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    Friends of The Fountain

    Beloved Mecom Fountain will get a historic restoration if Houstonians pitch in to help

    Clifford Pugh
    Mar 18, 2016 | 10:10 am
    Mecom Fountain at night
    Friends of the Fountain are more than 60 percent toward their goal of raising funds to restore the historic Mecom Fountain, but they need your help.
    Photo by Tim Stanley

    Bob Hope once said the best view in the world is in Houston. The noted comedian cited the view from the penthouse of the Warwick Hotel (now the Hotel ZaZa), which looks out over Hermann Park and tree-lined Main Street toward the Texas Medical Center amid the glowing nighttime lights of the Mecom Fountain.

    Now a group of Houston preservationists and fans of the fountain are working to keep it that way.

    Led by one of the city's leading preservationists, Phoebe Tudor, who spearheaded the impeccable restoration of the Julia Ideson Library, and real estate magnate Bill Baldwin, a crowd-sourcing campaign to restore the Houston landmark to its former Mid-century modern glory has attracted more than $38,000, with pledges ranging from $5 to $5,000 from 198 individuals and businesses.

    The group has set a goal of $60,000, which must be raised by March 31. (You can donate here.)

    The drive came about after preservationist Anna Mod noted that Texas Department of Transportation workers were covering over the fountain with limestone as part of a "Grand Gateway" project to restore and renovate Hermann Park. The limestone was set to match improvements at the entrance to the park, but preservationists feel that it destroys the integrity of the fountain, which was designed by Eugene Werlin and built in 1964. It was donated to the city by oil magnate and Warwick Hotel owner John Mecom and his wife, Mary Elizabeth.

    "It would be a pretty fountain, but it wouldn't look like like a fountain built in 1964," Tudor said about the planned renovation. "It's subtle, but the crux of historic preservation is it needs to be genuine and it needs to be original."

    Baldwin, who heads the Mayor’s Quality of Life Transition Team, contacted Mayor Sylvester Turner, who convinced TxDot officials to halt the project. In return, Baldwin and Tudor agreed to spearhead a Friends of the Fountain group to raise private funds to restore the fountain.

    They could have reached out to their well-heeled friends and foundations to contribute the relatively small figure, but wanted to show that, in a city that tears down or alters nearly everything that's old, there is broad-based support for saving historic buildings and objects that give Houston its unique character. "If people make a contribution, they are much invested in what happens," Tudor said. "This lets Houstonians participate in a small way to get the word out."

    Donors, large and small, have sent fond memories along with their donations. The fountain is a prime spot for wedding and quinceañera photos; one donor laughingly recalled putting soap into the fountain to make bubbles when she was high schooler. "People kind of get caught up in the memories," Tudor said.

    Funds will be held in an account by the non-profit Houston Parks Board, with work performed by the Houston Parks Department under the supervision of the Historic Preservation Office of the Planning & Development Department. Limestone will be removed and the low fountain wall, made of concrete in the Mid-century modern tradition, will be repaired and repainted if the fundraising goal is met.

    This work will return the fountain, which was nominated as a city landmark late last year and is eligible for the National Register of Historic Places, to its original appearance and restore it as the centerpiece of the Museum/Hermann Park/University area, Tudor said. The group just got word that the National Trust for Historic Preservation has added Mecom Fountain to its #thisplacematters campaign, drawing national attention to Houston's preservation efforts.

    If the fundraising goal is met, "It will be victory for the city and preservationists," Tudor said. "I feel like this is a watershed moment for preservation in Houston. This stuff matters and people care."

    To donate to the Friends of the Fountain campaign, go to the Mecom Fountain Restoration website.

    preservation
    news/home-design

    putting on the ritz

    Award-winning designer dishes on Houston's new Ritz-Carlton high-rise

    Emily Cotton
    Apr 10, 2026 | 2:33 pm
    Ritz-Carlton Residences exterior rendering
    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston
    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

    Houstonians have been long overdue for the return of a Ritz-Carlton Hotel to the city skyline — the original rebranded as The St. Regis in 1997 (reopening next year as The Houston Grand Hotel - River Oaks). Thankfully, The Ritz-Carlton Hotel and Residences is coming to 2120 Post Oak Boulevard in 2029.

    Developed by Deiso Moss and constructed by Harvey Cleary, the 45-story limestone-clad, Pickard Chilton-designed tower was loosely-based by the Art Deco-era Gulf Building downtown and is planned to feature The Ritz-Carlton Hotel, a full-service property with 156 guest rooms and suites, alongside 112 bespoke branded residences available for whole ownership.

    The Ritz-Carlton Residences will occupy floors 19 through 45, offering 13 floor plans ranging from 2,361 to 9,000-square feet of luxury living space, with prices starting at $3 million. Residents who appreciate anonymity will be pleased to know that a double-gated carport and 10-foot privacy-wall will surround the exterior approach, and each residence will have a dedicated foyer off of the elevators.

    The residences will offer all of the amenities one has come to expect from buildings of this caliber: organic materials such as the best marbles and hardwoods, top-notch appliances, private loggias pre-plumbed for outdoor kitchens and pet-stations, pools, wellness suites and spas, ballrooms, discreetly-designed outdoor barbecue areas, a golf simulator — all the creature comforts its well-heeled buyers will appreciate.

    While “Ima Hogg, Glenn McCarthy, and Dominique de Menil walk into a bar” may sound like the beginnings of a fanciful joke, acclaimed architect and interior designer Lauren Rottet cites the trio as the inspiration for the Bayou City-inspired interiors of the luxury high-rise. Rottet and her team at Rottet Studio approached the property as an expression of Houston’s layered identity. Inspired by the city’s historic post oak canopy and the green parklands along Buffalo Bayou, Rottet integrated warm woods, limestone, marble, and bronze accents to create a setting that balances contemporary luxury with a distinctly regional character.

    CultureMap spoke with Rottet during the unveiling of the development’s $5 million purpose-built private sales gallery to learn more about her inspired-design for what is already being referred to as “The Crown Jewel of Texas.”

    Conceived as a true extension of the future tower, the gallery integrates curated architectural elements and material selections consistent with those specified for the project, providing a tangible preview of the residences’ design language and finish level. Dedicated installations within the gallery highlight the private amenity collection, anchored by a discreet residential arrival experience, indoor and outdoor pools, and a comprehensive wellness program, alongside full access to the hotel’s dining, cultural, and spa offerings.

    Upon entering the gallery, prospective homeowners are met by intricately-detailed oak herringbone floors that will reside in the foyer of each residence. Agatha Black, Bardiglio, and Statuary-White marbles feature throughout the space, as well as rift-cut oak wall paneling and hand-painted linen wall coverings.

    Notably, the wall coverings are creations by Maksim Koloskov, an architect at Rottet Studio. Those familiar with the ceiling in Ralph’s Bar at The Crescent Hotel in Dallas will recognize his work. Rottet explains that having Koloskov in her employ as both an architect and artist benefits everyone: “It’s actually less expensive for the owner, it’s great for him because he makes good money, and [the artwork] is exactly what I want — it’s fabulous,” she says.

    While an abundance of wooden paneling can read as outdated or even stuffy, Rottet’s decision to implement rift-cuts allows for a contemporary flair that will remain decidedly timeless. Flat-cutting is what gives traditional paneling that knotty, heart-plagued characteristic which tends to turn people off from it — a quality that is conspicuously absent from the oak paneling being cut for the Ritz-Carlton.

    “It’s interesting,” muses Rottet. “People love wood, but they don’t want a lot of character and nature in the wood. This is very much contemporary. Although this looks, in a sense, old world or traditional, it’s a little quieter. It’s still wood, it’s still beautiful, but it’s not as busy or older looking.”

    Some buyers may wonder, with such an abundance of oak used in the building — herringbone installations, six-foot planks, and floor-to-ceiling paneling — what’s the environmental impact?

    “Oak is a very sustainable wood,” explains Rottet. “The mahoganies and some of the other woods are a little less forest-friendly. This oak is forested well, and this is all a sustainable oak — it’s all from the right farms.”

    Rottet has designed the bulk of the furnishings for the space, as she will for the hotel and residential shared spaces like the library — some bespoke, some from her private line, and lighting from her collection with Visual Comfort. The sofas and rugs in the library and opposite concierge space were designed with movement in mind — think sleek curvature and varying degrees of height. Rottet explains that these common spaces are all about “being alone, together.”

    “These rooms are about wrapping you, cradling you, and making you feel comfortable; not just a straight, hard edge,” says Rottet. “It’s loosely of the bayou, of the land, of the water. Houston is very languid and fluid. Houston has a more New Orleans climate than a Texas climate, so I like to think of the flowing spaces and the water. A lot of the design I do — and particularly here — has to do with visual movement. I don’t like for an interior space to feel static. That’s why this is so free and open, and beautiful. I’m always doing things to make it feel visually active.”

    The residences are available in three different style and material packages, and Rottet is happy to help provide a turnkey design if a buyer chooses to have her finish out their space entirely. After designing 55 hotels, who better? With stunning Art Deco architecture, luxuriously-timeless interiors, plus elegant green spaces, Rottet says it best of all: “There will be newer buildings in Houston, but there will never be a better one.”

    Sales are being conducted by private appointment through Redeavor Group. To learn more about the project, please visit rcresidenceshouston.com.

    Ritz-Carlton Residences exterior rendering

    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston

    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

    high-riseshotelshome-designarchitecture
    news/home-design

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