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    The Dinner Guru

    Hosting the perfect dinner party: These expert, insider tips will make you a most envied host

    Barbara Kuntz
    Barbara Kuntz
    Oct 28, 2013 | 10:32 am

    A heaping tablespoonful of passion and a whole lot of fun are all the ingredients you need to host the perfect holiday dinner party at home. And take that advice from an expert.

    “I do plan for some of the basics,” says Michael Aram, home decor and gift designer extraordinaire, who was on hand recently at Neiman Marcus to personally introduce his fall/winter collection, “but you also need a certain spontaneity to it all. After all, it feels wonderful to be inspired.”

    Aram shared his little secrets with CultureMap during his visit here to The Galleria store while personalizing gifts with his signature using a dentist’s drill for engraving. “I laugh that dentistry is my second calling,” he says.

    Dress Rehearsal
    Aram scrutinizes his serving platters and dinnerware the night before the big event. “I actually take Post-its and place them on the plates so I remember what food to place there . . . and not forget about any dishes in the fridge,” he says. “I truly believe in oven-to-table serving.”

    You can peruse Aram’s exquisite casserole holders in-store or on his website, particularly the new Sleepy Hollow collection with porcelain dishes that fit snuggly into elegant footed nickelplate holders for a beautiful presentation, for inspiration. His full lines of dinnerware are meant to mix and match with interchangeable organic patterns such as Black Orchid, Botanical Leaf, Olive Branch, Cast Iron and Silversmith.

    Mix and Match
    Speaking of mix and match, one of Aram’s signature approaches in his designs is the combination of different metals in a single piece. “It adds so much richness and makes items look and feel so jewelry-like,” he says. An excellent example is Aram’s partridge in a pear tree ornament, in which he integrates the beauty of silverplate and goldplate into one object.

    Once the serving pieces and plate selection are in place, Aram determines the foundation for the table layout, whether it be a cloth covering or runner to set the stage. “I really don’t want a lot of color on the table,” he says. “Rather, the food should stand out.”

    Old and New
    “I like combining things from different eras,” Aram says. “My grandmother’s plates are really too small for dining, so I use them in different ways. Or I’ll take an old champagne flute and use it for a flower vase. I love to bring memories of different family members to the table.”

    "I always serve my guests first, and then introduce them to the bar. I want my guests to feel at home.”

    Alongside meaningful family heirlooms, Aram pairs contemporary pieces, such as his new grape leaf snack plates in bright enamel finishes inspired by his days as a youth helping roll dolmas for special occasions.

    “As you can see, my drive comes from nature in all its forms,” Aram notes. “I’ll use dried leaves and vines with fresh flowers. I believe all stages of nature, living and not, just amplify the beauty.”

    He often goes out to his garden the morning of the dinner party, collecting seasonal treasures such as twigs and small branches, which he spray paints gold or silver and then arranges on the table. A quick trip to the nearest grocery store brings white roses to the setting, easily cut into delicate accents when placed in votive candleholders.

    “The table should shimmer,” Aram says. “I don’t like a lot of lighting.”

    The Bar
    Aram always sets up a self-serve bar in advance, using large-scale ice buckets to chill water, wine and champagne. A popular item in his bar ensemble is the cool and stylish Bark ice bucket in polished aluminum with stainless steel insert. The Forest Leaf Collection piece is highly textured and topped with a branch-handle lid.

    He slices lemons and limes and readies other cocktail condiments so everything is available when guests arrive. Drinkware is in clear view and easily accessible, as are napkins, ice scoops, tongs, swizzle sticks, etc. “I always serve my guests first, and then introduce them to the bar,” Aram says. “I want my guests to feel at home.”

    The Host or Hostess with the Mostest
    Aram says that graciousness should be extended to even those unexpected guests. “I don’t fret if someone brings a friend,” Aram says. “My policy is ‘open door, open heart.’"

    And he keeps a few extra gifts on hand for just those circumstances. He'll use his Christmas ornaments as napkin rings for everyone to take home. Think golden acorns, forged snowflakes, leafy crosses and whimsical, "jazz hands" snowmen, all in magical metals. He's also known to set out his charming mini-frames as place card holders as another gift option.

    “Once that first guest arrives, you are that gracious host or hostess,” Aram says. “The party has started, and there’s no turning back. If you’re at ease, then your guests will be at ease, too.”

    Make an elegant statement with stunning serving pieces, like this shimmering creation by home decor and tabletop designer Michael Aram.

    Michael Aram at Neiman Marcus October 2013
    Photo by Barbara Kuntz
    Make an elegant statement with stunning serving pieces, like this shimmering creation by home decor and tabletop designer Michael Aram.
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    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

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