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    Inside look

    8 striking Houston architectural gems open doors in annual AIA home tour

    Holly Beretto
    Oct 18, 2023 | 9:40 am

    Architecture lovers and those seeking inspiration for home renovations will be excited for the American Institute of Architects (AIA) Houston 2023 Home Tour, October 21 and 22 from noon to 6 pm. The self-guided tours take guests inside some of Houston's architectural gems.

    Hosted by the American Institute of Architects Houston chapter, this year's tour features eight homes that have been deemed by a jury of experts to represent the finest in new residential architecture. All were built within the last five years and by architects who are members of the AIA.

    Tickets for the tour are $35 in advance for those driving from home to home and $30 in advance for anyone on a bike. The cost for children under 12 is $25. Tickets can be purchased online through noon Thursday, October 19. After that, tickets must be purchased in person at any of the home on the tour, and prices increase by $5.

    Some of the homes on the annual tour include:

    7611 River Point Drive
    m + a architecture studio

    Nestled on the picturesque banks of Buffalo Bayou, this modern, 5,000-square-foot home with a 2,000-square-foot basement was designed as a gallery for the owner's fine art collection and specimen guitars; the interior that complements each of these pieces these treasures.

    A three-story staircase and interior spaces oriented around Buffalo Bayou vistas, which gently curves along the rear property line, highlight the thoughtful design in and out.

    7611 River Point Drive Houston AIA Note the lines and sunken driveway at 7611 River Point Drive.Photo by Benjamin Hill Photography

    This home, designed by m + a architecture studio, is one of several replacement houses in the Riverbend neighborhood, which saw catastrophic flooding during Harvey. (Notably, the lower levels are intentionally designed to flood.)

    Replacing a midcentury home ravaged by Harvey, this gem maximizes the bayou-adjacent topography with often offering breathtaking views.

    4018 Oakridge St.
    Inflection Architecture
    This 1930s bungalow was fully renovated to better accommodate the needs of the family of four that calls it home. Originally 1,300 square feet with two bedrooms and one bathroom, it was reimagined into a 1,900-square-foot, three-bedroom, two-bath home. New additions include a play loft and offices for mom and dad.

    All of the renovations conform to the strict historic preservation guidelines of the Norhill Historic District, where the home is located. The addition follows existing gable lines, and the second story is nearly invisible from the street, adding an element of surprise for those coming through the front door.

    3632 Inverness Dr.
    Dillon Kyle Architects
    This two-story residence is a modern take on a mid-century design. The white-painted brick home blends beautifully with its surroundings, the green trim and door and accoya wood cladding complementing the live oak trees on the property.

    That idea of being connected to the outdoors continues inside the home as well, with shifts in ceiling heights and bright corridors. The owners are art collectors, and their extensive gallery greets guests upon entering.

    7818 Buffalo Speedway
    Intexture Architects
    The design concept here reflects the challenges of the home site, and the result is an eye-catching home with a second floor that appears to be floating into the tree canopy.

    Raised nine feet above grade for flooding, this home marries function with flowing form. It's constructed from precision-built prefabricated modules and features high-end touches such as Italian millwork, a spa-like master bath, and skylights.

    6147 Doliver Dr.
    2scale Architects
    Located in a neighborhood where adjacent homes are often much larger in scale, the owners here opted for a home that "lived comfortably." That meant they needed a home that was approachable and could evolve with their growing family. The result is a warm, cozy, traditional home with modern touches that reflect the family's contemporary lifestyle.

    Emphasis was placed on storage in the ample mud room, which allows space for dad's hunting gear, mom's crafting supplies, kids' sports equipment and backpacks, cleaning supplies, and more. Storing all those in this one room helps the rest of the downstairs stay tidy and open.

    Other touches in the home accentuate the need for tidiness that creates the feel of open spaces; cabinets near the fireplace hold AV equipment, a drink station is tucked next to the fridge, and there is a hidden-access entry to dad's over-the-garage office from his closet.

    A full listing of all eight homes on the tour is available online.

    The criteria used to select homes for the tour included design excellence, quality and craftsmanship, innovative design solutions and use of materials, and sustainability of design. A selection committee reviewed all submittals and made the final selection of homes to include on the tour.


    4018 Oakridge St.

    Benjamin Hill Photography.

    Although the redesign of 4018 Oakridge Street conformed to the neighborhood's strict historic preservation standards, the interior reflects the contemporary needs of its owners, seamlessly blending classic styles with modern amenities.

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    hail britannia

    Catching up with Houston's new British Consul-General and top UK designer

    Emily Cotton
    Nov 14, 2025 | 4:14 pm
    British Consul General home Houston
    Courtesy of the British Consulate-General
    The British Consul General’s River Oaks residence can be difficult to miss along Kirby Drive.

    British aesthetics and sensibilities have recently been front-and-center in everything from sartorial choices to residential design. From Cottagecore to Cluttercore, Houston has embraced it all.

    Recently, far more than British aesthetics have sailed up the bayou. Between a newly-appointed Consul General, details about the residence’s secret art gallery and annual Winston Churchill birthday bash, to a book tour by veteran interior designer and Churchill descendant Lady Henrietta Spencer-Churchill, there has been a lot.

    A home in River Oaks, which is sometimes known to project the Union Jack upon its classic white façade, has been home to the British Consul General since the building’s purchase in 1963. The nearly 4,500-square-foot manse dates back to 1948 (when it was valued at $11,380!), but with the diligent stewardship of the Brits, one can hardly notice its age.

    Beginning in September of this year, the residence has been inhabited by Keith Scott, the current Consul General (which has overall responsibility for leading the UK’s engagement in Texas, Oklahoma, Arkansas, Louisiana, and New Mexico) and acts as a meeting and event space as well as housing a rotating first floor art exhibition curated by Yvonamor Palix of Gallery Artique in the Heights.

    “I’m so very excited to be in Houston,” says Scott of his new assignment. “When I was growing up in Aberdeen, a lot of my friends ended up in the oil industry and came to Houston. And there has always been a big, big exchange of people in Houston and Aberdeen, so it was always in the back of my mind as a place to come and visit.”

    Scott admits that being in the residence makes the old adage true — everything is bigger in Texas. “This house is huge, the driving is huge, the businesses are huge. I was proud, when I had to go to the UK embassy in Washington, to wear my Texas pin badge, and see the number of staff who jumped up from their chairs and were shouting: ‘Republic of Texas!’ It was really good to get that sense of where Texas sits in the U.S., and all these stats about Texas — we’re the eighth biggest GDP in the world. They keep me busy, and I’m looking forward to more of this.”

    One thing Scott wasn’t quite expecting of his new home is that almost the entire first floor is an art gallery. For nearly 15 years, international art curator and gallerist Yvonamor Palix has been at the helm of curating works for both the British, French, and Mexican residences — open for exploration and enjoyment by all invited guests.

    “I am the daughter of a career diplomat who loves art,” says Palix. “It was my parents’ influence that took me to discover this amazing field of work on an international level — Paris, Mexico City and then Houston. I have been curating in diplomatic venues for much of my career. Perhaps it is because art is a conversation starter, or it brings people together and creates unique experiences.”

    Current artists on view — by vetted appointments by Palix and residence staff — include Ruth Gervich, Jane Liang, Duncan Wylie, Alex Gutierrez, Pep Guerrero, Alicia Paz, Karine Parker, Lesley Bodzy, Cha DAE-Duck, and Claire Basler.

    British designer sounds off

    Most recently, the residence hosted an invite-only soirée to commemorate the birthday of Winston Churchill, while simultaneously operating as an intimate de facto tour stop for a new book written by his relative, Lady Henrietta Spencer-Churchill, about his birthplace (if interested in the somewhat complicated family tree — buy the book).

    Blenheim: 300 Years of Life in a Palace, published by Rizzoli, is Spencer-Churchill’s 12th book. While her previous books have all been written strictly on interior design, this book is a heritage project more for her family than anything else. CultureMap sat down with Spencer-Churchill for a chat about her new book, her design career, tips on how to curate a British aesthetic, and why she thinks social media is giving interior design a bad name.

    “I did this [book] as a legacy for my family home,” Spencer-Churchill begins. “I didn’t do anything to be business-related; it’s just a legacy for our family home — people, architecture, interiors, the park and garden, lifestyle, logistics, and the future.”

    As a 45-year interior design veteran, with a shop in Woodstock, where Blenheim Palace is located, and her wildly-successful Spencer-Churchill Design firm, the great-granddaughter of Consuelo Vanderbilt is slowing down just enough to spill the proverbial tea.

    With a specialty in restoring listed (i.e., historically-protected) buildings and old houses, especially Georgian-era architecture, Spencer-Churchill appreciates the opportunity to stretch her imagination with a new-build project from time to time.

    “In a funny way, it gives you a chance to be more creative, because you’re putting in the features,” she explains. “The more challenging ones are the ones you start from scratch, especially because listed buildings have so many restrictions. I love the creativity of putting in the architectural features — picking the fireplace, picking the trim, picking the plaster work, all of that sort of thing. I think that’s what adds all of the character to a room.”

    As for tips for getting that effortless, just-so look? “I always want to start with the bones, and make sure that’s right,” says Spencer-Churchill. “Then, from that, you build it up with the layers — the furniture, the pictures, the furnishings, etc. I use a lot of antiques in my business, because, largely, they give a lot of character; secondly, they are so much better made; and thirdly, they are much cheaper than what’s available new.”

    Auctions are where Spencer-Churchill suggests shoppers look for the best deals on quality antiques: “In England, a lot of the old antique shops have disappeared. They just don’t have enough business, and rates and rents, and everything are so high — so I think that’s why now a lot of people are buying at auction.”

    When asked about social media trends involving interior design, Spencer-Churchill admits that it’s a bit of a double-edged sword: “I use the internet as much as anyone else does now — you have to.” She will use Pinterest for research purposes (relatable!), but thinks that “designers” who chase trends for likes on social platforms are contributing to problematic practices.

    “There are a lot of designers who are really just decorators. I think this is why I get quite negative about Instagram and things like that, because it’s easy for someone to photograph something, put it on Instagram, and say ‘Look at this, look at that!’ It slightly drives me mad. And I think, in a sense, it gives the industry a bit of a bad name—that’s why I’ve gotten a little bit annoyed.”

    At the end of the day, good design is something that doesn’t shout someone else’s tastes, it’s about taking what the homeowner loves, and making it theirs, something that Spencer-Churchill prides herself on.

    “I’m one of those designers where I don’t put my stamp on a project. I very much try to reflect the client, and I’m passionate about the architecture and details. I don’t have an ego, or my ego is that I’ve done a really good job and the client is happy — it’s on budget, it’s on time. I don’t have to live with the decor. There is definitely a lot of stuff I’ve done that I wouldn’t want to live with myself, but that’s fine — you know?”

    British Consul General home Houston

    Courtesy of the British Consulate-General

    The British Consul General’s River Oaks residence can be difficult to miss along Kirby Drive.

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