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    Go fish

    Houston pop artist turns Xennial nostalgia into collectible ceramics

    Emily Cotton
    Apr 11, 2025 | 2:40 pm

    Recently, more and more Houstonians have made a meteoric shift from the minimalistic home decor trend that held court for the better part of the last decade towards an embrace of full-on Maximalism. As stark white walls and grey flooring give way to bright wallpapers and organically-shaped tiles, it has become clear that FUN is trending.

    As always, the best way to dip one’s toe into a new personal aesthetic is through art. Over the past five years, Houston pop artist and ceramicist Julia McLaurin has created a fan base of collectors who enjoy, seek, and embrace fun. Through sculptures depicting emojis, Goldfish, Cheese-It’z, Pop-Tarts, and Lucky Charms, McLaurin’s work glazes its way into the shared experiential psyche of Xennials looking to incorporate vignettes of nostalgia into their homes.

    “It’s nontraditional,” McLaurin says of her sculptural subjects. “I like to iconicize everyday objects, which is the pop artist in me.”

    With three young children, Goldfish crackers have been a part of McLaurin’s life for the past decade. “They are everywhere, in my car — everywhere. It’s not the healthiest snack, but it gets the job done.” It’s not difficult to understand how the popular children’s food inspired her sculptures: “It’s just such a cute shape, and I love the color.”


    View this post on Instagram
    A post shared by Julia McLaurin (@juliamclaurin)


    Goldfish wall sculptures paved the way to immortalizing other iconic 90s snack foods, plus standing sculptures of Whataburger combos, Happy Meals, and larger-than-life bottles of Hidden Valley Ranch. McLaurin’s Whataburger sculptures recently landed the artist in the Whataburger Museum of Art at SXSW. Newer works in the “Neo-Pop” genre include things like bottles of Chanel No. 5, Squishmallows, and her extremely popular emoji series.

    At just six inches in diameter, the semi-spherical, emoji sculptures are wildly accessible to anyone beginning their art journey. “I think it’s a Xennial thing,” says McLaurin. “That micro-generation between 1978 and 1983, where we didn’t grow up with cellphones, but we had them in high school and college, right? I vibe a lot with that. As a pop artist, when I first started making the emojis it was like, ‘That’s so cute, Julia! What a cute little project.’ But now I have a big installation at Hobby and I sell them all the time.”

    Houston Airport System curator of public art Alton DuLaney selected 100 emojis for Hobby Airport, with 88 installed between terminals 1-5. The very public display of McLaurin’s emojis results in the works being purchased by fans as far away as Singapore.

    As for why the emojis have such a “gotta have it” affect on people: “I think people really relate to having something that you always see in the digital realm put into 3D,” says McLaurin. “In today’s world, it’s kind of a cool effect.”

    McLaurin is locally represented by Mont Art House, but maintained a separate studio and gallery at The Silos until her move to Spring Branch earlier this year. The new “JuliArt Clay Studio” space allows McLaurin to offer monthly workshops, host ceramic painting parties, baby showers, and everything between. Next month, McLaurin will launch a six week “Clay 101” course that is sure to be a hit.

    A resident of Spring Branch herself, McLaurin decided that the continuous lack of a local art scene wasn’t going to change itself. “There is not an art scene [here],” says McLaurin. “My mission is now to bring artwork to the heart of Spring Branch. Bring it here where I live and to the people around me.”

    The new studio space allows McLaurin to invite the community to participate in art and to enjoy the space for workshops and events during slower months. “It’s nice to have a sort of two-pronged business because in the summer the gallery stuff slows down, then the classes and things pick up. It works out.”

    The ink is still drying on a representation contract in a new gallery on the West Coast. The new K&K Gallery in Culver City (Los Angeles) is the first step towards artistic manifest destiny for McLaurin: “They have a huge pop art scene out there.” What’s next for this up-and-coming irreverent pop artist? “My goal is Art|Basel, that’s my dream,” she says.


    Julia McLaurin
      

    Courtesy of Julia McLaurin

    Goldfish wall sculptures bring all the nostalgia.

    visual-arthome-designjulia mclaurin
    news/home-design

    American made

    Top Houston restaurant builder now crafting custom furniture and lighting

    Emily Cotton
    May 9, 2025 | 3:00 pm
    Custom Concepts Furniture & Lighting office lobby The Kennedy
    Photo by Josh Gremillion
    The company designed and built the furniture and lighting for The Kennedy.

    The last two decades have seen astronomical growth for Houston’s culinary and hospitality scene, even attracting the Michelin Guide to the Bayou City. While the fare remains of utmost importance, the most radical transformation in how diners select restaurants is all about aesthetics. If cozy dinners, matcha runs, and milestone celebrations don’t make “the ‘gram,” did they even happen?

    These days, hospitality design has to be bolder, swankier, and sexier than ever before in order to attract an elevated clientele, all while remaining practical and commercial grade in construction quality. While it has become de rigueur for restaurateurs to announce which top interior designer or architectural firm has created their latest opening, it is somewhat less common to hear about the construction firms who translate those designs into the physical realm, but that’s about to change.

    Construction Concepts — the award-winning build team behind some of Houston’s trendiest restaurants such as Marmo, Graffiti Raw, Doris Metropolitan, and Cocody, their collaboration with Houston design star Nina Magon (the full list is an astonishing 400 projects) — have launched an ambitious new venture in hopes of revolutionizing the furniture and other furnishings used in hospitality design throughout Houston. Joshua Weisman and Mark Bordman’s new stand alone project, Custom Concepts Furniture & Lighting, delivers bespoke furniture and lighting solutions for restaurants, hotels, hospitality, and corporate spaces.

    Trendy Houstonians have more than likely experienced the Custom Concepts Furniture & Lighting treatment without having realized it. New hot spots Chardon, Melrose, and Maven at Sawyer Yards have all been outfitted with Custom Concepts creations, with highly-anticipated Succulent and Recess both hot on their heels.

    After 20 years on the build side of the business and being recognized with 16 Houston Business Journal Landmark Awards for projects across four categories, the why behind creating the new company becomes clear.

    “We saw an incredible need for this product and service; it’s an underserved market. There’s very limited options for people to go find these products and we have a passion for unique designs and builds — eclectic, neat pieces,” Weisman tells CultureMap. “There’s just no big surplus for it. You’re either custom making it, or you’re going to a big box store and seeing what you can find.”

    With a robust team numbering almost 30 people, Custom Concepts handles everything for clients from design all the way to white glove delivery and installation, plus an absolutely unheard of two-year warranty on all of their products. Lead time on bespoke pieces is around 12 weeks, lighting is 8-10 weeks, and furniture requires 10-12. Amazingly, their in-stock catalog line of approximately 2,000 SKUs is ready-to-go. “You could call tomorrow and say ‘I need 40 stools with backs in this color,’ and we’d give you four or five models to choose from,” says Weisman.

    Given Custom Concepts’ quality and elite clientele, one could easily assume that services are mildly cost prohibitive. Shockingly, this isn’t the case. “Our pricing, being straight to manufacturer, is considerably less than retail. Our pricing is very aggressive and competitive compared to the national market — 40-50 percent less than nationwide retailers,” says Weisman. “We build things to last that are amazing and affordable,” adds Bordman.

    Restaurants and hospitality make up 90 percent of Custom Concepts’ business, but residential clients are not unheard of. Weisman tells CultureMap that some higher-end clients will reach out to them directly when in need of lighting and furnishings for an entire home. Otherwise, they work directly with designers. “We love having designers come in and run wild with it — and we manufacture it from scratch,” says Weisman. “Whatever their vision is, we will bring it to market for them.”

    Attention to detail is undoubtedly the cornerstone of Custom Concepts. Furnishings have felt padding to protect floors and all tables — like those at Chardon — have a velvety felt underlining to protect their clientele’s delicate garments from catching, no detail is insignificant.

    “Just being proactive in the design and product that we’re delivering, we’ve been in this arena for so long, why not go the extra step,” says Weisman. “Really refining your product and what you’re giving your client; let’s do these added features, let’s do the ‘wow’ factor. If you can make it flawless, why not?!” Why not, indeed.

    Custom Concepts Furniture & Lighting office lobby The Kennedy
      

    Photo by Josh Gremillion

    The company designed and built the furniture and lighting for The Kennedy.

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