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    CultureMap exclusive: On the Market

    New $9 million John Staub-inspired mansion with garages for 14 cars is builder's dream

    Barbara Kuntz
    Barbara Kuntz
    Apr 3, 2014 | 1:14 pm

    A Houston builder/broker is readdressing the classic John Staub architectural style so tied with prominent Bayou City homes with a $9 million mansion now for sale.

     

    Zora Spevak, owner of Montecito Builders, was still carrying her slender but powerful flashlight to scrutinize house details when CultureMap caught up with her at the manse at 622 Saddlewood Lane in the highly desirable Hunters Creek Village.

     

    "This is my spy," Spevak said with a smile about her trusty flashlight. "I check and double-check the painters' corners, the lining up of flooring planks, the bricks, everything."

     
     

       "I want it to be my claim to fame when I'm gone," says Spevak, who has been in the real estate business for nearly 30 years.  

     

     

    Outside, landscapers continued to beautify the expansive grounds with more plantings. Inside, Maria Tracy of Tracy Design Studio and team members worked steadily staging the house for show, bringing in posh rugs, antique furniture, intriguing artwork, ornate mirrors and more from contributing vendors. In all this constructive chaos, Spevak offered a quick tour of the property.

     

    Professional photographers are scheduled to shoot the mansion in the near future. Meanwhile, CultureMap, scouting with a point-and-shoot camera, took some sneak peek photos.

     

     Note: Interested buyers — and curious architecture and interior design enthusiasts — can take their own look during an open house 2-7 p.m. Friday, Saturday and Sunday.

     

     A bit of background
    Several years ago, Spevak discovered the property on this secluded street and decided to build her "grand finale" spec house as a builder. "I want it to be my claim to fame when I'm gone," says Spevak, who has been in the real estate business for nearly 30 years. "I've always admired American architecture, particularly that of John Staub, so I researched his work to create the ageless American home."

     

    Those Staub influences include intricate brickwork revealing herringbone and other patterns, secret garden gates hidden within exterior brick walls, and the use of fine materials such as copper, slate, marble and choice woods — those "extras" that subtlety enhance a home.

     

     Walk through
    Wooden beams accenting 12-foot-ceilings are found throughout most of the property. Flooring is intermixed with tumbled travertine tiles and quarter-sawn white oak planks in varying widths for texture. The light-filled library sits to the left of the entry and the living room, to the right. A focal point here is a mid-18th century fireplace surround discovered at a French chateaux.

     

    The formal living room graciously leads to the dining room. Antique sconces adorn the paneled walls and a grand chandelier hangs above the dining table: A polished and beveled marble surface placed atop curvaceous Louis XVI legs.

     
     

      The massive kitchen is one of three in the house, with an auxiliary kitchen just off one of the two garages and another in a bedroom suite upstairs, designed for house staff or guests. 

     
     

    Moving toward the kitchen, visitors pass a wine cellar with groin vault that can hold more than 1,100 bottles and a floor-to-ceiling European buffet with counter serving as a walk-up bar. The massive kitchen is one of three in the house, with an auxiliary kitchen just off one of the two garages and another in a bedroom suite upstairs, designed for house staff or guests.

     

    The kitchen and family room flow together as a "keeping room," where everyone gathers. Beyond is a game room with adjoining media room, separated by tall mid-18 century French double doors with authentic hardware.

     

    The master suite sits as its own wing on the first floor and includes crystal chandeliers, large soaking tub, oversized frameless shower and his-and-her closets with glass door-encased, cedar-lined wardrobes. The mirror arrangements at either end of the closets and at the bath dressing counters create an "infinity effect" in the master bath. The master bedroom overlooks the large backyard.

     

    Up the handicap-accessible elevator or L-shaped stairwell — with vaulted ceiling lined in the same white oak planks on the floor downstairs — is a second floor that includes a second master suite with his-and-her closets and another game and media room. An additional three bedrooms with en suite baths and walk-in closets are also located on the second floor.

     

     Note: Peek in the first-floor powder room near the library, where you'll find two of Spevak's favorite finds: A wooden door with saintly carvings and a smooth, rounded vessel sink cut from a single block of white marble — the same marble as used for the Taj Majal.

     

     Step outside
    A gated porte-cochère lined with a small orchard of lime and lemon trees opens to a large bricked courtyard and two enormous garages, complete with lifts and capable of housing 14 cars parked. The garages are also wired for television, music and more so they can serve as party room extensions for large affairs.

     

    A swimming pool with fountain and outdoor kitchen — plus enormous fireplace — make a peaceful getaway just off the den.

     

    And before you leave, take time to admire the gas lamp lighting the front sidewalk. It's a gaslight that once kept Houston's downtown streets bright.

     

     Asking price: $8,995,000

     

     Square footage: 12,335

     

     Builder/broker: Zora Spevak

    The manse in a dusk setting.

    front lawn On the Market 622 Saddlewood April 2014
      
    Photo courtesy of Houston Association of Realtors
    The manse in a dusk setting.
    unspecified
    news/real-estate

    your friends and neighbors

    Pioneering East End development brings cohousing to Houston

    Jef Rouner
    Jul 7, 2025 | 12:15 pm
    Digital image of a a finished cohousing development with people in the foreground.
    Render provided by CoHousing Houston
    A digital rendering of the finished CoHousing Houston.

    Houston's East End neighborhood will soon welcome a bold new experiment in housing in the next couple of months, one dedicated to communal space and curing the epidemic of isolation plaguing modern America.

    Called CoHousing Houston, the development occupies a property at 114 Delmar St. that consists of 33, individually-owned units built around a central courtyard. This layout isn't much different from a modern apartment complex, but there are architectural deviations and governing principles that gently nudge the residents toward in-person interactions.

    One is the common house, a massive gathering space, kitchen area, and work station that serves as a community center and event hall. While the individual units do have their own kitchens and bedrooms, they are short on extra rooms. This encourages people to move their hobbies and activities to the common house or to the shared outdoor porches and balconies when the weather is nice.

    The idea of communal housing is as old as humanity itself and is practiced by groups as different as hippy communes and the U.S. Army. However, few Americans live in communal housing after they reach adulthood, preferring privacy and a large space to call their own. CoHousing Houston is aiming to be the best of both worlds.

    One resident is Kelli Soika, a married mother of three who lived in a similar cohousing unit in Colorado before moving to Houston in 2018. She found the cohousing model incredibly liberating, and worked to create the first one in the Bayou City.

    "You have this great place to solve problems you didn’t even know you know you had," she tells CultureMap. "I would have to go to the grocery store with the three kids, and it was hard. Now, I can ask a neighbor to watch the girls for an hour. I hear it’s like living in a small town in the past, though I'm not old enough to remember that. It's the kind of place where if you leave the door open, someone will check to make sure you're okay. In a regular house, you could fall down and it might be days before someone found you."

    Soika emphasized the power of community connection. Surrounded by multi-generational households that are funneled into the communal spaces by design, she can draw on the innovation of young couples or the wisdom of the elderly. With one kid starting college, it's nice for her to be able to talk to someone close by who has gone through the same thing. Her husband can drop into an evening bike riding group whenever he wants without having to arrange various schedules. In her opinion, little neighborly touches like that are worth the slight loss of privacy or space that are inherent to cohousing.

    "If the power is out and you don't know what’s going on at CenterPoint, you've got a group going through it with you," she says. "These things keep happening, and when I moved into cohousing, it's just not a crisis because you've got other people to help you and be with you in it."

    Isolation and loneliness is a major problem in America, studies suggest. Increased workloads and the explosion of social media have led to a sharp decline in time spent in "third places," locations that are not home or work. According to some estimates, people stopped going to third places as much as 37 percent between 2014 and 2017, and that was before COVID sent people into deeper isolation. In Houston, soaring temperatures and poor public transit keep some people out of parks and other outdoor activities even as the city invests heavily in park improvement. Some activities such as pickleball and live-action gaming centers have picked up the slack, but these still involve planning that many tired workers simply don't have the energy for.

    In that world, cohousing seems like a viable alternative to increase social engagement, though it may be too big a change for Americans, who are famously individualistic.

    Soika says that there are weekly meetings in the common house to deal with issues that affect the entire campus, such as parking disputes and insurance. Residents own their $300,000 to $525,000 homes, but there is still an HOA, and governance is democratic. CoHousing Houston tries to make sure that the majority of people can still attend and have their voices heard in the regular meetings. Those disinclined to group gatherings can still participate in small groups that handle specific matters, but like all democracy it involves more work than simply owning your own home. There's also the worry that such a governing structure tends to empower people who have time and resources to attend meetings, such as single income households.

    "You don’t want to have the decisions dominated by people who have managed to dominate the meeting structures," says Soika. "We have rounds where we laboriously go through each person and have them talk about it. It helps the quieter ones. We want everyone to be heard."

    Another concern is safety. Soika was unable to say of there was any kind of provision for what to do if a resident became a problem, such as exhibiting violent behavior against other residents.

    "I guess we would call the police," she says. Having lived in cohousing since 2012, she says she's never come across such a situation.

    CoHousing Houston is expected to open fully this fall. Soika already lives on site, and most of the units in the $300,000 range have been sold. Units in the $450,000-525,000 range remain available. Interested buyers can find more information at CoHousingHouston.com.

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