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    Off the Cuff

    Discovering new talent at New York fashion week: Mathieu Mirano & Karen Walker

    Lindley Arnoldy
    Feb 28, 2012 | 2:08 pm
    • Mathie Mirano in front of his Fall 2012 Collection in the Box at Lincoln Center
      Photo by Steve Hellerstein
    • Sequined-embellished cropped jacket reminiscent of Balmain at Mathieu Mirano.
      Photo by Steve Hellerstein
    • Dragon-inspired jewelry at Mathieu Mirano
      Photo by Andrew Werner
    • At Karen Walker Fall 2012, paisley prints and vibrant orange
      Karen Walker.com
    • Karen Walker's fuzzy yellow sweater gives a nod to the 1960s.
      Karen Walker.com
    • Boxy coats and paisley booties at Karen Walker
      Karen Walker.com
    • Brocade dress at Karen Walker
      Karen Walker.com
    • Another personal favorite of mine, a high-neck, long-sleeved black velvet gown
      Photo by Andrew Werner
    • A personal favorite, a red and gold satin v-neck gown
      Photo by Steve Hellerstein
    • Dragon-like scaled embroidery at Mathieu Mirano
      Photo by Steve Hellerstein

    Editor's Note: With 350 designers at fashion week, there's no way Clifford Pugh could see all the shows. CultureMap contributor Lindley Arnoldy sought out some new fashion talent. Here's her report.

    NEW YORK — Viewing the runway shows of major fashion houses at Mercedes-Benz Fashion Week is a thrilling experience. There is something truly glamorous and titillating about being a stone’s throw away from the key editors and photographers who have long standing presence in the industry.

    However, there is also something to be said about seeing an emerging designer present for the very first time, where the talent is palpable but the crowd is much thinner.

    There is something to be said about seeing an emerging designer present for the very first time, where the talent is palpable but the crowd is much thinner.

    One of my favorite experiences from fashion week was viewing the presentation of newcomer Mathieu Mirano in the Box at Lincoln Center. Unlike a typical runway show, Mirano’s presentation felt exotic and otherworldly, paying homage to his background in piano with intense classical music setting the tone.

    His 2012 fall collection was inspired by a dream he had involving women and dragons, which was visible in his use of fiery reds, golds and blacks with the incorporation of exposed zippers, claw studs, dragon heads and talons.

    The result was a dark, somewhat mystical collection that reminded me of the sort of ostentatious, regal feel of something put forth by Balmain or Versace. My favorites were actually two gowns — a black turtleneck velvet gown that had a sort of renaissance appeal to it and a red and gold floor length satin with a V-neck and cap sleeve.

    At only 20 years old, Mirano is making a name for himself for his sense of imagination and couture skills focusing on high levels of construction. He dropped out of Parson’s School of Design and in the last year morphed from a student trying to sneak into the tents at Lincoln Center to a talented, emerging designer presenting from the inside. I was very impressed with his work and predict he will be one to watch.

    Sea monsters on the runway

    Another favorite at fashion week was newcomer – though not first timer – designer Karen Walker. She has really made a name for herself in the industry with her sunglass line, a gift to all of the attendees in the first two rows at her runway show. She used the Jules Verne novel Twenty Thousand Leagues Under the Sea as the inspiration for her “Sea Monsters” presentation, which translated into lots of navy, yellow and orange separates with funky paisley prints, brocades and boxy coats.

    The wild colors and prints were refreshing next to all of the black seen at many of the other shows.

    I love Walker’s ability to offset a sweet peplum or pussybow blouse with a boyish, drop crotch trouser. There were also '60s mod undertones, seen similarly in her signature round sunnies, with her use of fuzzy sweaters and A-Line silhouettes. I particularly loved how she brought the paisley prints into her pointy toe booties with vibrant colors and sweet ruffles. The wild colors and prints were refreshing next to all of the black seen at many of the other shows.

    The show attracted some notables. I spotted well known blogger Man Repeller tweeting from the front row and Elle style director Kate Lanpher seated directly in front of me. Walker’s knack for eclectic mix and her ability to execute multiple influences really made her stand out to me as a whimsical, talented designer who we will continue to see more of.

    Lindley Arnoldy writes the fashion and style blog The Flip Side.

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    Stepping up

    Texas bootmaker strikes a glossy note with the debut of new patent line

    Gabi De la Rosa
    Apr 13, 2026 | 9:30 am
    Miron Crosby Maggie Patent
    Photo courtesy of Miron Crosby
    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

    Cowboy boots are based in tradition, but Miron Crosby continues to find ways to move the conversation forward. The Dallas-based label’s latest release, the Maggie Patent Collection, debuts a new material to its signature lineup while staying true to the workmanship that built its following.

    The brand’s best-selling Maggie boot is now available in a high-gloss patent leather. Although the new finish changes the silhouette's tone, delivering a more fashion-forward take on Western footwear, the boot’s structure remains the same.

    “Maggie is such a classic, flattering shape, so even when you introduce something like a patent, it still feels timeless at its core,” co-founder Sarah Means Ward tells CultureMap.

    When designing the boot, the sisters were careful not to lean into trends. They focused on letting the material enhance the boot rather than redefine it. “We wanted it to feel elevated and refined instead of overly flashy,” says Ward.

    Miron Crosby Maggie Patent New colorways Beurre, Sable, and Transformative Teal bring depth and shine to the Maggie Patent lineup.Photo courtesy of Miron Crosby

    Texas has strong roots and ideas about Western wear, and introducing patent leather into a heritage category can come with risks. The sisters approached the new collection with a respect for tradition as their foundation.

    “The craftsmanship, the construction, the way the boot fits and feels, those elements are non-negotiable,” Duplantis says. “From there, it’s about evolving the design in a way that still feels authentic.”

    The look was first tested in 2019 when Miron Crosby worked with Prabal Gurung on a limited run of patent boots for his runway show. That collaboration allowed Miron Crosby to explore new materials, something the brand has continued to build on. With Maggie Patent, that early concept was refined into a boot designed for daily wear, not just for the runway.

    “It showed us that something as unexpected as patent leather can feel completely natural in a Western silhouette when it’s approached thoughtfully,” says co-founder Lizzie Means Duplantis.

    The collection is available at their River Oaks boutique, in three colorways: Beurre, Sable, and Transformative Teal, which were influenced by materials seen at the 2025 Lineapelle show in Milan.

    “The patent leathers had this incredible richness that made us think about color in a different way,” Ward says.

    The sisters chose colors that were naturally approachable. Neutral tones like Beurre and Sable are great for everyday wear, while Transformative Teal offers a statement moment. “Some days (our customer) wants something understated, other days she wants something that stands out,” says Duplantis. “This was about giving her both.”

    Miron Crosby Maggie Patent

    Photo courtesy of Miron Crosby

    Miron Crosby reimagines its signature Maggie boot in high-gloss patent leather for a polished update.

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