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    farwell, old friend

    Iconic Houston antiques store closes its doors after 40 years

    Julia Davila
    Jul 12, 2019 | 10:25 am
    Carl Moore Home antiques
    Italian terra cotta chair from the 1930s.
    Photo courtesy of Carl Moore Home

    As the wooden floors creak beneath his feet, Geoffrey Westergaard strolls through his beloved antiques store and regards the emotionality that his charming offerings spark.

    “These pieces, that are one-of-a-kind, touch a chord in us that often times we don’t know is there waiting to be plucked — until you actually see the object and have an emotional reaction to it,” he tells CultureMap during a tour. “And that is what you don’t get when you’re online or paging through a magazine.”

    A fixture of Boulevard Oaks, Westergaard’s iconic store, Carl Moore Home (best known by its previous name, Carl Moore Antiques), is closing shop after 40 years. The antiques haven is offering a 50-percent-off storewide sale until its final day on Sunday, July 28. Westergaard plans to keep some sort of online presence for savvy shoppers.

    Westergaard says he simply wanted a change. “I’m going to out myself and tell everyone I’ve turned 60 [years old],” he says. “We’ve been open Monday through Saturday for 40 years. It’s remarkable. I’ve been in the store, six days a week, and I have the opportunity to make it a happy occasion.”

    In 1980, Carl Moore Antiques opened in Houston, and Westergaard began working for Carl Moore upon graduating from Rice University with a business/art history degree. When Moore retired, Westergaard purchased the name and inventory and continued for another 20 years.

    “This business allows me to use everything that I enjoy,” Westergaard explains. “I love looking at objects, figuring out why is one thing better than another; I like knowing the history; where does it come from, who used it, why did they use it, why was it done this way instead of that way.”

    Westergaard says friends and clients have stopped in to reminisce about the pieces they’ve bought only to find something that catches their eye, and who could resist such treasures at such an impressive price.

    “I just love that, because this is a business about making people happy; this is a business about taking an object and putting it together with somebody who is going to love and appreciate it and have it add value to their life,” he says. “And, that’s what I’ve been lucky enough to do for 40 years.”

    In the final weeks before closing, Westergaard encourages Houstonians to come in for this “wonderful opportunity” to know exactly where and why he bought it. With a gracious, celebratory tone, he explains how he has worked with three generations of family members.

    “It’s so special to have that continuity,” he says.

    Westergaard is especially fond of three standout pieces: a vintage French Art Deco Walnut Sculpture Panel dating to the 1930s; a pair of antique French Régence Palisander Timber Marble Top Corner Cabinets from 1740, which “retains their original bronze door mounts as well as the original hand-shaped marble tops; and a pair of vintage, 1930s Italian terra cotta chairs, showcasing “winged lions seen fully in the round with heads, claws, and wrap-around wings and tails visible.”

    Although Westergaard has cherished the old, he’s embracing a new adventure: those who frequently visit him in-store will still be able to keep up with him.

    “The great thing about social media and being able to connect with everybody is just because the physical location changes, I’m still going to be out there; I’m still going to be looking and posting.”

    Italian terra cotta chair from the 1930s.

    Carl Moore Home antiques
    Photo courtesy of Carl Moore Home
    Italian terra cotta chair from the 1930s.
    inspirationclosingsluxury
    news/home-design

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    Untitled Art Buying Guide

    What to see and where to shop at Houston's new contemporary art fair

    Emily Cotton
    Sep 19, 2025 | 10:36 am
    Untitled Art Fair Patel Brown
    Photo by Amanda Veselovsky.
    Text-based collaborative works offer whimsical delights at Patel Brown.

    The hotly-anticipated debut of the Miami-based Untitled Art fair is in full swing. The loss of Houston’s annual Texas Contemporary Arts Fair left artists, collectors, and dilettantes alike wondering whether a city well documented for its museums, galleries, and artistic installations could long be without an annual contemporary arts show — alas, we’ve been saved.

    Held at the George R. Brown Convention Center from Friday, September 19 through Sunday, September 21, the 150,000-square-foot show features 88 exhibitors from Texas and beyond displaying works for sale to experienced collectors and novices alike. Untitled Art stands out from other mammoth-sized, multi-day events of its caliber by its commitment to accessibility for young artists, galleries, nonprofits, and beginner collectors. The “Nest” program offers subsidized booth space and entry for those who would find participation in traditional art shows wildly cost-prohibitive. What does that mean for Houstonians who are deciding whether or not to attend the show? At Untitled Art, there are pieces that folks can actually afford.

    “From diverse styles to a wide range of prices, Untitled Art truly feels like a gift to Houston — an immersive experience that inspires from the moment you step in,” Untitled Art host committee member and BeDesign CEO Adrian Dueñas tells CultureMap. “With commissions available and pieces for all tastes, the fair proves that art is both subjective and approachable, a remarkable celebration where everyone can find their place.”

    The notion that an art show has the potential to be shopable for more than the 1-percent opens the door to Houstonians viewing works of art to potentially purchase for their actual homes, and boy, is that exciting. The sprawling nature of the show can be intimidating for some, especially if a particular style is preferable — where to start? Whether one subscribes to traditional genres, or is, perhaps, looking to dabble in the “wrong art theory,” here are suggestions for the artists to shop for specific genres for the home, as well as some insider information.

    How to view and shop the show

    Unlike the sterile, “ice cube tray” layout of traditional art shows, where artwork can only be viewed from a few feet away, Untitled Art enlisted architect Jay Colombo of Michael Hsu Office of Architecture to design an interior that allows artists the visual space to have pieces viewed from numerous angles and distances.

    Tuesday evening, Colombo participated in a panel discussion titled “The Intersection of Art & Architecture” at Summit, the 28th-floor event space in Skanska’s shiny, new, and eco-friendly Norton Rose Fulbright Tower. This Untitled Art satellite event allowed Colombo to share his vision for the overall design of the show, as well as what visitors can expect of their experience:

    At some point [in a traditionally designed show] you lose the sense of space, and you lose where you are — you lose a sense of place that establishes you. Let’s try something different. I liked the idea of a piazza. Instead of linear lines, it’s a series of piazzas. There is a center moment, and then there is a ring of galleries. So, you should be able to stand in a piazza and turn 360 degrees and take in a dozen different gallery spaces.

    It basically creates a moment and there is a sight line that guides you to the next piazza, and then the next piazza, and you keep moving through the space. But there is a gesture and motion that pulls you around from start to finish, and there should be a memory moment that locks you in and says: ‘Oh, yeah! This is the place! This is where I saw that artist and wanted to go back to it [the booth]!’

    Categories and price points

    Most Affordable

    The Nest program that enabled small businesses, galleries, and nonprofits to participate in the show is the driving force behind “Artist Market.” The brainchild of F Gallery owner Adam Marnie, “Artist Market” is where show goers can pick up affordable art, ceramics, books, stationary, and more while supporting local businesses.

    “I think of it as a craft or art book fair inside of this fair,” says Marnie. “The vendors are paying a lower price to participate, so it gives guests a lower price to be able to participate in purchasing things.”

    Local favorite Reeves Gallery has works from $295 to $3,000, with the bulk of their offerings in the $500 range—this is also the place to pick up framed vintage pieces as well. They’ve listed their entire Artist Market collection here. Montrose staple Basket Books & Art has a fine selection of books, plus works by local artists for $200, half of which goes to The Women’s Storybook Project of Texas. Other participants include Film Lab, Jardin, Rising Tide Project, Picnic Surfshapes, St. Agnes Academy’s New Media Arts Program, plus excellent free library Reading Room HTX.

    The following is a selection of exhibiting galleries from different genres and price points to be able get a glimpse of what to expect from the show. Pricing is as follows: “affordable” galleries ($1,200+) are marked “$,” “average” priced galleries ($5,000+) are marked “$$,” and “expensive” ($35,000+) galleries are marked “$$$.” Galleries offering works from Texas artists will be marked with an asterisk (*). Find a map showing all of the galleries here.

    Contemporary Abstract: Jessica Silverman Gallery ($$$), Mindy Solomon Gallery* ($$$), Sicardi | Ayers | Bacino ($$$), Arden + White Gallery ($$).

    Organic: Moody Gallery* ($$), Yossi Milo ($$$), The Mission Projects ($$), Carvalho ($$), SGR Galeria ($), La Loma ($$).

    Portraiture: Marc Bibiloni ($$$), Half Gallery* ($$), El Apartamento* ($$).

    Fun and Fantastical: YOD Gallery ($), Keijsers Koning* ($$), ABC - Arte ($$), Philip Martin Gallery* ($$$), Patel Brown ($$).

    Black Artists: PDNB Gallery* ($), Colector* ($$), Bond Contemporary ($$$).

    Author’s Favorites: Half Gallery ($$), YOD Gallery ($), The Mission Projects ($$), Arden + White Gallery ($$), Carvalho ($$), Patel Brown ($$), SGR Galeria ($).

    Untitled Art Fair Patel Brown

    Photo by Amanda Veselovsky.

    Text-based collaborative works offer whimsical delights at Patel Brown.

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