis.

    CM: How would somebody earn VIP status?

    BL: All of our clientele is obviously very important to us. But we definitely do appreciate when someone’s a regular client and comes in on a regular basis. I think that’s the most important thing in regards to being a VIP. That’s what makes them important to us — when someone creates a relationship with us by being a regular.

    CM: What do you consider a regular at Nobu?

    BL: Honestly, it really varies. We have people that come in twice a week and sit at the bar and have dinner. We have some people that come once a year for their anniversary ... and that’s their tradition. I think we look at both types of guests in the same way, as very important.

    We’ve had people drive in from all the way from Austin, which means a lot to us. What’s been great about Houston is that we seem to have a lot of Nobu fans from other locations who reside in Houston. They’ve all come up and told us that they’re happy to have a Nobu here.

    A look at Nobu's dining room.

    Nobu Houston dining room interior
    Photo by Peter Molick
    A look at Nobu's dining room.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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