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    Blog turned Book

    Popular blogger Grace Bonney celebrates regional style in new book, Design*Sponge at Home

    Jessica Pages
    Jessica Pages
    Oct 3, 2011 | 6:07 pm

    Brooklyn-based writer Grace Bonney — the 30-year-old behind the popular style and design blog Design*Sponge — talks with CultureMap about her first book, Design*Sponge at Home. Based off of her six-year-old site, which receives 75,000 visits a day and covers everything from DIY to entertaining to before-and-afters, the book is a compilation of Bonney's favorite posts and never-before-seen content.

    CultureMap: What was the inspiration behind creating the Design*Sponge book? Was there a specific moment when you thought, “I have to do this?”

    Grace Bonney: I’d been thinking about doing a book for years, but I hadn’t found the right home for it. Most of the publishers wanted us to do a pre-existing or narrower topic, and I really didn’t feel right about doing a book that only included one topic. Over lunch with my good friend (and our book illustrator) Julia Rothman, she said “You know, you should make a Design*Sponge Bible — something that covers everything you guys do.” That concept really clicked for me, and we ran with it, focusing on everything from homes and DIY to makeovers and shopping resources.

    CM: Was there one thing you kept in mind during the process? Maybe a goal you wanted to accomplish or a feeling you wanted the book to have?

    GB: Absolutely — I wanted the book to be highly cross-referencing. What I love about a blog is that one post can include links to everything you need. For example, if you’re looking at a home tour, we can include a link to a DIY project that teaches you how to make something in the picture, a link to a home renovation skill that would give you the same look and links to where to buy the pieces in the home. I wanted to keep that wealth of information in the book, so we made sure every home tour and every project would reference or inspire another part of the book. I wanted people to be able to flip back and forth to find anything and everything they need within one book.

    What I love about a blog is that one post can include links to everything you need...I wanted to keep that wealth of information in the book, so we made sure every home tour and every project would reference or inspire another part of the book.

    CM: What was your favorite part of creating the book?

    GB: I really loved getting to work with my team more closely. I rarely get to meet with my editors and contributors in person, but for this project we got to work together on photo shoots and brainstorming sessions. That time with them was really priceless and inspired so many new projects.

    CM: Was there any part of the process that took you by surprise?

    GB: Absolutely — how hard it was to write! I’m so used to writing off-the-cuff and in a really casual tone. But books are such a permanent form of writing; there’s no going back to correct things or change information. Thinking about my writing in that format made me take everything more seriously.

    CM: How did the idea to have craft sessions at your signings come about?

    GB: What I love about Design*Sponge is our celebration of regional design. I enjoy getting to meet people in different cities and really celebrating what makes each region or city so great. So I wanted each event to do that in some way. The projects were a natural extension of the book (which is heavily focused on DIY) and having them customized by a local artist was another fun way for us to celebrate local talent. We’ll also be working with local artists and designers to create custom backdrops and decorations that celebrate the city itself.

    CM: How was the experience of designing a design book — is this something you would want to do again?

    GB: It was harder than I could have even imagined (and I already imagined it would be tough), but I would definitely do it again if I came up with the right topic. This book was such a huge range of content areas, so I’d like to focus on something a bit narrower next time so we can go into depth about a specific topic.

    Bonney's book is available online and at most major book stores.

    Grace Bonney

    unspecified
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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

    home-designnightlifeopenings
    news/home-design

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