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    The wave of the future?

    Virtual runway: Prabal Gurung for ICB and See by Chloé unveil digital-onlyfashion shows

    Clifford Pugh
    Mar 3, 2012 | 5:20 pm
    • ICB by Prabal Gurung chartreuse brushed wool cape coat with smocked back yoke,midnight wool knit snood.
    • See by Chloé red jacquard jumper, red jacquard cardigan, pink corduroy slimpants, off-white calfskin and suede pointy boots.
    • ICB by Prabal Gurung persimmon stretch wool twill blazer with midnight lambleather lapel, indigo silk double georgette collared blouse, midnight woolsaxony double pleat trouser with tuxedo side trim detail.
    • ICB by Prabal Gurung azalea silk crepe de chine kaleidoscope print sleevelessdress with drop waist double layer skirt and hibiscus silk crepe de chinekaleidoscope print collared blouse.

    NEW YORK — The future is now.

    For the past few years, designers have mulled over the idea of staging a digital fashion show, where the only way to view the collection is online. This fashion season, for the first time, two have taken the plunge.

    During Mercedes-Benz Fashion Week, Prabal Gurung debuted a line he developed for International Concept Brands, which is owned by Japanese retail giant Onward Kashiyama. The ICB collection will appear in U.S. stores in the fall.

    It's easier to see the clothes on video than in a crowded room where it's oftentimes hard to get a good head-to-toe look. But without an audience, the show has a sterile feeling.

    The show, accessible to select retailers, buyers and fashion editors who signed in to a website with a special code, featured 32 looks, as models walked around in a stark white room while music played in the background — just like at a runway show.

    In addition to head-to-toe views, there were close-up shots, so you could see the intricate smock detailing on a chartreuse cape, the flowing angel wing ribbons on the shoulders of a white blouse or the lace insets on a dress, thanks to the wonders of HD technology.

    The collection is clean and modern, with stark shades — persimmon, aubergine, chartreuse, indigo — and colorful hibiscus and azalea prints. Clothes are cut in a way that a young hip twentysomething girl would love, with colorful cropped jackets, a shift with slashes that reveal a contrasting shade underneath and tiered ombre dresses with ethereal floating hemlines.

    Gurung praised the digital runway format as a modern way to make lives easier for buyers and the fashion press. "It's a tool that I think will change the fashion world and make us see fashion shows in a different way," he said.

    He has a point. It's easier to see the clothes on video than in a crowded room where it's oftentimes hard to get a good head-to-toe look. But without an audience, the show has a sterile feeling — and since clothes often look different when seen in person rather than on video, there are some nagging doubts that what you see is what you'll get in stores.

    And I miss the final runway walk where all the models come out one last time to rapturous applause and the designer shyly waves to the adoring audience while Anna Wintour, trailed by her bodyguard/driver,scurries out to beat the crowd to the next show.

    On the first day of Paris Fashion Week Wednesday, the fall collection of See by Chloé also debuted in the same way. (Both shows were shown in a format devised by KCD, the New York agency that handles many top shows like Marc Jacobs and Alexander McQueen.)

    Against a white marble wall flecked with veins of black, models strolled out in loose diaphanous dresses, belted jackets, wrapped silk blouses and skinny trousers in muted colors. A flannel coat with leather sleeves and a red jacquard cardigan were among the eye-catching items in the collection, which featured 32 looks. And the accessories — pointy ankle booties and a doctor's bag carried upside down — have a cool, urban vibe.

    As the secondary, lower priced Chloé line, though, it probably wouldn't have attracted near this much attention if it weren't shown on the virtual runway.

    See by Chloé fall 2012 collection:

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    Stepping up

    Texas bootmaker strikes a glossy note with the debut of new patent line

    Gabi De la Rosa
    Apr 13, 2026 | 9:30 am
    Miron Crosby Maggie Patent
    Photo courtesy of Miron Crosby
    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

    Cowboy boots are based in tradition, but Miron Crosby continues to find ways to move the conversation forward. The Dallas-based label’s latest release, the Maggie Patent Collection, debuts a new material to its signature lineup while staying true to the workmanship that built its following.

    The brand’s best-selling Maggie boot is now available in a high-gloss patent leather. Although the new finish changes the silhouette's tone, delivering a more fashion-forward take on Western footwear, the boot’s structure remains the same.

    “Maggie is such a classic, flattering shape, so even when you introduce something like a patent, it still feels timeless at its core,” co-founder Sarah Means Ward tells CultureMap.

    When designing the boot, the sisters were careful not to lean into trends. They focused on letting the material enhance the boot rather than redefine it. “We wanted it to feel elevated and refined instead of overly flashy,” says Ward.

    Miron Crosby Maggie Patent New colorways Beurre, Sable, and Transformative Teal bring depth and shine to the Maggie Patent lineup.Photo courtesy of Miron Crosby

    Texas has strong roots and ideas about Western wear, and introducing patent leather into a heritage category can come with risks. The sisters approached the new collection with a respect for tradition as their foundation.

    “The craftsmanship, the construction, the way the boot fits and feels, those elements are non-negotiable,” Duplantis says. “From there, it’s about evolving the design in a way that still feels authentic.”

    The look was first tested in 2019 when Miron Crosby worked with Prabal Gurung on a limited run of patent boots for his runway show. That collaboration allowed Miron Crosby to explore new materials, something the brand has continued to build on. With Maggie Patent, that early concept was refined into a boot designed for daily wear, not just for the runway.

    “It showed us that something as unexpected as patent leather can feel completely natural in a Western silhouette when it’s approached thoughtfully,” says co-founder Lizzie Means Duplantis.

    The collection is available at their River Oaks boutique, in three colorways: Beurre, Sable, and Transformative Teal, which were influenced by materials seen at the 2025 Lineapelle show in Milan.

    “The patent leathers had this incredible richness that made us think about color in a different way,” Ward says.

    The sisters chose colors that were naturally approachable. Neutral tones like Beurre and Sable are great for everyday wear, while Transformative Teal offers a statement moment. “Some days (our customer) wants something understated, other days she wants something that stands out,” says Duplantis. “This was about giving her both.”

    Miron Crosby Maggie Patent

    Photo courtesy of Miron Crosby

    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

    miron crosby houstoncowboy bootsmiron crosby
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