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    Untitled Art Buying Guide

    What to see and where to shop at Houston's new contemporary art fair

    Emily Cotton
    Sep 19, 2025 | 10:36 am

    The hotly-anticipated debut of the Miami-based Untitled Art fair is in full swing. The loss of Houston’s annual Texas Contemporary Arts Fair left artists, collectors, and dilettantes alike wondering whether a city well documented for its museums, galleries, and artistic installations could long be without an annual contemporary arts show — alas, we’ve been saved.

    Held at the George R. Brown Convention Center from Friday, September 19 through Sunday, September 21, the 150,000-square-foot show features 88 exhibitors from Texas and beyond displaying works for sale to experienced collectors and novices alike. Untitled Art stands out from other mammoth-sized, multi-day events of its caliber by its commitment to accessibility for young artists, galleries, nonprofits, and beginner collectors. The “Nest” program offers subsidized booth space and entry for those who would find participation in traditional art shows wildly cost-prohibitive. What does that mean for Houstonians who are deciding whether or not to attend the show? At Untitled Art, there are pieces that folks can actually afford.

    “From diverse styles to a wide range of prices, Untitled Art truly feels like a gift to Houston — an immersive experience that inspires from the moment you step in,” Untitled Art host committee member and BeDesign CEO Adrian Dueñas tells CultureMap. “With commissions available and pieces for all tastes, the fair proves that art is both subjective and approachable, a remarkable celebration where everyone can find their place.”

    The notion that an art show has the potential to be shopable for more than the 1-percent opens the door to Houstonians viewing works of art to potentially purchase for their actual homes, and boy, is that exciting. The sprawling nature of the show can be intimidating for some, especially if a particular style is preferable — where to start? Whether one subscribes to traditional genres, or is, perhaps, looking to dabble in the “wrong art theory,” here are suggestions for the artists to shop for specific genres for the home, as well as some insider information.

    How to view and shop the show

    Unlike the sterile, “ice cube tray” layout of traditional art shows, where artwork can only be viewed from a few feet away, Untitled Art enlisted architect Jay Colombo of Michael Hsu Office of Architecture to design an interior that allows artists the visual space to have pieces viewed from numerous angles and distances.

    Tuesday evening, Colombo participated in a panel discussion titled “The Intersection of Art & Architecture” at Summit, the 28th-floor event space in Skanska’s shiny, new, and eco-friendly Norton Rose Fulbright Tower. This Untitled Art satellite event allowed Colombo to share his vision for the overall design of the show, as well as what visitors can expect of their experience:

    At some point [in a traditionally designed show] you lose the sense of space, and you lose where you are — you lose a sense of place that establishes you. Let’s try something different. I liked the idea of a piazza. Instead of linear lines, it’s a series of piazzas. There is a center moment, and then there is a ring of galleries. So, you should be able to stand in a piazza and turn 360 degrees and take in a dozen different gallery spaces.

    It basically creates a moment and there is a sight line that guides you to the next piazza, and then the next piazza, and you keep moving through the space. But there is a gesture and motion that pulls you around from start to finish, and there should be a memory moment that locks you in and says: ‘Oh, yeah! This is the place! This is where I saw that artist and wanted to go back to it [the booth]!’

    Categories and price points

    Most Affordable

    The Nest program that enabled small businesses, galleries, and nonprofits to participate in the show is the driving force behind “Artist Market.” The brainchild of F Gallery owner Adam Marnie, “Artist Market” is where show goers can pick up affordable art, ceramics, books, stationary, and more while supporting local businesses.

    “I think of it as a craft or art book fair inside of this fair,” says Marnie. “The vendors are paying a lower price to participate, so it gives guests a lower price to be able to participate in purchasing things.”

    Local favorite Reeves Gallery has works from $295 to $3,000, with the bulk of their offerings in the $500 range—this is also the place to pick up framed vintage pieces as well. They’ve listed their entire Artist Market collection here. Montrose staple Basket Books & Art has a fine selection of books, plus works by local artists for $200, half of which goes to The Women’s Storybook Project of Texas. Other participants include Film Lab, Jardin, Rising Tide Project, Picnic Surfshapes, St. Agnes Academy’s New Media Arts Program, plus excellent free library Reading Room HTX.

    The following is a selection of exhibiting galleries from different genres and price points to be able get a glimpse of what to expect from the show. Pricing is as follows: “affordable” galleries ($1,200+) are marked “$,” “average” priced galleries ($5,000+) are marked “$$,” and “expensive” ($35,000+) galleries are marked “$$$.” Galleries offering works from Texas artists will be marked with an asterisk (*). Find a map showing all of the galleries here.

    Contemporary Abstract: Jessica Silverman Gallery ($$$), Mindy Solomon Gallery* ($$$), Sicardi | Ayers | Bacino ($$$), Arden + White Gallery ($$).

    Organic: Moody Gallery* ($$), Yossi Milo ($$$), The Mission Projects ($$), Carvalho ($$), SGR Galeria ($), La Loma ($$).

    Portraiture: Marc Bibiloni ($$$), Half Gallery* ($$), El Apartamento* ($$).

    Fun and Fantastical: YOD Gallery ($), Keijsers Koning* ($$), ABC - Arte ($$), Philip Martin Gallery* ($$$), Patel Brown ($$).

    Black Artists: PDNB Gallery* ($), Colector* ($$), Bond Contemporary ($$$).

    Author’s Favorites: Half Gallery ($$), YOD Gallery ($), The Mission Projects ($$), Arden + White Gallery ($$), Carvalho ($$), Patel Brown ($$), SGR Galeria ($).

    Untitled Art Fair Patel Brown

    Photo by Amanda Veselovsky.

    Text-based collaborative works offer whimsical delights at Patel Brown.

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    la dolce vita

    How a Houston designer transformed an Uptown hotel into an Italian escape

    Emily Cotton
    Jun 5, 2026 | 1:07 pm
    Hotel Granduca
    Photo by Julie Soefer
    Bespoke furnishings blend seamlessly with the antiques throughout.

    The Hotel Granduca — with its posh Uptown Park address, walled-grounds, and recently-refreshed interiors — has quietly pulled a fast one on Houstonians. While heads have been tilted toward the skyline’s mammoth new developments, the six-story Hotel Granduca has climbed the ranks of the trendiest boutique hotels around town for locals to just, well, be.

    The dark-and-heavy “Texas Tuscan” architecture and decor of the hotel’s earlier days have been replaced with bright interiors, a greenhouse, library, and a European garden terrace more in rhythm with actual Italian villa aesthetics. In addition to the in-house restaurant Remi, additions such as programming like Mahjong Mondays, themed brunches, local boutique pop-ups, live music performances, daily afternoon social hours, and a newly-minted preferred partnership with Biologique Recherché and Evolve Salon have made it impossible to deny the hotel’s reignited appeal. On any given day, someone in the group chat is headed to “The Granduca.”

    "Hotel Granduca presented a unique opportunity to reimagine what boutique luxury hospitality can look like in Houston," said Thomas Duncan, managing director of Transwestern Hospitality Group. “Hospitality should tell the story of the city it calls home, and our continued commitment to enhancing the property reflects a desire to create an experience that authentically captures Houston's warmth, diversity, and quiet sophistication. We are proud to offer a more intimate and personalized expression of luxury that is distinctly different from anything else available in Houston today."

    Originally opened in 2006, Houston’s only all-suite hotel was ready for a bit of a spa day of its own. Houston-based luxury designer Kara Childress — known for her elegant designs and one-of-a-kind antique finds — was picked by Transwestern for this grand reimagining. The newly-completed phase I of the renovation includes the lobby, library, Remi and Bar Remi, the garden courtyard, and over 5,000-square-feet of event spaces. The 141 suites will be rejuvenated as part of phase II.

    “Uptown Park is such a great, easy-to-get-to neighborhood with so many shops, and the hotel was in such need of a facelift,” explains Childress. “My hope was to make it more residential, and not so commercial like some big hotels. I think it feels good. I’m trying to transport you and make you feel like you’re in a beautiful old villa. These [Italian] families take so much pride in their homes. They never tear anything down and start over, they just keep adding to it.”

    Textural layering is something Childress effortlessly does to perfection. From the bones of the building to finishing with the placement of an 18th-century bibliothèque behind the check-in desk, the new design provides a naturally-formulated progression of the eye that suggests to the viewer that the hotel has been this way all along — which is exactly the point.

    Childress intends for the design to transport guests to an old Italian palazzo or monastery. Ceilings were raised and a pair of east-west doors was updated to a contemporary steel and glass combination, allowing the once dark interior space to become vibrant. Save for the doors, the space moves backwards in time. Designer-favorite Segreto Finishes replaced faux plaster paint techniques with genuine lime plaster throughout — including the elevators. Faux-limestone-printed porcelain floor tiles were replaced with genuine limestone, and 100-year-old pine floors reclaimed from a stable and installed in the restaurant all grant the hotel the genuine authenticity it had needed all along.

    “We brought in a lot of authentic materials. We just gave the bones back to the building; that added a lot of character,” says Childress. “When you go to Italy, all of those hotels have been renovated from beautiful old buildings that all have that gorgeous architecture and they’re so outstanding. It’s all new, but it actually feels like it’s been there forever, because it’s all old materials. And that’s what I was hoping for. I didn’t want it to be shiny and brand new; it feels like it’s been there for a long time and it’s not too precious. The more you use and enjoy it actually adds to the age, and it just feels better.”

    Bespoke furnishings blend seamlessly with the antiques throughout. A contemporary mohair sofa is fast friends with an 18th-century French walnut buffet with unlacquered brass hardware. A lobby-centered tête-à-tête dressed in a plush, tiger’s stripe silk velvet by Scalamandré, a mid-17th-century walnut-paneled cassapanca chest, and 19th-century large Louis Philippe mirror mix materials, patinas, and eras to fall perfectly into place as a beacon of Contemporary Classicism.

    While the overall color story in the lobby is a wash of natural limestone and plaster tones, Childress introduces hints of terra-cotta and Mediterranean-inspired teal and blues, followed by a full commitment to color in both the more communal restaurant and library spaces.

    “I want the eye to look outside and not get arrested in the entry. I used teal and terra-cotta because they lean into Tuscan colors, but I really leaned heavily into the ones in the bar,” explains Childress. “Those colors are so warm and rich. We’re wanting it to be a hotel that — obviously — people come and stay when they’re from out of town, but also just locals. It’s a great place for a burger, and the breakfast is incredible.”

    Directly across from Remi and Bar Remi is the equally-moody library. A marble fireplace, Persian rugs, a c.1860 black and burl walnut Italian mirror, oil paintings, accessories, and hundreds of leather-bound books populate the space, while seating for groups and individuals makes it the perfect place to enjoy a coffee and check emails or share cocktails and stories with friends and family.

    Just outside, the garden courtyard serves as an al fresco dining and lounge space. The once-exposed pool fencing has been cleverly concealed with tall hedgerows that play as a backdrop to a large 18th-century horse trough repurposed into a lovely fountain. “Outdoor terrace dining is such a treat to be able to have in Houston, and that’s a really fun place to be when they have live music,” adds Childress.

    The new art collection at Hotel Granduca is a mix of large-scale antique painted canvases — like the depiction of cranes in the lobby and the 18th-century Dutch painted panels behind the front desk — mixed with fun, over-the-top works by Scottish-born philanthropist and photographer David Yarrow speckled around the property. The black and white photos were chosen by Childress — from Yarrow’s La Dolce Vita series — for their playful narratives and mix of sensibilities. With names like “Bull Rider,” “The Last Supper in Texas,” and “Cowgirl,” it’s easy to see the appeal for a hotel in Houston.

    “They’re all black and white, and they have a vintage feel to them, and it’s a little bit Italian and a little bit Texan,” explains Childress. “I’m kind of combining two cultures: Texas, which we are so proud of; and Italy, which we all love. They’re both friendly and convivial, and ‘nobody meets a stranger,’ which I love. So we tried to weave those two together.”

    The pièce de résistance lies within the belly of Hotel Granduca. A short journey through a hallway opens up to the elevator lobby and breathtaking plaster mural by Segreto Finishes. Floor-to-ceiling and wall-to-wall, this incredible piece reads sculptural more than anything — imagine a frieze extended down an entire wall. Childress worked with the team at Segreto to design a piece that is distinctly Texan. A large live oak tree (complete with a squirrel and snake) branches out over native flora and fauna, an armadillo, deer, birds, and even a windmill. This piece is absolutely worth seeking out when visiting the hotel.

    Overall, the reimagined Hotel Granduca is a testament to how excellent design, hospitality, and thoughtful partnerships and programming can be positively transformative. So much so that a handful of live-in residents partake of the available long-term rental options. As mentioned previously, the hotel doesn’t have an on-site spa, but the new partnership with Biologique Recherché makes for an easy spa day, with full concierge-driven appointments and hotel car service.

    Whether visiting from out of town or just down the street, settle in for the day, night, or even month. There is always something to do at Hotel Granduca. With the FIFA World Cup beginning soon, the hotel will offer an exclusive viewing lounge for all Houston-hosted matches, themed cocktails inspired by competing nations, and complimentary country-inspired bites for the first hour of each match.

    Houston-hosted World Cup Match Dates:

    • June 14 | Germany vs. Curaçao | 12 pm
    • June 17 | Portugal vs. Congo DR | 12 pm
    • June 20 | Netherlands vs. Sweden | 12 pm
    • June 23 | Portugal vs. Uzbekistan | 12 pm
    • June 26 | Cabo Verde vs. Saudi Arabia | 7 pm
    • June 29 | Round of 32 | 12 pm
    • July 4 | Round of 16 | 12 pm

    Hotel Granduca

    Photo by Julie Soefer

    Bespoke furnishings blend seamlessly with the antiques throughout.

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