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    The CultureMap Interview

    Fixer Upper star wants to tell the story you don’t get on the HGTV show

    Julia Bunch
    Sep 13, 2016 | 2:00 pm
    Clint Harp of HGTV's Fixer Upper
    Carpenter Clint Harp has become a Texas celebrity alongside Fixer Upper’s Chip and Joanna Gaines.
    Photo courtesy of HGTV

    What was once a drive-through town on the way to Austin has become the nation’s epicenter of home renovations. And carpenter Clint Harp has seen the whole story unfold from the inside.

    Harp became a carpenter in Waco mere months before Chip and Joanna Gaines (who just launched a new furniture line) got a pilot deal from HGTV for Fixer Upper. Three years later, Harp has become a regular on the show, as the founder of Harp Design Co., where he builds custom furniture and sells handmade wood products and curated goods at his storefront.

    In June, DIY Network aired a pilot episode of Against the Grain, which stars Harp and his wife, Kelly, as they create unique outdoor spaces with his woodworking skills.

    Harp has recently been traveling the nation, speaking at home and garden expos, including the fourth annual Collin County Fall Home & Garden Show in Allen, September 16-18. We caught up with the TV-ready carpenter before his arrival in town.

    CultureMap: It’s safe to say 2016 has been a whirlwind. Is this what you hoped your life would be like this year?

    Clint Harp: I didn’t have an exact vision. In 2011, when I quit my job in medical sales in Houston, the idea was never like, “Here’s what we imagine will be happening five years from now.” We were going for our dream.

    Even in the beginning, when we moved for my wife to get her masters at Baylor University, we didn’t know what we were going to do in Waco. We didn’t know what the future was going to look like. We just knew we would pursue something we were passionate about.

    It was totally a gamble. We laid out all the real possibilities, and they included dirty words like bankruptcy and home foreclosure and car repossession and student loan default.

    We didn’t have any money to fall back on, so these were literal realities that could happen. Those were tough conversations.

    Theoretically, things could have gone really bad. But in my mind, it was never about making or losing money. The thing was about going for our dreams. If we had lost everything or gained a ton, we were in it regardless.

    CM: How did your DIY show Against the Grain come to be?

    CH: Through our process of working with Fixer Upper, I’ve had a role on the show, and we had our own house redone in season one. That was a really important episode, because it helped cement things for me as a regular on the show. After that, people on the network noticed. And who doesn’t love a spin-off?

    Chip and Joanna were big fans of the idea. Chip has been such a cheerleader — and Jo too — which has been really cool. From there we filmed a couple of online webisodes and then a preview for DIY Network.

    We were excited about that because we’re DIY people. We filmed the pilot, and now we’re working on another project with DIY Network. It’s moving us one step closer to a hopeful series. We start filming again at the end of September for our next project, and we’ll go from there.

    CM: On social media, you sign all your posts with #LoveBuildRun. What does that mean to you?

    CH: Love Build Run is a way for me to narrow my life down into some easy chunks. I wanted [it] to ... remind me of what’s important.

    Love is the idea of loving anyone and everyone, loving my creator, and being a loving person to my family. That’s the foundation of why I’m doing all of this.

    For Build, I believe in waking up and doing something you’re passionate about. For me, that’s building furniture, but for others it may be building a small business or a relationship or building a positive part to this world. I want to be someone who builds things in this world, not takes them away.

    To Love and Build, you have to be fueled, which brings me to Run. Running is my sanctuary. Doing that gives me the fuel to do the first two things well.

    CM: You announced a couple weeks ago that you will rent your house to vacationers and relocate. Why did you make that decision?

    CH: Our house [that was on Fixer Upper] is right next door to our shop and storefront — they’re like 100 feet apart. I had the shop first, and we had this crazy dream that we might one day buy the house, fix it up, and maybe turn it into a rental.

    That was the original idea. But then we bought the house, and did it on Fixer Upper, and it looked so amazing that we thought we might as well live in it with our growing family.

    We moved in and, as time passed, Fixer Upper blew up. I’d be playing in the backyard with my kids and people would be walking around waving at me. We just had to move for privacy reasons, but we love that house so much.

    I actually talked to a guy in Fort Worth about picking the house up on the back of a truck and moving it to some land.

    CM: Why are reclaimed wood and sustainability pillars of your work?

    CH: When the green movement started, it seemed like you were either an oil-sucking, energy-using, plastic-loving waster or a solar panel-using, electric car-driving person. But I had this idea of being light green — of doing what you can.

    We started out using 100 percent reclaimed wood, and now we use a lot of reclaimed wood along with solid wood. I want to be as responsible as I can in building.

    CM: Do you have a favorite piece of furniture?

    CH: I built two pieces of furniture when I first started out: an armoire and a table that I made in my backyard for my wife. I didn’t know what I was doing. I made them and took them to my grandfather.

    He was always my inspiration for building, because he built houses and all kinds of stuff. He had his own way of saying he was proud of me, and it was the nicest thing he’d ever said to me.

    He later sent me $1,250 in the mail to buy my first tools. I used those tools to start Harp Design Co.

    qainterviewhgtv
    news/home-design

    la dolce vita

    How a Houston designer transformed an Uptown hotel into an Italian escape

    Emily Cotton
    Jun 5, 2026 | 1:07 pm
    Hotel Granduca
    Photo by Julie Soefer
    Bespoke furnishings blend seamlessly with the antiques throughout.

    The Hotel Granduca — with its posh Uptown Park address, walled-grounds, and recently-refreshed interiors — has quietly pulled a fast one on Houstonians. While heads have been tilted toward the skyline’s mammoth new developments, the six-story Hotel Granduca has climbed the ranks of the trendiest boutique hotels around town for locals to just, well, be.

    The dark-and-heavy “Texas Tuscan” architecture and decor of the hotel’s earlier days have been replaced with bright interiors, a greenhouse, library, and a European garden terrace more in rhythm with actual Italian villa aesthetics. In addition to the in-house restaurant Remi, additions such as programming like Mahjong Mondays, themed brunches, local boutique pop-ups, live music performances, daily afternoon social hours, and a newly-minted preferred partnership with Biologique Recherché and Evolve Salon have made it impossible to deny the hotel’s reignited appeal. On any given day, someone in the group chat is headed to “The Granduca.”

    "Hotel Granduca presented a unique opportunity to reimagine what boutique luxury hospitality can look like in Houston," said Thomas Duncan, managing director of Transwestern Hospitality Group. “Hospitality should tell the story of the city it calls home, and our continued commitment to enhancing the property reflects a desire to create an experience that authentically captures Houston's warmth, diversity, and quiet sophistication. We are proud to offer a more intimate and personalized expression of luxury that is distinctly different from anything else available in Houston today."

    Originally opened in 2006, Houston’s only all-suite hotel was ready for a bit of a spa day of its own. Houston-based luxury designer Kara Childress — known for her elegant designs and one-of-a-kind antique finds — was picked by Transwestern for this grand reimagining. The newly-completed phase I of the renovation includes the lobby, library, Remi and Bar Remi, the garden courtyard, and over 5,000-square-feet of event spaces. The 141 suites will be rejuvenated as part of phase II.

    “Uptown Park is such a great, easy-to-get-to neighborhood with so many shops, and the hotel was in such need of a facelift,” explains Childress. “My hope was to make it more residential, and not so commercial like some big hotels. I think it feels good. I’m trying to transport you and make you feel like you’re in a beautiful old villa. These [Italian] families take so much pride in their homes. They never tear anything down and start over, they just keep adding to it.”

    Textural layering is something Childress effortlessly does to perfection. From the bones of the building to finishing with the placement of an 18th-century bibliothèque behind the check-in desk, the new design provides a naturally-formulated progression of the eye that suggests to the viewer that the hotel has been this way all along — which is exactly the point.

    Childress intends for the design to transport guests to an old Italian palazzo or monastery. Ceilings were raised and a pair of east-west doors was updated to a contemporary steel and glass combination, allowing the once dark interior space to become vibrant. Save for the doors, the space moves backwards in time. Designer-favorite Segreto Finishes replaced faux plaster paint techniques with genuine lime plaster throughout — including the elevators. Faux-limestone-printed porcelain floor tiles were replaced with genuine limestone, and 100-year-old pine floors reclaimed from a stable and installed in the restaurant all grant the hotel the genuine authenticity it had needed all along.

    “We brought in a lot of authentic materials. We just gave the bones back to the building; that added a lot of character,” says Childress. “When you go to Italy, all of those hotels have been renovated from beautiful old buildings that all have that gorgeous architecture and they’re so outstanding. It’s all new, but it actually feels like it’s been there forever, because it’s all old materials. And that’s what I was hoping for. I didn’t want it to be shiny and brand new; it feels like it’s been there for a long time and it’s not too precious. The more you use and enjoy it actually adds to the age, and it just feels better.”

    Bespoke furnishings blend seamlessly with the antiques throughout. A contemporary mohair sofa is fast friends with an 18th-century French walnut buffet with unlacquered brass hardware. A lobby-centered tête-à-tête dressed in a plush, tiger’s stripe silk velvet by Scalamandré, a mid-17th-century walnut-paneled cassapanca chest, and 19th-century large Louis Philippe mirror mix materials, patinas, and eras to fall perfectly into place as a beacon of Contemporary Classicism.

    While the overall color story in the lobby is a wash of natural limestone and plaster tones, Childress introduces hints of terra-cotta and Mediterranean-inspired teal and blues, followed by a full commitment to color in both the more communal restaurant and library spaces.

    “I want the eye to look outside and not get arrested in the entry. I used teal and terra-cotta because they lean into Tuscan colors, but I really leaned heavily into the ones in the bar,” explains Childress. “Those colors are so warm and rich. We’re wanting it to be a hotel that — obviously — people come and stay when they’re from out of town, but also just locals. It’s a great place for a burger, and the breakfast is incredible.”

    Directly across from Remi and Bar Remi is the equally-moody library. A marble fireplace, Persian rugs, a c.1860 black and burl walnut Italian mirror, oil paintings, accessories, and hundreds of leather-bound books populate the space, while seating for groups and individuals makes it the perfect place to enjoy a coffee and check emails or share cocktails and stories with friends and family.

    Just outside, the garden courtyard serves as an al fresco dining and lounge space. The once-exposed pool fencing has been cleverly concealed with tall hedgerows that play as a backdrop to a large 18th-century horse trough repurposed into a lovely fountain. “Outdoor terrace dining is such a treat to be able to have in Houston, and that’s a really fun place to be when they have live music,” adds Childress.

    The new art collection at Hotel Granduca is a mix of large-scale antique painted canvases — like the depiction of cranes in the lobby and the 18th-century Dutch painted panels behind the front desk — mixed with fun, over-the-top works by Scottish-born philanthropist and photographer David Yarrow speckled around the property. The black and white photos were chosen by Childress — from Yarrow’s La Dolce Vita series — for their playful narratives and mix of sensibilities. With names like “Bull Rider,” “The Last Supper in Texas,” and “Cowgirl,” it’s easy to see the appeal for a hotel in Houston.

    “They’re all black and white, and they have a vintage feel to them, and it’s a little bit Italian and a little bit Texan,” explains Childress. “I’m kind of combining two cultures: Texas, which we are so proud of; and Italy, which we all love. They’re both friendly and convivial, and ‘nobody meets a stranger,’ which I love. So we tried to weave those two together.”

    The pièce de résistance lies within the belly of Hotel Granduca. A short journey through a hallway opens up to the elevator lobby and breathtaking plaster mural by Segreto Finishes. Floor-to-ceiling and wall-to-wall, this incredible piece reads sculptural more than anything — imagine a frieze extended down an entire wall. Childress worked with the team at Segreto to design a piece that is distinctly Texan. A large live oak tree (complete with a squirrel and snake) branches out over native flora and fauna, an armadillo, deer, birds, and even a windmill. This piece is absolutely worth seeking out when visiting the hotel.

    Overall, the reimagined Hotel Granduca is a testament to how excellent design, hospitality, and thoughtful partnerships and programming can be positively transformative. So much so that a handful of live-in residents partake of the available long-term rental options. As mentioned previously, the hotel doesn’t have an on-site spa, but the new partnership with Biologique Recherché makes for an easy spa day, with full concierge-driven appointments and hotel car service.

    Whether visiting from out of town or just down the street, settle in for the day, night, or even month. There is always something to do at Hotel Granduca. With the FIFA World Cup beginning soon, the hotel will offer an exclusive viewing lounge for all Houston-hosted matches, themed cocktails inspired by competing nations, and complimentary country-inspired bites for the first hour of each match.

    Houston-hosted World Cup Match Dates:

    • June 14 | Germany vs. Curaçao | 12 pm
    • June 17 | Portugal vs. Congo DR | 12 pm
    • June 20 | Netherlands vs. Sweden | 12 pm
    • June 23 | Portugal vs. Uzbekistan | 12 pm
    • June 26 | Cabo Verde vs. Saudi Arabia | 7 pm
    • June 29 | Round of 32 | 12 pm
    • July 4 | Round of 16 | 12 pm

    Hotel Granduca

    Photo by Julie Soefer

    Bespoke furnishings blend seamlessly with the antiques throughout.

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