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    farwell, old friend

    Iconic Houston antiques store closes its doors after 40 years

    Julia Davila
    Jul 12, 2019 | 10:25 am
    Carl Moore Home antiques
    Italian terra cotta chair from the 1930s.
    Photo courtesy of Carl Moore Home

    As the wooden floors creak beneath his feet, Geoffrey Westergaard strolls through his beloved antiques store and regards the emotionality that his charming offerings spark.

    “These pieces, that are one-of-a-kind, touch a chord in us that often times we don’t know is there waiting to be plucked — until you actually see the object and have an emotional reaction to it,” he tells CultureMap during a tour. “And that is what you don’t get when you’re online or paging through a magazine.”

    A fixture of Boulevard Oaks, Westergaard’s iconic store, Carl Moore Home (best known by its previous name, Carl Moore Antiques), is closing shop after 40 years. The antiques haven is offering a 50-percent-off storewide sale until its final day on Sunday, July 28. Westergaard plans to keep some sort of online presence for savvy shoppers.

    Westergaard says he simply wanted a change. “I’m going to out myself and tell everyone I’ve turned 60 [years old],” he says. “We’ve been open Monday through Saturday for 40 years. It’s remarkable. I’ve been in the store, six days a week, and I have the opportunity to make it a happy occasion.”

    In 1980, Carl Moore Antiques opened in Houston, and Westergaard began working for Carl Moore upon graduating from Rice University with a business/art history degree. When Moore retired, Westergaard purchased the name and inventory and continued for another 20 years.

    “This business allows me to use everything that I enjoy,” Westergaard explains. “I love looking at objects, figuring out why is one thing better than another; I like knowing the history; where does it come from, who used it, why did they use it, why was it done this way instead of that way.”

    Westergaard says friends and clients have stopped in to reminisce about the pieces they’ve bought only to find something that catches their eye, and who could resist such treasures at such an impressive price.

    “I just love that, because this is a business about making people happy; this is a business about taking an object and putting it together with somebody who is going to love and appreciate it and have it add value to their life,” he says. “And, that’s what I’ve been lucky enough to do for 40 years.”

    In the final weeks before closing, Westergaard encourages Houstonians to come in for this “wonderful opportunity” to know exactly where and why he bought it. With a gracious, celebratory tone, he explains how he has worked with three generations of family members.

    “It’s so special to have that continuity,” he says.

    Westergaard is especially fond of three standout pieces: a vintage French Art Deco Walnut Sculpture Panel dating to the 1930s; a pair of antique French Régence Palisander Timber Marble Top Corner Cabinets from 1740, which “retains their original bronze door mounts as well as the original hand-shaped marble tops; and a pair of vintage, 1930s Italian terra cotta chairs, showcasing “winged lions seen fully in the round with heads, claws, and wrap-around wings and tails visible.”

    Although Westergaard has cherished the old, he’s embracing a new adventure: those who frequently visit him in-store will still be able to keep up with him.

    “The great thing about social media and being able to connect with everybody is just because the physical location changes, I’m still going to be out there; I’m still going to be looking and posting.”

    Carl Moore Home is closing after 40 years.

    Carl Moore Home antiques
    Photo courtesy of Carl Moore Home
    Carl Moore Home is closing after 40 years.
    inspirationclosingsluxury
    news/home-design

    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

    houston livestock show and rodeohome-designcotton holdings
    news/home-design
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