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    game on

    2 top designers team up for nostalgic furniture line at Round Top show

    Emily Cotton
    Mar 20, 2025 | 1:00 pm

    Maximalist lifestyle brand Society Social returns to Round Top this spring to debut the highly-anticipated collaboration between founder Roxy Owens and irreverent photographer Nick Mele. Hot on the heels of a successful introduction to Round Top last year, this new collection Pause Life, Play Games by Society Social makes a visit to Blue Hills — a 26-acre property in Round Top that’s home to more than 60 vendors — a do-not-miss!

    Society Social previously collaborated with Sarah Wetenhall on the redesign of The Colony Palm Beach. While there, she crossed paths with Mele, who was the artist-in-residence in the hotel’s Solarium at the time. Both designers find creative inspiration in time spent at home with their spouses and children, so a collection focused on family time emerged quite naturally.

    With this capsule collection, the 13-year-old brand continues to make a splash with their whimsical designs, prints, and materials that evoke a feeling of nostalgia that can be lacking in a world that has, for the most part, gone beige. Charming game tables, video gaming chairs, and lots of swivels (all customizable) recall a time when leisure was king.

    While this is Mele’s first foray into furniture design, the collection is not without a selection of his fine art photography. The “Game Night” images include glitzy, overhead displays of bejeweled fingers and wrists engaging in timeless games like backgammon, mahjong, and more.

    Casegoods and bright, fantastical, upholstered pieces are hand-crafted in North Carolina, while the natural materials that contribute to the comfortably-sophisticated attributes of Society Social are made by artisans in the Philippines. Think wicker, rattan, grasscloth, and other natural woven goods native to the island — all created in small batches to ensure quality and exclusivity.

    Over the last few years, buyers have continued to shift their eyes — and their dollars — to the vintage and antiques market, eschewing modern, flat-packed brands altogether. Society Social offers the opportunity for shoppers to stay that course, while allowing for the versatility of customization. “In a marketplace flooded with mass-produced goods, our bespoke, small-batch creations stand out, adding a unique, living essence to any room that mass-produced pieces simply can’t,” Owens tells CultureMap.

    Spring Show visitors will have the opportunity to meet Owens and Mele between 11 am and 1 pm on March 27 in the Society Social tent at Blue Hills. CultureMap caught up with the duo to learn more about their collaboration, their brands, and their thoughts on Round Top.

    Roxy Owens

    CultureMap: Society Social is such a fun, yet sophisticated brand. How do you find that balance?
    Roxy Owens: Ultimately, creativity is at the heart of everything we do. Whether we're designing a new piece of furniture, for example our pleated wicker stool, or having fun with a viral dance on social media, it’s the joy we find in being creative that we want to shine through in our work. While it’s essential to stay aligned with core brand values, it’s equally important to embrace risk and push boundaries.

    In response to how to find balance… Leaning into traditional materials but reinventing them in a way that feels modern and fresh. Take our pleated wicker stool, for example. The design was inspired by dressmaker details often seen in upholstery, but we challenged ourselves to translate those fabric pleats into the language of rattan and wicker. The result is something that feels both rooted in design history and completely new. That’s the balance we always strive for: creating products that nod to the past while feeling at home in contemporary spaces.

    CM: This is your second showing at Blue Hills. Is there anything in particular from your first experience that made you decide that you knew you’d be back?
    RO: Round Top was unlike any other experience — there was a special energy and a genuine opportunity for connecting with customers that felt truly unique. It also gave us a chance to see Society Social in a whole new light. It became the perfect platform to showcase the versatility of our designs and the endless possibilities of our custom options. From moodier, richly colored furnishings to bespoke upholstery crafted in heritage fabric offerings, it allowed us to reimagine what we do and how we share it with our Texas-based customers.

    CM: Your brand is very much an heirloom quality brand, even going as far as to have your pieces made here in America. Do you find that this helps to secure a certain style of clientele? Your work shows potential to become a legacy brand — how does that make you feel?
    RO: Thank you for your kind words! Our goal is to be top of mind when consumers think of "heritage," "craftsmanship," and "custom." Artisanal made products can make a room feel alive in a way that a machine-made or bulk produced piece can’t. In a marketplace that can feel overridden with mass production, it’s our goal at Society Social to celebrate the bespoke. Each one of our designs is made in small batches and our custom upholstery is handmade in North Carolina; not one order is the same. In working with us, designers and clients are able to easily elevate their projects and set them apart from basic catalog looks.

    One-of-a-kind products tell a story — they tell the story about the artisan who crafted it, the story of the homeowner, the story of the designer. Our business attracts customers who value high-end design and appreciate the unique opportunity to create something personal — pieces that bring their home to life with its own story and character.

    Nick Mele

    CultureMap: While familiarizing myself with your work, I can’t help but notice a distinct Slim Aarons vibe. I very much assume I’m not the first person to say this. Do you appreciate the similarities, find them offensive (as a creative) — what are your feelings on this?
    Nick Mele: I am a huge fan of Slim Aarons' photography and would never be anything but flattered by the inevitable comparisons. To me his work feels, in some strange way, both timeless and nostalgic at the same time. There is an undeniable romanticism to the way he documents people and places. I would be lying if I said I wasn't inspired by his photos, especially considering our shared subject matter and love for environmental portraiture.

    However, I am also inspired by numerous other artists and hopefully I bring a little bit of my own perspective that is unique to any of them. I am still fairly early in my career and I look forward to building a legacy that can one day be viewed on equal footing to Slim's. Until then, I will gladly toil in his shadow.

    CM: I’m obsessed with your ability to make your overhead photos in your “Game Night” series come to life. How do you know when a shot is the one?
    NM: I'd love to say that I instinctively know when I have the shot. It's a great deal of trial and error, especially with a series like this. A lot of preparation goes into picking the different props and backgrounds but, luckily, they are essentially "still life" photos within a set frame. There is no time limit to get it right. I'm mostly concerned about the placement of hands and objects so that everything looks balanced and there is enough detail to entertain the eye. As with all of my work, I try my best to blur the lines between fantasy and reality.

    CM: Is this your first time at Round Top? What are your expectations?
    NM: It is! I am so excited to explore all that Round Top has to offer. I love antiques and anything that has a story to tell. I'm hoping for some great shopping, old fashioned Southern hospitality and maybe a bite or two of some Texas barbecue.

    View Society Social and the “Pause Life, Play Games” collection at Blue Hills from March 22 through April 5. The Round Top Spring Show will be in full swing from March 20 through April 6. Remember to pack your boots!

    Society Social Pause Life Play Games furniture collection

    Photo by Nick Mele

    Whimsical gaming furnishings turn up the fun for a cozy afternoon.

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    Inside The Langley

    Luxurious Houston apartment tower rises above its controversial past

    Emily Cotton
    Jul 24, 2026 | 11:30 am
    Langley luxury apartment high-rise
    Courtesy of The Langley
    Welcome to The Langley.

    As Houston’s high rise living boom continues, the latest addition to the skyline has truly set itself apart. Nestled between the historic Boulevard Oaks and Southampton neighborhoods, The Langley, along with its stately design, proves that luxury living still exists on a plane other than that of the garish plate glass and steel designs of its contemporaries.

    Developers StreetLights Residential and Hunt Real Estate have established The Langley as a boutique apartment building that blends seamlessly with the classic architectural styles of its neighbors. The 20-story, 134-residence property sits on a modest footprint, assisted by Renaissance-inspired landscaping and surrounding live oak trees to provide a perfect blink-and-you’ll-miss-it level of privacy.

    Vince Hunter and Isabelle Callaghan of StreetLights Creative Studio handled both the architecture and interior design. The building incorporates brick, limestone, custom metalwork, and detailed architectural elements inspired by Rice University.

    “We were looking at it stylistically from the outside — how to take a 20-story building and put it in such a beautiful neighborhood,” explains Chief Design Officer Vince Hunter. “We took a lot of inspiration from Rice University. Herzstein Hall and all the beautiful brickwork — it’s the nicest brick architectural campus I’ve ever seen — we took a lot of cues from Rice, definitely at the pedestrian level. The neighborhood is mostly historic, so the building is a real, ordered building. It’s a symmetrical building on two axes; it has a lot of order and regulating lines that hopefully will make it a landmark and fit into the Houston skyline at some point.”

    The tower's composition follows a classical architectural framework, articulated through a defined base, middle, and top. Cornices, pilasters, transoms, and carefully-proportioned vertical window openings establish rhythm, symmetry, and order throughout the façade. At street level, crafted cast stone detailing, ornamental metalwork, copper gas lanterns, and landscaped gardens create a pedestrian-scaled experience that reinforces the building's residential character.

    “It’s helped by all the incredible oaks that frame out the street, so it’s hard to really look up and see, but we really tried to make sure that on the bottom scale we have a bit of a setback requirement where we put kind of a renaissance garden, which is this heavily-layered landscaping along the street so that the building is not sitting front-and-center, it’s set back. There are some really nice garden spaces,” says Hunter.

    Once inside, residents and their guests are met with intimate interior spaces that juxtapose neoclassical elements with contemporary sensibilities. Delicately illuminated by fixtures from Visual Comfort and Ralph Lauren, bespoke upholstery fitted in a plethora of rich textiles live among carefully-curated antiques sourced from around the Houston and Dallas areas, together anchoring rich millwork, wallcoverings by Phillip Jeffries, and elegant stone selections oftentimes inlaid with brass. Extensive artwork curated by SLR Interiors has been custom framed in-house and features works from Los Angeles-based Saatchi.

    “We try to make our residences more like boutique hotels; that’s kind of an overused word, but we really do. All of our projects, especially our five star, really elevated buildings like The Langley, we do go on hunts. We’ll go out to different antique marts and markets to look for real, authentic antiques,” says Hunter. “For a project of this caliber, it’s absolutely worth it to buy the real thing and to go out and shop these marketplaces to find interesting found objects like poker tables and things. The people who are moving into this building — they’ve lived a life well-traveled — they are used to seeing authentic things that have been handed down. It helps the common spaces to bring those types of memories back and to use authentic, real pieces.”

    Intimate gathering spaces have been harmoniously spaced throughout the property, allowing for both moments of solitude or refined merriment. Light-filled work spaces with garden views have been peppered about, and a conference room has been made available for larger groups.

    At the canopy level an amenities floor offers a dining room, catering kitchen, fireplace-focused library, lounge spaces, a gym, and a pool deck outfitted with cabanas, televisions, dining and lounge spaces, and an imported pizza oven that takes center stage. Back inside, elevated finishes include gorgeous tempest blue quartzite and elaborate ornamentations by Rocky Mountain Hardware.

    Residential floors keep privacy in mind, with only eight residences per level and two separate elevator banks, which allow for just two units per elevator. Lush, deep pile carpeting throughout the hallways softens any noise, and pet relief areas make late night potty jaunts a breeze — on that note, dedicated washing and grooming stations for four-legged friends are available as well.

    Floral-themed floor plans — Gardenia, Camellia, and Azalea — all offer a generous formal foyer, powder bath, and coat closet upon entry. Wide-plank oak flooring, 10-foot coffered ceilings, cove lighting, and motorized window coverings provide a backdrop to two separate color stories: crisp white or warm grey with hints of soft green. Each residence offers smart Nest thermostats and smart lighting, secured keyless entry, and an integrated Sonos sound system.

    Regardless of the floor plan, the kitchen is the showstopper. StreetLights Residential’s in-house cabinet company, Dovetail, designed bespoke raised-panel cabinetry to be paired with the panel-front GE Monogram appliance suites for a truly seamless integration. Brass cabinetry hardware compliments brass accents on the Wolf gas cooktops, and waterfall-edge islands run from 11 to 12.5-feet in length, complete with undermount sinks and Kohler faucets. Additionally, each unit includes a separate service kitchen and related accoutrements, complete with private service entry.

    Dovetail also customized the cabinetry in each bathroom, continuing the raised-panel design and quartzite countertops. Soaking tubs are topped with seamless stone slab surrounds and multi-function rainhead shower fixtures take pride-of-place in the spacious glass-enclosed showers. Custom sconces and decorative framed vanity mirrors add to the ambiance.

    Unlike commodity apartment living, residences at The Langley have given thought to storage needs, closets in particular. Vastly-oversized and customizable closet spaces are sure to accommodate nearly every sartorialist’s needs, especially with dedicated coat and linen closets in each unit. Should this ample space still not suffice, there are auxiliary storage spaces available on-property.

    The Langley is managed by FirstService Residential, responsible for day-to-day operations including 24-hour valet service, on-site maintenance, and concierge support. Leasing is exclusively represented by Martha Turner Sotheby's International Realty agents Corey Lipscomb and Ann Singleton.

    “I think it’s been incredibly well received and everyone has been very complimentary,” says Lipscomb. “There truly isn’t anything else that compares to it. Most people come in and they have to remind themselves that it’s not a condominium product and that everything here is for lease. It’s very thoughtfully designed and curated for a boutique scale. It’s quiet and feels calming and sophisticated.”

    Houstonians who have been around for more than one rodeo may remember a time when the idea of a residential tower in the neighborhood sent folks into what can really only be described as a frenzy. For over a decade everything from protests and demonstrations to actual litigation threatened a mixed-use development project known as the Ashby high-rise. With tempers cooled and the Ashby a mere speck in the rear view mirror, how is the neighborhood reacting to The Langley?

    “We’ve had the exact opposite. We’ve had people come in — people not even interested in the building — neighbors out walking their dogs and are just curious,” shares Lipscomb. “We’ve had people come in who just want to compliment us on how beautiful everything turned out, compliment on the landscape and curb appeal. Also, people have expressed their appreciation for how seamless the construction has been, how never one time was the street ever blocked off or that they were never inconvenienced.”

    To that end, many of the first residents are from the neighborhood. Whether downsizing, or simply moving from other rental properties, it hasn’t taken long for anyone to embrace their new neighbors and move right in. The Langley is the perfect situation for both full-time Houstonians and those who are more interested in a pied-à-terre.

    “For the most part people have come completely full circle and they are now in an empty nest season of life that they have a home in Colorado or Florida and they want to stay in their neighborhood, but they want to downsize and still have a footprint and presence in the neighborhood that they’re familiar with,” says Lipscomb. “They can lock-and-leave and be in Colorado for months at a time. A lot of them will jokingly say ‘hey, don’t tell anybody you saw me over here,’ and I’ll say ‘yeah, you and all your other neighbors, too!’”

    The Langley is located at 1717 Bissonnet Street. 2-bedroom, 2.5 bath 2,200-square-foot residences begin at $9,800. To learn more or schedule a private appointment, visit thelangleyhouston.com or contact Corey Lipscomb or Ann Singleton at 832-785-7409.

    Langley luxury apartment high-rise

    Courtesy of The Langley

    Welcome to The Langley.

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