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    Movie Review

    Tornado thrills make Twisters into can't-miss blockbuster of the summer

    Alex Bentley
    Jul 18, 2024 | 4:45 pm
    Daisy Edgar-Jones and Glen Powell in Twisters

    Daisy Edgar-Jones and Glen Powell in Twisters.

    Photo by Melinda Sue Gordon / Universal Pictures; Warner Bros. Pictures; & Amblin Entertainment

    When a movie becomes a blockbuster, odds are great that it will soon be followed up by a sequel. 1996’s Twister made almost $250 million in the U.S. alone, so the fact that it’s taken almost 30 years for someone to try to expand upon the world it created is surprising. Even more surprising is that the spiritual sequel, Twisters, doesn’t just go the easy route and play on nostalgia for the original.

    The star of the film is Kate Carter (Daisy Edgar-Jones), who has the belief that she can stop a tornado in its tracks via a special compound designed to be sucked up into the storm’s core. An early tragedy puts those plans on hold for a while, but when a member of her crew, Javi (Anthony Ramos), approaches her for help with a new venture, she’s soon headed back to Oklahoma to put her skills to the test again.

    Javi, whose group is backed by a big-money donor whose ultimate goals might be less than honorable, and Kate butt up against a ragtag rival group led by Tyler Owens (Glen Powell), who seems more interested in views for his YouTube channel than anything else. But as the two groups chase down tornado after tornado, Kate and Tyler start to earn each other’s respect, banding together to try to help people who find themselves in the paths of the twisters.

    Directed by Lee Isaac Chung and written by Mark L. Smith, the film is a hell of a ride, about as good as anyone could reasonably expect from an attempt to turn a one-off film into a franchise. Notably, the filmmakers actually put an effort into making connections with the characters. Kate and Tyler are fully three-dimensional, Javi is given more depth than a third-wheel usually gets, and Tyler’s crew is made up of many interesting personas, including Boone (Brandon Perea), Dexter (Tunde Adebimpe), and Dani (Katy O’Brian).

    This storytelling is appreciated since the biggest thing most moviegoers will be interested in are the tornados. Chung and his team deliver mightily in this respect, marrying CGI technology with practical special effects to construct scenes that are alternately exhilarating and terrifying. The set pieces never feel repetitive, and each one seems more spectacular than the one before. But the film is about more than just thrills, as it has a social conscience about the impact the storms have on the towns they devastate and what its characters can do other than just chase twisters.

    Instead of direct nostalgia, the film makes do with allusions to aspects of the original. An early scene has Kate’s group using the same technology as the first film, and Kate herself has a preternatural ability to sense the movement of storms, much like Bill Paxton’s character. The rivalry between Tyler’s loose, free-wheeling group and Javi’s rigid, moneyed one emulates the first film. And both films feature a tornado tearing through a movie theater as a horror movie plays, an ironic touch given the horror playing out in real life for the characters.

    After Top Gun: Maverick, Anyone But You, Hit Man, and now this, there is no doubt that Powell is a full-on movie star. But the Austin native feels like a down-to-earth person, and he makes Tyler into a relatable character despite his cockiness. Edgar-Jones is not as big a star yet, but more roles like this one that showcase her likability and acting skills could make her into one. The supporting cast members never feel out of place and make the story feel interesting throughout.

    Twisters is a fantastic blockbuster movie, giving fans moments that will blow them back in their seats and make them hold their collective breath. But it also never loses its humanity in the chaos, allowing its characters to show they understand the impact the storms have on the world around them and the work they are doing.

    ---

    Twisters opens in theaters on July 19.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

    moviesfilm
    news/entertainment

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