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    Make it Work

    Sans mustache, Daniel Esquivel spills Project Runway's secrets — and some of his own

    Caitlin M. Ryan
    Apr 24, 2013 | 3:01 pm

    "No mustache!" I spouted off without thinking when Daniel Esquivel walked into our interview room with a clean-shaven face. The Project Runway season 11 finalist hailing from Austin became a fan favorite for his positive attitude, structural designs that balanced the fine line between young and old, and of course, the quirky facial hair.

    But the adornment is no more: "It's all about a new chapter," he says as he warmly greets me with a hug.

    Project Runway is a unique reality show in that contestants are not just trying to win a measly date or small sum of money — they're trying to set a high-end fashion career afloat. So within the confines of typecasting and tireless hours, each are challenged to create their personal best. Every episode.

    Aside from a few inevitable emotional flare ups, Esquivel managed to keep his cool, sweetly — yet confidently — presenting his work to the judges, often while cooing in his Texas drawl, "Isn't that pretty? Isn't that cool?"

    We spoke to him the day before Project Runway "Finale, Part 2" (Thursday, 8 p.m., Lifetime) and though he was voted off last week during "Finale, Part 1," we learned that he still showed at NYFW — and he considers that a victory, in and of itself. As we talk, he proudly parades a model around the room who tries on two dresses, letting us in on the rare, positively determined breed that is Daniel Esquivel.

    CultureMap: So have you been in hiding, unable to emerge until you were officially off the show?
    Daniel Esquivel:
    No, you know, coming back from being on the show was a reality check that no matter what the out come is — I'm still a winner either way. All I wanted to do was to show at NYFW by being on the show, and that's what happened.

    "I am the same person on that show as I am sitting in this chair — I got real lucky. I think I was the luckiest one on the show."

    CM: I know from covering NYFW, that eight designers show full collections at the Project Runway show in order to keep the media from finding out who wins before the show airs.
    DE:
    And that's a blessing! Richard, Samantha, Amanda, Layana [and me] all showed. And of course Michelle, Stanley and Patricia were the finalists. All of us who didn't have our names out there [as finalists], we got a lot of [press] attention.

    And it felt kind of cool, because my collection walked out first. When the producers told me that would happen, I was overwhelmed. I was like, "You know what, that's what I came here for!"

    CM: Designers have to come up with new inspiration every season, year after year. Do you ever feel you're stretching to make something work?
    DE:
    No. By having the opportunity to go to Germany [on episode 12], man, that just opened porthole in my head. I was so influenced by the architecture. What was cool was coming back to Austin to make it. Here, I was influenced by Nick Cave, who was showing "soundsuits" at AMOA-Arthouse.

    I was also influenced by sci-fi. I'm a big science fiction fan, especially from the '50s. So, that was all the influence on the NYFW collection, called "The Cloning of Marina," after my model.

    CM: What was it like have to produce actual work within an environment that's a television show?
    DE:
    What people don't understand is that a lot of us got sick. I got emotional in the middle [of the season] because what people didn't know is that I was sick. It is hard and it takes a toll on your body, going to bed at midnight, getting up at 5 a.m. and working another 12 hours. It was day after day, but we did get a day off every now and then.

    CM: Do you feel like people were forced into certain roles?
    DE: YES. But you know, I am the same person on that show as I am sitting in this chair — I got real lucky. I think I was the luckiest one on the show.

    To me, everybody else was portrayed a certain way where [producers] pushed it to the extreme — but some people were the same, naturally extreme. Everyone has the right to their own opinion, so I didn't really take to heart when people talked negatively of me.

    CM: Having to work within that context is kind of mind-blowing. Was there just as much cast interaction when you were off camera?
    DE:
    I roomed with Stanley, Tu and Richard, and we got along real well. Me and Richard really clicked after we roomed together for a while, and when we were supposed to be asleep, would stay up and talk about stuff we had in common. We had to entertain ourselves — we had no TV, no Internet, no nothing.

    "It's OK to start, it doesn't matter how old you are. I'm going to be 50, and I'm so happy right now."

    CM: Well that might have been why you got sick!
    DE:
    I guess so! [Laughs]

    CM: I have to ask you about the quote that was heard 'round Texas: Lifetime has quoted you as saying your dream place to work would be Dallas...
    DE:
    I get a lot of flack for that! So this is what happened, it was an interview I did with Lifetime. The question on Lifetime was, "Where would you have your ideal place?" My answer was really long! I said it would be fun to work out of Austin but also use the resources in Dallas. They chopped to the answer "Dallas." I love Austin!

    CM: In critiques, judges often said, "Oh, it's too old." Who do you think your client is?
    DE:
    This is what I think [that reaction] was: I'm very minimalistic when it comes to jewelry and accessories. I don't do much of that, and I know [the judges] were going for a total look, but to me, less is more. I would take the suggestions of the hair and makeup people and the judges would criticize me, but I'm a gentleman and I wasn't going to stand on stage and say, 'The hair people..."

    At that point, you're there on the runway, and I stood by everything that they did. I just learned to keep my mouth shut.

    CM: You're clearly expanding rapidly — what's happening this summer?

    DE: [Looks over at his business partner and asks, "Can I tell her?"]

    I'm going to be working with a manufacturer. It will be spring 2014. It's going to be a commercial line, so it's going to be affordable for everybody. It's going to happen! Babysteps.

    CM: Congratulations! That's amazing. Are you having fun with all of this?
    DE:
    I like that I get a message across that it's okay to be yourself. [Pauses and begins to cry]

    It's OK to start, it doesn't matter how old you are. I'm going to be 50, and I'm so happy right now. If you have any problem — mental or physical — there's help out there. I went through that. I went through substance abuse, I went through depression, and I'm not embarrassed about that.

    Despite this outcome, this is a win either way. This is a platform which I stand on. I wake up in the morning with gratitude that I get to do what I'm doing.

    Daniel Esquivel poses with a model during a fitting for a dress to be presented at Austin Fashion Week.

    Project Runway's Daniel Esquivel with model in Austin Fashion Week dress
    Photo by Caitlin Ryan
    Daniel Esquivel poses with a model during a fitting for a dress to be presented at Austin Fashion Week.
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    EFFORTLESS EDIT

    Shop Carolyn Bessette's minimal '90s style at these 8 Houston spots

    Gabi De la Rosa
    Mar 19, 2026 | 10:30 am
    Love Story
    Photo courtesy of FX/Facebook
    Thanks to the show, "Love Story: John F. Kennedy Jr. And Carolyn Bessette," 90s minimalism is back and easy to find in Houston.

    Thanks to Love Story: John F. Kennedy Jr. and Carolyn Bessette, the woman who helped define ’90s minimalism is back in heavy rotation. Her classic way of dressing serves as a reminder that great style does not need logos or loud trends to make a big impact. Bessette-Kennedy's uniform of crisp white shirts, perfectly cut denim, and minimal accessories is not only nostalgic, but a stylish blueprint for getting dressed right now.

    Houstonians don't need a NYC zip code or a Calvin Klein press badge to recreate her most classic looks. From River Oaks District to Rice Village and the Heights, boutiques are leaning into that same pared-back polish — making it easy to find a quietly expensive aesthetic without overthinking it.

    Accessories

    Lele Sadoughi

    Bessette-Kennedy often topped off her casual outfits with a slim tortoise shell headband, and Lele Sadoughi, a boutique in River Oaks District, is leaning into similar timeless styles. The Tortoise Emma Acetate Headband and the Jet Faux Leather Bessette Headband are both available for preorder with similar styles available in-store.

    Lele Sadoughi Polished headbands and statement accessories with a timeless twist.Photo courtesy of Lele Sadoughi

    Krewe

    New Orleans-born Krewe eyewear in Rice Village is channeling '90s minimalistic style with slim, small-frame sunglasses that are reminiscent of Bessette-Kennedy's go-to pairs. Its Spring 2026 collection introduces the Kate and Leah styles, each offered in three colorways.

    Krewe Sleek, small-frame sunglasses that channel effortless ’90s cool.Photo courtesy of Krewe

    Fly High Little Bunny

    This Houston go-to for one of a kind pieces offers a variety of both fine jewelry and classic sterling silver styles. Jeweled hoops, dainty rings, and minimal necklaces that were everyday staples of Bessette-Kennedy, are available at their Heights boutique.

    Fly High Little Bunny Delicate jewelry and one-of-a-kind pieces for everyday minimalism.Photo courtesy of Fly High Little Bunny/Instagram

    Moreau Paris

    Often seen carrying a tote bag, the '90s fashion icon was a big fan of understated luxury. River Oaks District handbag boutique Moreau Paris offers a variety of bags in similar styles including the Mini Vincennes Reversible Totes giving a two-in-one option, as well as the Small Ana Saddle Leather Top Handle Bag for a more structured look.

    Moreau Paris Understated luxury handbags with clean lines and quiet sophistication.Photo courtesy of Moreau Paris

    Clothing

    Tootsies

    When it came to denim, Bessette-Kennedy kept things classic, favoring straight and bootcut styles. At Tootsies, the brand DL1961 taps into that same timeless feel. The Bridget Boot High Rise Instasculpt offers a flattering polished fit and comes in a variety of colorways and lengths making it easy to find a pair for everyday wear.

    DL1961 Classic denim fits and elevated staples for a polished, everyday look.Photo courtesy of DL1961

    Alchemia

    One of Bessette-Kennedy's most celebrated looks was a basic white button down shirt. She often wore Calvin Klein, as she was a publicist for the brand, but the same classic style can be found at Alchemia. The Essentials Icon Shirt in white is tailored at the waist, chest, and back to give a flattering fit without the dreaded blouse gape.

    Alchemia Tailored essentials, including the perfect crisp white button-down.Photo courtesy of Alchemia

    Frock Shop

    A versatile black midi skirt not only goes with everything, it can be worn during any season. Frock Shop carries the ALC Remy Drawstring Midi Skirt that is easy to style and comfortable to keep on a regular rotation.

    Frock Shop Easy, versatile pieces like midi skirts that work season after season.Photo courtesy of Frock Shop

    Beauty

    Kiehl's

    Used by both Carolyn and John, the Kiehl's Creme with Silk Groom delivers soft hold, subtle shine, and natural movement. Ideal for the sleek low buns Kennedy-Bessette favored as well as polished styles. Kiehl's Highland Village location also carries a scent very close to Kennedy Bessette's fragrance of choice. The Kiehl's Original Musk Eau de Toilette combines classic musk with with soft floral and woody notes.

    Kiehl's Original Musk Eau de Toilette Low-key grooming and fragrance for a naturally polished finish.Photo courtesy of Kiehl's

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