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    On The Market

    Marked as teardown, now a treasure: Houston's only Frank Lloyd Wright house is a preservation beauty

    Barbara Kuntz
    Barbara Kuntz
    Jul 24, 2014 | 7:46 am

    Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

    The Houston-area's only Frank Lloyd Wright-designed house was once plagued with architectural and design interruptions as former owners painted over redwood walls, added distracting pineapple details and eventually put the property on the market as a teardown in the early 1990s.

    Preservationists stepped in, thankfully, as did the most recent owners. The Thaxton House, named after its first occupants who commissioned Wright, is once again an architectural gem for sale at $3,195,000.

    Walk through
    Owners enter the property, located at the end of the cul-de-sac at 12020 Tall Oaks St. in Bunker Hill, through a gated drive, revealing the 1.2-wooded acre lot. The large front yard keeps the home even more secluded, while a circular driveway welcomes with plenty of parking for guests.

    Even the cushions in the built-in sofa are actually parallelograms puzzled together. The fireplace is angled to face the living room, and is made for logs to burn upright.

    The original 2,000-square-foot structure is nestled beyond the trees. Owners walk in to immediately see Wright's signature design elements, including red-pigmented concrete floors, concrete block walls, walls of windows overlooking the patio and swimming pool and knotless redwood paneling on walls and ceilings. Built-in sofas and bookcases — more Wright techniques, these he employed to keep residents from changing room arrangements, are found throughout the home.

    As are angles.

    "The house is distinctive for being planned on a 30 degree-60 degree diagonal grid, rather than a 90-degree grid," Stephen Fox, architectural historian and a lecturer at the Rice School of Architecture explains in an email. "Wright felt like this 'reflexive geometry' - his term - provided for more open spaces than a conventional right-angled plan geometry."

    Even the cushions in the built-in sofa are actually parallelograms puzzled together. The fireplace is angled to face the living room, and is made for logs to burn upright. The dining table, attached to a wall, is a reproduction of the original dining table with irregular-shaped stools with cushions. Triangular skylights bring natural light into the kitchen.

    Two other rooms in the small abode were once bedrooms following the same architectural styling. And Wright must have had an interesting sense of humor, or was a gentleman fan of folly. He incorporated an elongated window in a bathroom as a jumping point into the swimming pool.

    "Most of Wright's houses, especially those built in the last 25 years of his practice, 1934-'59, are fairly small," Fox says. "The houses from the 1930s-'50s correspond to the house type Wright called 'Usonian' —Wright's term for 'American,' his ideal house for a middle-income American family. They tend to have expansive living areas, organized around a fireplace, but small bedrooms and baths."

    Big addition

    Beyond the original structure, preserved almost as a Wright museum in its intimate space, is the substantial annex that wraps around the back of the Wright house, touching it at either end but otherwise stepping back from it and creating an inner courtyard.

    The addition, which was completed in the 1990s, brings total square footage to more than 8,000, but is done in a most complementary fashion.

    The addition, which was completed in the 1990s by Kirksey Architecture for the most recent owners, brings total square footage to more than 8,000, but is done in a most complementary fashion. Intentionally not seamless, the three wings make nods to the famous architect with stained concrete floors cut in triangular patterns, walls of glass and wood paneling and accents in maple.

    Gallery-style hallways with high ceilings, exposed beams and glass walls take owners from the original home to a public wing with new kitchen, dining room and expansive living area to the children's wing lined with bedrooms to the master wing. Floor-to-ceiling windows open three sides of the house to views of the courtyard and backyard gardens from every room.

    All bedrooms include en suite baths, walk-in closets, spacious lofts and French doors leading outside. In total, the house has seven bedrooms and six and one-half baths.

    Step outside
    The scored concrete flooring continues to a deck, once a screened-in porch overlooking the swimming pool. The flooring here shows, as it does in the original house, where new and old construction meet. The swimming pool is very angular.

    Covered parking is available under a carport — a term Wright himself coined. As Wright is quoted to say, "A car is not a horse, and it doesn't need a barn."

    Square footage: 8,026 plus loft space

    Asking price: $3,195,000

    Listing agent: Karen Harberg, Martha Turner Sotheby's International Realty

    The Wright home is open for touring from 11 a.m.-2 p.m. Thursday, July 24; private viewings can be arranged by contacting the agent.

    Welcome to 12020 Tall Oaks St., a Frank Lloyd Wright house sitting on about 1.2 wooded acres as a gated compound. The large front yard is surrounded by a circular driveway.

    On the Market 12020 Tall Oaks St. Frank Lloyd Wright house July 2014 front exterior
    Photo courtesy of © TK Images
    Welcome to 12020 Tall Oaks St., a Frank Lloyd Wright house sitting on about 1.2 wooded acres as a gated compound. The large front yard is surrounded by a circular driveway.
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    thoughtfully restored

    Houston designer transforms historic Heights home into new events venue

    Emily Cotton
    Sep 18, 2026 | 1:00 pm
    The Victorian on Heights event venue
    Courtesy of The Victorian on Heights
    The historic Samuel H. Webber House on Heights Boulevard will soon open as The Victorian on Heights.

    Something has been stirring in the heart of The Heights. A historic Queen Anne mansion is nearing the end of an extensive restoration that will soon return the brick beauty to her rightful place as the crown jewel of Heights Boulevard. The Samuel H. Webber House will debut next month as The Victorian on Heights, a multipurpose events venue with a secret — guests can stay the night.

    Built by brickmason Samuel H. Webber between 1907-1908, the Webber House is the first brick, Queen Anne-style home built in Houston and was entered into the National Register of Historic Places in 1984. Recently purchased alongside the neighboring manor house, the two properties, carriage house, and extensive garden spaces command a substantial portion of the corner of Heights Blvd. and W. 10 1/2 St.

    The main house has retained nearly all of its original features, including floors, vast staircases, paneling, doors, and additional millwork. Aside from modernizing some of the bathrooms, the removal of the poorly-attempted remodels of several fireplaces, and the transformation of the kitchen into a speakeasy, The Victorian on Heights is a near timestamp of the Edwardian era.

    The purchaser lives in the neighborhood and is none other than the celebrated bespoke furniture entrepreneur April Dardis. Dardis — who long admired the home and the sadly deferred maintenance of its exterior — had long dreamt of returning the home to its original splendor. The mansion’s vast size and architectural features make it the perfect place for Houstonians and historical voyeurs to come together to study and celebrate.


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    “I love the house absolutely. I want to get it back to its initial stage and show the beauty that it has and just update it a little bit by bringing out its architectural beauty with fabrics, furniture, our custom pieces, and murals throughout,” Dardis tells CultureMap. “Just creating those memories and events for people who can come in and enjoy the home just as much as I do — creating special moments and memories for people and to open the doors to those who may not have seen something like this or be able to enjoy it otherwise.”

    Combined, the property sleeps 21 people. Between the buildings on property, there are eight bedrooms and nine bathrooms total. Expect royal treatment with bridal suites, gentlemen’s quarters, bunk rooms, a glam room, and so much more. The aforementioned glam room includes full glam stations and a custom rose trellis mural by local artist Petra Frost.

    Dardis took advantage of her business to upholster the walls of the conservatory, dining room, and honeymoon suite in vintage fabrics. With all the original wood and plasterwork, the softness of upholstered walls will ensure everyone gets a good night’s sleep. Bespoke furniture and updated antique pieces keep every space grounded in the past, but fresh for contemporary eyes.

    With the restoration nearly completed, Dardis has been inviting local artists and photographers inside for a peek. As expected, nearly none of them are keen to leave, which she loves. Dardis expects her future hosts to do the same — no one is in a rush to depart from The Victorian.

    “I want to share it with Houston. I just think it’s gorgeous and I want as many people to explore it, see it, and enjoy it as much as I do,” she says.

    As a trick and treat, the grand opening will take place on October 28 for a festive All Hallows Eve shindig. Approximately 52 collaborators and event planners will take over the property with various themes throughout. Five bartenders, three DJs, and a string quartet will thrill guests as they imbibe and enjoy wares from calligraphers, belly dancers, and so much more.

    “Knowing that this beautiful place will bring people joy brings joy to me,” says Dardis. “That’s what my big thing is.”

    The Victorian on Heights event venue

    Courtesy of The Victorian on Heights

    The historic Samuel H. Webber House on Heights Boulevard will soon open as The Victorian on Heights.

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