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    A Cut Above

    Chef at top Hill Country restaurant designs kitchen must-have for the luxury home

    Kristin Butler
    Jan 2, 2017 | 9:30 am
    Vaudeville Knives
    Vaudeville’s handmade knives are designed by chef Jordan Muraglia and crafted by Russell Montgomery of Serenity Knives.
    Photo courtesy of Vaudeville

    Vaudeville is more than a culinary destination in the heart of downtown Fredericksburg. It’s a luxurious, epicurean, and sensory experience that transcends every detail of the three-level gourmet food, retail, and art venue.

    It’s evident in the delicately sliced Alba white truffles that crown the handmade pasta served at the V Supper Club. It stuns with decoration and ambiance, starting with the Christmas tree made of vibrant poinsettias. And it’s reflected in the chef knife set designed by chef Jordan Muraglia, which recently debuted in the Vaudeville Showroom and at Vaudeville.com.

    “I think there’s a movement toward a more advanced home chef,” Muraglia says. With that in mind, Muraglia was compelled to design a set of chef knives worthy of a restaurant kitchen, but marketed for the luxury home.

    Last year Muraglia reached out to Houston-based knife-maker Russell Montgomery, founder of Serenity Knives, to pitch a collaboration on a set of chef knives. “I think he’s one of the best bladesmiths in the country,” Muraglia says.

    Montgomery has crafted knives for some of the top chefs in Houston, including Justin Yu of Oxheart. “I spend a lot of time talking to chefs, learning how knives get used in a professional kitchen, what is comfortable, what works, and [what] doesn't,” Montgomery says.

    Vaudeville’s eight-knife set includes the boning filet knife, bread extraordinaire, chef knife, dynamic utility knife, master chef knife, paring knife, slicing knife, and the ultimate cleaver.

    The knives are exquisite — even in photographs. But their grand scale and sheer elegance are best appreciated in person, when you can feel the heft of the knife in your hands, as you gently trace its contours and marvel at the seamless integration of the stainless-steel blade into the smooth pecan wood handle.

    The “glorified standard, the extra-large chef knife … it just feels good,” Muraglia says. “Feel the edge; it’s extremely sharp. [Montgomery is] all about points; that is a serious point,” he adds, touching the tip of the blade.

    Muraglia uses his slicing knife nearly as much as his chef’s knife. He raves about the slicer’s “linear design” that’s common in professional kitchens but rarely found in home sets — ideal for getting that “perfect slice of meat or tomato.”

    But if you only go with one knife, choose the “sexy utility,” as Muraglia describes it. “It’s a hybrid of your boning, your chef, even your slicer.”

    The co-branded Vaudeville-Serenity knives are delicately engraved with brand logos on both sides of the blade. The knives are available for pre-order at the Vaudeville Showroom and at Vaudeville.com. Montgomery begins fabricating the knives immediately after purchase. Single knives take about 30 days to ship; the full set, priced at $5,385, is completed in about 60 days.

    The making of Vaudeville
    Vaudeville spans three floors of a magnificent, 1915 building in the heart of Fredericksburg’s Historic District. The white-columned venue stands out from the crowd on Main Street, a bustling strip that reflects its German ancestry and Texas charm.

    When Denver native Muraglia and his partner, Richard Boprae, a visual artist and sculptor, visited the Muraglia family ranch in the Hill Country in 2011, they noticed the growth of the region’s wineries and the opportunity to fill a niche in downtown Fredericksburg — catering to the upscale clientele. “We saw the need for more — a broader, more international, higher-end establishment,” Muraglia says.

    The pair purchased and refurbished the interiors of the landmark building, respecting its original architecture. They opened Vaudeville on Mother’s Day of 2012. Vaudeville is a hybrid of gourmet cuisine, unique home goods, and art. A common thread runs throughout: exquisite taste.

    The all-scratch Bistro, dedicated to new American comfort food and reinventing the classics, is situated downstairs, in an elegant, European atmosphere complete with a gourmet market and wine cellar. Guests of the V Supper Club, the multi-course chef’s tasting menu offered exclusively on Friday, Saturday, and Monday nights, as well as Sunday brunch, dine at intimate, candle-lit tables, in the attached vestibule and courtyard.

    Muraglia’s family background is Northern Italian and New Orleans southern. As a chef, he merges his infatuation of global, sumptuous delicacies with his appreciation of seasonal, Hill Country ingredients. “I love being in the agricultural community of Fredericksburg,” he says. “We take advantage of our local market. But we’re on the luxury [end] as well, so I fly in a lot of fresh seafood — whether it’s from the West Coast or East Coast, white truffles from Italy, caviar.”

    His penchant for high-quality doesn’t stop at food. It infiltrates every facet of Vaudeville — from the design to the service. The V Supper Club delivers another level of decadence. “In the Supper Club, that quality, it resonates. It’s in the food, it’s in the china, it’s in the furnishings. Quality is the underlying theme,” Muraglia says.

    Special events
    Members of Vaudeville’s Wine Club have the opportunity to attend quarterly wine tasting parties and pick up their seasonal curation of boutique wines sourced from around the globe. “It’s a four-bottle send-out, $200 per quarter. There is an optional bubbles add on,” Muraglia says.

    As Vaudeville approaches its fifth anniversary in May, things will pick up speed. “This spring, we’re going to have probably more [events] than ever,” Muraglia says. Plus, the V Supper Club may open for an additional night — “on Thursday for a different concept than our tasting menu, so stay tuned,” Muraglia adds.

    shoppingholidayschefsluxurytexas
    news/home-design

    la dolce vita

    How a Houston designer transformed an Uptown hotel into an Italian escape

    Emily Cotton
    Jun 5, 2026 | 1:07 pm
    Hotel Granduca
    Photo by Julie Soefer
    Bespoke furnishings blend seamlessly with the antiques throughout.

    The Hotel Granduca — with its posh Uptown Park address, walled-grounds, and recently-refreshed interiors — has quietly pulled a fast one on Houstonians. While heads have been tilted toward the skyline’s mammoth new developments, the six-story Hotel Granduca has climbed the ranks of the trendiest boutique hotels around town for locals to just, well, be.

    The dark-and-heavy “Texas Tuscan” architecture and decor of the hotel’s earlier days have been replaced with bright interiors, a greenhouse, library, and a European garden terrace more in rhythm with actual Italian villa aesthetics. In addition to the in-house restaurant Remi, additions such as programming like Mahjong Mondays, themed brunches, local boutique pop-ups, live music performances, daily afternoon social hours, and a newly-minted preferred partnership with Biologique Recherché and Evolve Salon have made it impossible to deny the hotel’s reignited appeal. On any given day, someone in the group chat is headed to “The Granduca.”

    "Hotel Granduca presented a unique opportunity to reimagine what boutique luxury hospitality can look like in Houston," said Thomas Duncan, managing director of Transwestern Hospitality Group. “Hospitality should tell the story of the city it calls home, and our continued commitment to enhancing the property reflects a desire to create an experience that authentically captures Houston's warmth, diversity, and quiet sophistication. We are proud to offer a more intimate and personalized expression of luxury that is distinctly different from anything else available in Houston today."

    Originally opened in 2006, Houston’s only all-suite hotel was ready for a bit of a spa day of its own. Houston-based luxury designer Kara Childress — known for her elegant designs and one-of-a-kind antique finds — was picked by Transwestern for this grand reimagining. The newly-completed phase I of the renovation includes the lobby, library, Remi and Bar Remi, the garden courtyard, and over 5,000-square-feet of event spaces. The 141 suites will be rejuvenated as part of phase II.

    “Uptown Park is such a great, easy-to-get-to neighborhood with so many shops, and the hotel was in such need of a facelift,” explains Childress. “My hope was to make it more residential, and not so commercial like some big hotels. I think it feels good. I’m trying to transport you and make you feel like you’re in a beautiful old villa. These [Italian] families take so much pride in their homes. They never tear anything down and start over, they just keep adding to it.”

    Textural layering is something Childress effortlessly does to perfection. From the bones of the building to finishing with the placement of an 18th-century bibliothèque behind the check-in desk, the new design provides a naturally-formulated progression of the eye that suggests to the viewer that the hotel has been this way all along — which is exactly the point.

    Childress intends for the design to transport guests to an old Italian palazzo or monastery. Ceilings were raised and a pair of east-west doors was updated to a contemporary steel and glass combination, allowing the once dark interior space to become vibrant. Save for the doors, the space moves backwards in time. Designer-favorite Segreto Finishes replaced faux plaster paint techniques with genuine lime plaster throughout — including the elevators. Faux-limestone-printed porcelain floor tiles were replaced with genuine limestone, and 100-year-old pine floors reclaimed from a stable and installed in the restaurant all grant the hotel the genuine authenticity it had needed all along.

    “We brought in a lot of authentic materials. We just gave the bones back to the building; that added a lot of character,” says Childress. “When you go to Italy, all of those hotels have been renovated from beautiful old buildings that all have that gorgeous architecture and they’re so outstanding. It’s all new, but it actually feels like it’s been there forever, because it’s all old materials. And that’s what I was hoping for. I didn’t want it to be shiny and brand new; it feels like it’s been there for a long time and it’s not too precious. The more you use and enjoy it actually adds to the age, and it just feels better.”

    Bespoke furnishings blend seamlessly with the antiques throughout. A contemporary mohair sofa is fast friends with an 18th-century French walnut buffet with unlacquered brass hardware. A lobby-centered tête-à-tête dressed in a plush, tiger’s stripe silk velvet by Scalamandré, a mid-17th-century walnut-paneled cassapanca chest, and 19th-century large Louis Philippe mirror mix materials, patinas, and eras to fall perfectly into place as a beacon of Contemporary Classicism.

    While the overall color story in the lobby is a wash of natural limestone and plaster tones, Childress introduces hints of terra-cotta and Mediterranean-inspired teal and blues, followed by a full commitment to color in both the more communal restaurant and library spaces.

    “I want the eye to look outside and not get arrested in the entry. I used teal and terra-cotta because they lean into Tuscan colors, but I really leaned heavily into the ones in the bar,” explains Childress. “Those colors are so warm and rich. We’re wanting it to be a hotel that — obviously — people come and stay when they’re from out of town, but also just locals. It’s a great place for a burger, and the breakfast is incredible.”

    Directly across from Remi and Bar Remi is the equally-moody library. A marble fireplace, Persian rugs, a c.1860 black and burl walnut Italian mirror, oil paintings, accessories, and hundreds of leather-bound books populate the space, while seating for groups and individuals makes it the perfect place to enjoy a coffee and check emails or share cocktails and stories with friends and family.

    Just outside, the garden courtyard serves as an al fresco dining and lounge space. The once-exposed pool fencing has been cleverly concealed with tall hedgerows that play as a backdrop to a large 18th-century horse trough repurposed into a lovely fountain. “Outdoor terrace dining is such a treat to be able to have in Houston, and that’s a really fun place to be when they have live music,” adds Childress.

    The new art collection at Hotel Granduca is a mix of large-scale antique painted canvases — like the depiction of cranes in the lobby and the 18th-century Dutch painted panels behind the front desk — mixed with fun, over-the-top works by Scottish-born philanthropist and photographer David Yarrow speckled around the property. The black and white photos were chosen by Childress — from Yarrow’s La Dolce Vita series — for their playful narratives and mix of sensibilities. With names like “Bull Rider,” “The Last Supper in Texas,” and “Cowgirl,” it’s easy to see the appeal for a hotel in Houston.

    “They’re all black and white, and they have a vintage feel to them, and it’s a little bit Italian and a little bit Texan,” explains Childress. “I’m kind of combining two cultures: Texas, which we are so proud of; and Italy, which we all love. They’re both friendly and convivial, and ‘nobody meets a stranger,’ which I love. So we tried to weave those two together.”

    The pièce de résistance lies within the belly of Hotel Granduca. A short journey through a hallway opens up to the elevator lobby and breathtaking plaster mural by Segreto Finishes. Floor-to-ceiling and wall-to-wall, this incredible piece reads sculptural more than anything — imagine a frieze extended down an entire wall. Childress worked with the team at Segreto to design a piece that is distinctly Texan. A large live oak tree (complete with a squirrel and snake) branches out over native flora and fauna, an armadillo, deer, birds, and even a windmill. This piece is absolutely worth seeking out when visiting the hotel.

    Overall, the reimagined Hotel Granduca is a testament to how excellent design, hospitality, and thoughtful partnerships and programming can be positively transformative. So much so that a handful of live-in residents partake of the available long-term rental options. As mentioned previously, the hotel doesn’t have an on-site spa, but the new partnership with Biologique Recherché makes for an easy spa day, with full concierge-driven appointments and hotel car service.

    Whether visiting from out of town or just down the street, settle in for the day, night, or even month. There is always something to do at Hotel Granduca. With the FIFA World Cup beginning soon, the hotel will offer an exclusive viewing lounge for all Houston-hosted matches, themed cocktails inspired by competing nations, and complimentary country-inspired bites for the first hour of each match.

    Houston-hosted World Cup Match Dates:

    • June 14 | Germany vs. Curaçao | 12 pm
    • June 17 | Portugal vs. Congo DR | 12 pm
    • June 20 | Netherlands vs. Sweden | 12 pm
    • June 23 | Portugal vs. Uzbekistan | 12 pm
    • June 26 | Cabo Verde vs. Saudi Arabia | 7 pm
    • June 29 | Round of 32 | 12 pm
    • July 4 | Round of 16 | 12 pm

    Hotel Granduca

    Photo by Julie Soefer

    Bespoke furnishings blend seamlessly with the antiques throughout.

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    news/home-design

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