London comes to Montrose

'Mayfair Maximalism' shines in new Houston restaurant's lavish design

Long before Bridgerton placed London’s Mayfair neighborhood at the helm of America’s collective psyche, innumerable restaurateurs have put their spin on what I’ll call “Mayfair Maximalism.” This includes the following, mixed among one another, co-existing under the same roof: boldly saturated colors, pastel colors, mixed textiles (especially employing the varied use of trimmings), multiple furnishing styles, wallpapers, murals, floral motifs, semi-eccentric lighting fixtures, and, of course, expertly curated dish, glass, and flatware collections.

Casual pubs and beer gardens have long been steadfast in their dedication to British authenticity, oftentimes importing full interiors from across the pond. So, why not utilize England for inspiration in fine dining?

It is improbable that jet-setting Houstonians have yet to notice that recently, inner loop restaurant design has been quietly inching closer and closer to Mayfair enthusiasm, clearly inspired by staples such as Charlie’s, Annabel’s, and Sketch, for example. To date, none have been explicit about acknowledging the source of their design inspiration. Perhaps that is why not one has been able to quite pull it off entirely — until now. Not to say that these existing places aren’t beautiful. They are objectively gorgeous, but Mayfair, they are not.

Perhaps the desire to be original or pioneering is to blame for recent shortcomings, who’s to say? But, if the desired effect of a space is to transport guests to another place, then, well, admitting that that is the goal is definitely the first step.

Not usually one to take any interest in a dining space (Eric Sandler has that covered), one particular opening is too perfectly executed to be overlooked: The Marigold Club.

From its inception, The Marigold Club has wanted only one thing, “to blend classic French cuisine with the opulence of Mayfair London and energetic spirit of Houston for a one-of-a-kind dining experience,” according to press materials. This refreshing transparency in design inspiration has allowed them to eloquently become everything that they are, while avoiding anything and everything that they are not — the execution is flawless.

Goodnight Hospitality, the parent company of The Marigold Club, is no stranger to elevated dining experiences. Responsible for March, Rosie Cannonball, and Montrose Cheese & Wine, there was never any question as to whether The Marigold Club would happen, only when. After two years and many travels later, Goodnight Hospitality has made certain that it was worth the wait.

Returning to what qualifies design as “Mayfair Maximalism,” let’s explore how The Marigold Club meets and exceeds the criteria. Goodnight Hospitality partners (CEO and partner June Rodil, chef-partner Felipe Riccio, partners Pete and Bailey McCarthy, and Marigold Club chef-partner Austin Waiter) worked alongside Texas-based architectural firm FoxFox Studios on this project. Rodil was on-hand with details that should placate any lingering questions The Marigold Club guests may have after a cheeky visit.

One of the main attractions to the space is the expansive Bemelman’s-inspired mural, hand-painted by Pauline de Roussy de Sales. Wonderfully whimsical, the mural includes everything from the restaurant’s partners to cowboys to poodles — even the tabletop lampshades have been adorned with these soon-to-be-familiar characters. For those unfamiliar, Bemelman’s Bar is located in NYC’s famed Carlyle Hotel.

When asked what it was like to collaborate with such an iconic muralist, Rodil did not hide her enthusiasm: “What a delight! Pauline was the best and a true artist and collaborator. She would check in with us throughout the entire process to ensure that her vision was working with ours,” she writes in an email. “As we got to know each other throughout the process more and more, she added more personal touches to the mural. She made it whimsical, yet rich and textured, and also personalized it to honor what the space once was (Goodnight Charlie's), the people behind it, the guests and community it's for, and what we hope it will become. It's truly so special. 14/10 would love to work with her again.”

Wallpaper enthusiasts may notice that the hallway and adjoining restrooms are papered in what appears to be glistening, hand-painted de Gournay patterns. There is a reason for this — it is de Gournay, and all that that implies. For those new to the brand, they have been hand painting wall coverings for royal families and the like for centuries.

Not particularly known for their economically advantageous price points, de Gournay is a financially bold choice to install in a space that’s open to the public. I ask Rodil if there is any concern from the partners about damage, accidental or otherwise.

“But of course there is! It's a huge risk and we are so honored and understand the privilege to be able to showcase it in our restaurant,” she explains. “The decision came from the first iteration of the bathroom design not quite hitting the mark. Then Bailey [McCarthy] chose something that she's admired for a long time and wanted to share with our guests. It oozes that posh London lifestyle that we saw in Mayfair and this choice was one of the moments when we really decided to lean in hard into the project. It's an investment and a risk but a large part of the concept and experience of The Marigold Club is being able to share the feeling of the exclusivity of a supper club with anyone who walks through our doors.”

Masterful art choices pepper the walls and the responsible party is none other than personal curator to the McCarthys— Houstonian Illa Gaunt. Are more collaborations with Goodnight Hospitality and Gaunt on the horizon?

“She's always our go-to for art expertise. We love her eye and the diverse set of artists that she chooses from. She actually already assisted with other aspects of Goodnight Hospitality — one of our hallmark pieces in March, the Oliver Jeffers "For All We Know" piece was through Illa. We love that she's also a frequenter of our restaurants so understands the guests, the vibe, the food, and what her unique perspective can add to it,” Rodil writes.

Lush velvets upholster the boullion-trimmed slipper chairs, as well as the piped booths, gathered walls, and paneled ceilings. Clearly, acoustics will not be a problem for any tune coming from the self-playing Steinway baby grand piano in the main dining area, and tickled ivories won’t be the only things softened by the velvet ceilings.

Perhaps the real jewels of the restaurant are the bespoke Murano glass chandeliers and sconces. Crafted by third generation Italian glassmaker Vetreria Venier, hand-blown tulips and marigolds project soft lightning against the velvety green sea above, as well as the diners seated below.

Bespoke Murano lighting requires patience to design, create, and assemble. So, how long did it take from inception to installation?

“From start to finish it was....not a quick process,” Rodil acknowledges. “Pete and Bailey dreamed up the idea and then went to the Murano house [Venier] for their anniversary in early summer to start the design process. They finalized our marigolds and the colors of the piece while there, but Murano houses close in August. Once started in December it took a little over a year to get it made, packaged, and shipped.

“It then sat in a storage house until the build-out was in a complete enough place to focus on it without any (thank god!) mishap. We found a local installer who was amazing to work with and they were wizards with the one photo we received of what the chandeliers ‘should' look like when installed with zero written instructions (Ikea they are not) and were able to install the two chandeliers and six sconces in three days flat. No small feat, but we knew that going into it, and oh my, they are beauties!”

The Marigold Club has been refreshingly transparent about having been inspired entirely by Mayfair dining clubs. I ask Rodil if she thinks that by not playing it safe in that regard, the community will appreciate the efforts made to figuratively transport diners to Mayfair:

“We truly hope so and appreciate your feeling on the transparency…We are a company that relishes our experiences together and a lot of the times the restaurants that we love the most are also because of great company around us and the setting that those restaurants create allow for that. We think it's pretty natural to want to recreate those great moments and feelings so we definitely hope that our ability to manifest those memories into a new reality for the Houston community will give them a new — and hopefully what they think of as a special — setting and dining experience to create their own set of wonderful memories.”

Hoping to visit The Marigold Club? Thankfully, sourcing a reservation doesn’t require the same patience as waiting for the chandeliers to arrive. Access the restaurant’s Instagram or visit OpenTable. Cheers!

Photo by Arturo Olmos

Gathered satins on the walls soften the space.

openings design

they're durable, too

3D-printed Houston housing project cements a more affordable future

Courtesy of Cole Klein Builders

Homes in Zuri Gardens are a hybrid of 3D concrete and traditional wood construction.

Houston is putting itself front-and-center to help make sustainable, affordable housing a reality for 80 lucky homeowners in a scalable housing community that will hopefully catch on nationwide. Recently, developer Cole Klein Builders partnered with HiveASMBLD to pioneer what’s touted as the world’s first large-scale, one-of-a-kind, affordable housing development using 3-D printing technology, merging robotics, design, and sustainability.

Located across from Sterling Aviation High School, near Hobby Airport, Zuri Gardens will offer 80 two-bedroom, two-bathroom homes of approximately 1,360 square feet situated in a park-like setting, including walking trails and a community green space.

Homes in Zuri Gardens will hit the market in early summer of 2026. Final pricing has yet to be determined, but Cole Klein Builders expects it to be in the mid-to-high 200s.

Interestingly, none of the homes will offer garages or driveways, which the developer tells CultureMap will provide a savings of roughly $25,000 - $40,000 per home.

Instead of parking for individual units, 140 parking spaces will be provided. Ideally, this small-town-inspired design will provide opportunities for neighbors to meet, connect, and build community.

Each two-story home is comprised of a ground floor printed by HiveASMBLD, using a proprietary low-carbon cement alternative by Eco Material Technologies that promises to enhance strength and reduce CO2 emissions. The hybrid homes will have a second floor built using engineered wood building products by LP Building Solutions. Overall, the homes are designed to be flood, fire, and possibly even tornado-proof.

The Zuri in Zuri Gardens is the Swahili word for “beautiful,” a choice that is fitting considering that the parks department will be introducing a five acre park to the project — with 3-D printed pavilions and benches — plus, a three acre farm is located right across the street. The Garver Heights area, where Zuri Gardens is located, is in what’s classified as a food desert, which means that access to fresh food is limited. Residents will have access to the farm’s fresh produce, plus opportunities to participate in gardening and nutrition workshops—that’s a win for everyone.

With the novelty of Zuri Gardens, it’s no surprise that the neighborhood already has an 800 person waitlist, but with stringent buyer requirements, it’s unclear how many of those 800 will qualify. Developer Cole Klein Builders created Zuri Gardens in partnership with the Houston Housing Community Development Department, who provided infrastructure reimbursements for the roads, sewer lines, and water lines. In return, CKB agreed to push the purchase prices for the homes as low as possible.

Zuri Gardens also received $1.8 million dollars from the Uptown Tourism Bond, 34 percent of which must be used with minority owned small businesses. Qualified buyers must fit a certain area of median income according to HUD guidelines, and must be owner occupied at all times — so no property investors or short term vacation rentals will be allowed.

“They’re trying to bridge that gap to make sure there is a community for the homebuyers who need it — educators, law enforcement, civil workers, etc.,” Cole Klein Builders’ co-principal Vanessa Cole tells CultureMap. “You have to go through a certification process with the housing department to make sure that your income is in alignment for this community. It has been great, and everyone has been really receptive.”

Cole has also brought insurance underwriters to visit the site and to help drive premiums below regular rates for Houston homeowners since homes in Zuri Gardens are not built to traditional standards — claim risks for one of the 3-D homes are extremely low. Tim Lankau, principal at HiveASMBLD, notes that the 3-D hybrid design allows for a more traditional appearance, while having the benefits of a concrete structure: “That’s where the floodwaters would go, that’s where you can hide when there’s a tornado, and that’s where termites would eat. So you get the advantages of it while having a traditionally-framed second floor.”

It’s important to note that Zuri Gardens is not located in a flood prone area, nor did it flood during Hurricane Harvey — being flood proof is merely a perk of a cement house. The concrete that Eco Material Technologies developed is impervious. The walls are printed into hollow forms, which house rebar, plumbing, and accessible conduits for things like electrical lines and smart house features. Those walls are then filled with a foamcrete product that expands to form a “monolithic concrete wall.”

David McNitt, of Eco Material Technologies, explains that his proprietary concrete is made of PCV, and contains zero Portland cement. Instead, McNitt’s cement is made from coal ash and is 99 percent green (there are a few chemicals added to the ash). Regardless, it’s made from 100 percent waste products.

“This is a product that has really been landfilled before,” says McNitt. “It’s coal ash, and it’ll set within 8-10 minutes. It’s all monolithic, and one continuous pour — it’s literally all one piece.”

Eco Material Technologies’ concrete product is impressively durable. A traditional cinderblock wall will crush at around 800 psi, while this material crushes at about 8,000 psi.

“It’s ten times stronger than a cinderblock wall that can withstand hurricanes,” claims McNitt. “I don’t think you’d even notice a hurricane. It’ll be really quiet inside, too — so you won’t get interrupted during your hurricane party. It’s way over-engineered, it really is.”

The second story is built using weatherproof and eco-friendly products by LP Building Solutions. Their treated, engineered wood products come with a 50 year warranty, and their radiant barrier roof decking product blocks 97% of UV rays, and keeps attic temperatures 30° cooler than traditional building materials. These materials, combined with the concrete first floor, will keep heating and cooling costs low — something the folks at HiveASMBLD refer to as “thermal mass performance.”

Courtesy of Cole Klein Builders

Homes in Zuri Gardens are a hybrid of 3D concrete and traditional wood construction.