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    don't spare the waterworks

    Design experts and real estate pros celebrate posh plumbing brand's Houston return

    Emily Cotton
    May 16, 2024 | 12:45 pm

    For many people, their homes are the largest and most significant investments they make. While a trusted broker is there to guide the selection of the initial investment, be sure not to overlook how certain designer finishes guarantee top-dollar when it’s time to sell — now, or one-hundred years from now. Choosing a designer with experience utilizing investment-worthy finishes certainly helps.

    Ultra-luxe hotels and spas often inspire design for private homes, especially the bathrooms. Check the pulse of anyone who doesn’t let out an audible gasp when visiting any outpost of Soho House, one of the 27 Auberge Resort locations, or perhaps something closer to home, Houston’s own Lancaster Hotel. What these properties have in common is who they trust to do their outfitting — Waterworks.

    Houston designers were devastated to lose our Waterworks showroom in 2009. After years of constant courtship by Elegant Additions owner Julie Koch, they have returned. The boutique Waterworks showroom could not be more at home in the historic building in the Heights that Elegant Additions occupies. Seeing the brand’s beautiful forms and finishes juxtaposed with the building’s exposed historical brickwork is just the classical vibe one expects from the 46-year-old plumbing institution. While the showroom is only open to the trade, designers, contractors, and builders can schedule appointments for clients who want to see these products before deciding to purchase them.

    With little more than an arts background and a loan, Barbara Sallick founded Waterworks in 1978 inside her father’s pipe fitting outfit. Sallick’s vision of elevating plumbing fixtures into works of art has grown into the world famous and beloved brand known today. Completely customizable, the 27-step artisanal manufacturing process takes place in one of four countries: Italy, France, Portugal, or the UK — completely dependent on the collection. With an international reputation for quality, it’s safe to say that Sallick's risk has paid off.

    Last Friday, designers and luxury real estate professionals were invited to welcome Waterworks back to Houston. Graciously co-hosted by Compass broker Caroline Bean and famed interior designer Paloma Contreras, Elegant Additions invited Miranda Ness, senior managing boutique partner for Waterworks, as keynote speaker for a morning salon focused on the company’s role within luxury property ROI. She noted its track record of a minimum $400 return for every $100 spent on Waterworks products.

    Invitees enjoyed delectably curated bites by chef Jo Celestrini while mingling amongst themselves and their hosts. While neither Contreras nor Bean spoke during the event, each talked to CultureMap about the subject of brand recognition within the luxury home sphere.

    Waterworks Elegant Additions

    Photo by Andy Phan

    Paloma Contreras, Natalie Steen, and Caroline Bean.

    “In the world of luxury real estate, high-end fixtures are more than just finishing touches; they are statements of quality that significantly enhance the value of a home,” Bean says. “When it comes time to list your home, these premium upgrades not only attract discerning buyers, but also ensure a higher return on investment, elevating your property to the next level.”

    Contreras added her thoughts on why certain brands perform better than others. "Waterworks is a heritage brand that seamlessly merges timeless design with the highest quality. I know that when I specify Waterworks for my clients, they will be getting something that will stand the test of time.

    “Their product assortment runs the gamut from classic to transitional to modern, so I can always find something to suit the projects I am working on. The fact that the brand has such distinct name recognition is the cherry on the sundae as my clients understand that they are making a solid investment in their homes."

    Guests were generously sent home with a goody bag and a copy of Sallick’s coffee table book: The Ultimate Bath by Rizzoli. Leafing through it, one can see how fixtures truly are the jewelry of the home. If incorporating elegant, artisan crafted fixtures to a home in order to increase resale value, while introducing beauty, Waterworks is the way to go — ask any designer, especially Paloma Contreras.

    designer finishesluxury real estatewaterworks showroomelegant fixturesthe-heights
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    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

    houston livestock show and rodeohome-designcotton holdings
    news/home-design
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